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Make it  Namur Music Collective

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Harnessing a distinct brand of artistry that knows no categorical bounds, the DJ, producer and record label head has cemented herself as one of the music industry’s most in-demand names at nothing short of breakneck speed. Her signature sonic approach masterfully blends genres with a visceral energy that commands attention, the ardent catalyst in her meteoric rise from Belgium’s underground to global phenomenon status.

MARKO DE LA ROCCA  

For the past 19 years MARKO has been the resident DJ for the legendary “La Rocca on Sunday “nights, a quite remarkable achievement.
He’s been called a specialist but everyone agrees: this guy’s got real talent and is a true professional. For years his name has appeared in the top 10 of the Best Belgian DJ’s, and in 2004 he was also voted Best Belgian Progressive DJ . 
In 2010, he takes part of the Radio FG’s World Top DJ’s Contest and reached the position 21 of the ranking.

BIOGRAPHY: 
Marko’s career begins in the late eighties, his reputation grows and he soon becomes established as an important figure in the vibrant Belgian music scene. 
The legendary Belgian club “La Rocca” ask him to take-over their important Sunday night slot in 1992. 
There are many world-class guest DJ’s that have appeared alongside Marko on these Sunday nights, such as : Michel De Hey, Blake Baxter, Andre Nalin, Trevor Rockcliffe, Sander Kleinenberg, David Morales, Oliver Moldan, Marcello, David Guetta, Felix Da Housecat, Sasha, Criss Source, 16 Bit lolitas, Dave Seaman, Dr Kucho, Tiestö and many more – besides all the top DJ’s from the Belgian scene . 

With his obviously natural ability to DJ, Marko became greatly respected as a DJ by professionals. 
Residencies at top clubs such as “At The Villa“(94-96) and “The Fuse“(96-97), Tour & Taxi in Brussels (1998-2000) made Marko a ‘ major player ‘ in Belgium’s clubbing scene. Along the way he’s DJ’d at many massive events such as I Love Techno, Impulz, Extrema, besides playing regularly at the major Belgian Clubs (Versuz, Café d'Anvers, Extrême,…).
  
Since 2000 he’s played gigs all over the European continent including  the Folies Pigalles, Red Light, the 287 and Montana Club in France; the very first Creamfields on the Baltic coast and SQ Klub in Poland; Pacha and K5 in Ibiza; Le Petit Prince and Nature One (Gremany); the Solar Festival, Chemistry and the Heineken Dance Parade in The Netherlands, Carl Cox at Warsaw (Poland 2002).
Back in Belgium, since 2001, Marko has often featured in important line-ups at gigs such as the House Torhout, the Dance-a-Delic festival, 10 Days Off, the huge City Parade (more than 180,000 dance fanatics). 
He headlined the first White Sensation event at Antwerp in April 2005 with Armin Van Büren and Junior Jack; but also the Tomorrowland Festival in 2006 and on the main stage in 2007 ! During 2009, Marko have a new residency at Noxx Club in Antwerp, where he was honoured to share the turntables with Faithless, John Digweed, Sasha and Felix Da Housecat right after their gigs.
    
In terms of releases, Marko has put together many compilations (La Rocca) and releases on diverse labels for labels such as: NEWS, Mackenzie, Bonzai,Tripomatic , Enterprise Records and Massive Drive Recordings. 
He worked with Pole Folder on several remixes including “Inner Turmoil“(released by Bedrock Records). In 2008, he composed “Cult of Sunday” with Elektrokid then; a following tune appears on Banshee Worx in 2009 trough a stupendous association with Laurent Veronnez (Airwave): “Blues Diamond”. 
In 2011, he created “Balkan Brothers” with Barry Fore on Versuz Essentials, a project with a mainroom house smasher : “Hypnotika Mandolina”.

Website    : http://www.djmarko.net   
Facebook : http://www.facebook.com/Marko de la Rocca
               	     http://www.facebook.com/Marko de la Rocca Ger 

No accurate depiction of electronic music culture would be complete without special mention of Deborah De Luca. Widely acknowledged as one of the most prominent flag-bearers for Techno globally and a regular fixture inside the world’s most distinguished DJ booths, Deborah has the unique ability to transfix crowds with her electrically charged, technically nuanced sets, fusing hard techno with minimal grooves and melodic soundscapes to absorbing effect. A pioneer in the use of social networks as a promotional tool, whilst somehow managing to retain a strong sense of discretion in her private life, Deborah is unrivalled in her determination and passion, earning every part of her current status as one of the most exciting talents to emerge from the international Techno scene over the past decade.
Born under the shade of the infamous Vele di Scampia – one of the toughest districts in Naples – the now-globally recognised DJ, producer and label head came from humble beginnings, forging her path to international success against unlikely odds. However this was to become her making. “You shouldn’t let anybody tell you what you can or can’t become”, she expounded in a rare interview, referencing her early livelihood as a nightclub dancer. “It’s true, in recent years I have gained popularity, but I am very grateful for the long journey it’s taken”. More than anything else, Deborah’s roots and her unwavering ethic are an integral part of the flourishing artist we see before us today.
Deborah spent the formative years of her musical career in Northern Italy, following a brief stint at fashion school in Modena. Cutting her teeth on the European club circuit, where she quickly realised music was her true calling, Deborah’s hard work and relentless determination eventually began to pay off and in 2013 she launched her very own imprint Sola_mente Records. Created as a platform by which to release her own music, free from creative pressure and external constraints, the label went from strength to strength and in November 2018, Deborah marked a decade-long career in the industry with the critically acclaimed release of her debut album ‘Ten’. A huge milestone for the Italian producer, ‘Ten’ represented an important rite of passage and a body of work that she would cherish indefinitely.

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