Steve Fly Agaric 23

4 track interpretations of Shannanigums Wave book III by fly.
http://stores.lulu.com/flyagaric23

shockin mastergarment entangle bramble drive. Seven wheely rainbow bridge constructer, 2000 AD. Cycling encircle jerk off radio. To Her the season sister, She provides space in silence upon the empty wind, me sixteen feet under in an Oak box, the TOR, Tarot rotation nation on a platter-head pussycrow of King$, rotation of seasons Tailsinn, bard king and priest kraft, Oiye! who stole the priestcraft from peace loving Thothers and sisters, Awake! Painters and artisanz rotate Frescoz, craft folk sleeping. 
Peeping Tom CCTV, poop Tim TV, crapping Ken cable. I be shyerwhyr fearless fungal phalloides, poetic intoxication and resurrection through whiff of Whisky at a funeral rite. RotaTerm saga over larger swiggin' and puffed up skunk packed jam sacks. POP socks sewn up. “the beast with a hundred legs, USURA.” --Ez P.

Salmon and Gold rings inside post box box. Shamagums out my box. Self raising myself, frequinoxy waves. Talk of years ago, lost paradise wounded rewound, in exile! and dumfound land, searching for 2012? Climb the Mount ∍ spin that wheel, throw the dicebox, spin that Ching! unpaid, this book cost just €10 and has spanned nearly 10 years dude. Build your own grow-rooms, like you build your own burgur, with relish. Fli-Photographs flikr.
Her smooth honeycombed beesknees. My Dunne cow. As a yob nipper I fished for naughts and Nulls in the Pondlife wearing red wellingdone boots, and I listened to thunder. Slack country berries, vines, ivy, hazel, Willow, Whispers on the wind, faces in the rain and in the fluffy little clouds clumped about the sky, still blowing in my child's ear orbs, my thirsty ear for novelty grew hairs. Pick up your pens and talk tapes and laptops and write till you drop, let it go. Dont stop! Go out more often, please, green hermints! Breath better, deeper, don't smoke so much. 
Get a ruddy bong bro. Inhale the Knu woid and then Stop. Warme. It seems ill striving against the stream. Super Market outrage LINEAR WRITING to CAPTURE BILLIONS OF SQUARES, the squares must get up WALLS? NEW ingredients AND satellite DISH. BRAIN food to be WASHED IN THE ocean. Cable fable spun, veins, lines, tracks, trace of...Bezerka. Ode to HER - the wind swept boggy hills and chocolate fudge hedgerow Sun set, hedgehog heads and Slack country cats, kindness in grow kits, ode to musket nuzzlers and Muscaria trumpetears, change your eye tires now.
Likkle miniture trumpet playing fairies hidden up my arse sing lofty prayz. Hark! Winter solstice and saturnalia turning seasonal verse spark. Speak of Universe turning waltzing-zing. Tang tongue. Tip Tip. Ching Ming mixung Seasons song. Polyspoores from alan words spin enlightenment Watts in Hertz web dew. Catch a dream thought before it goes invisible-content. Phantoms in the why-back machine. Water willowyellowcups scoop up bits of the painting like scooping arcylick paint OFF the surface to finnish.
To finnish the picture-poem painting hanging in rowan spice. Mountains are Feminine. Obelisks male. And Nayme appears but seemingly not as the thing, name games the name and I wear a turbine triple jet thrusted plant of powerflower Ammonite on my Avant Head-band. W and water, women, wet words, water wave and wow wee wet and water running dribble just a pebble in the W Wave weather solution, weather waves wash windy ways weather waves wish womenwater wet the head of our baby-logic (3 years young) whispers to whichever weather storm you form in, whichever witch wicker winding window you be. Bee unitea. 
Witch side of triplicity Goddess WWW. What wild worldly women with witch-wound wood with "Eye" waterworld web and whatever remains. Pregnant "NOW" seems sewn threaded and knotted locked; keywhole holoqueenox. Love laughs a locksmiths. Pride and reek of ponging weak & strong semicircular solutions, the canals. Crescent city whales released back to ocean by Katrina? equals W. Look at the Word. W has the meaning "Mountain" in Chinese. W has the form of a ripple or weave pattern in nature duncha’ knew? 
W double-you Yoshi Yoshi, slug helix longridge lungwitchway pathgraph painter sandwich with wonderful wild berries, deep purple plum jelly paste, glue, grime-binding. Fly-wave-gum. [hello] grapefleshwhine Time wave weaving and woven wooly jumper Z'juice fruits. Four Gold red leaf book-bound to happen, bound to Dover, bonded whorehouse nation. Bluebirds stenciled in white chalk canvas, "UP" letters burning off walls, Lords of Hyroglyfeetea letters wait. brewing mandrake, henbane, Egyptian blue water Lilly and John and jove the ship to Venus. 
She waves her wrists [goodbye] and whispers wunce more "illson illson". Where art thou? Willson? Colynn, Pether, Rubort wyde web, witch words can you put 2 WWW that equal meaning as heavy huh. Huh. All words and lungwaj came from nature. Spiral bound modern verse epic your noise. The halo floating above the black child reminds me Gezuce was maybe African-Asianish, Elves keep busy as we speak. Mice woo the Elves with their squeek. Tiny tinker toy basketball spirits. The nano-technological breakthroughs at the North pole surround them. Carmen.
The royal post service makes lots of money through letters to Jeezus Claus at Christmas time. Rudolph the red nosed reindeer looks sad. What other animal could provide food and notatio nectar to our tribes at ©hristmash? Jesustained Golden maybe-tonic. Food and drink. Merry ©hristmas. Ecstatic midwinter seasonal greetings. flight of the spirit. celebration. Transformation. Good will. Peace and piss. Don't look at the knackers of Gezoss as He climbs down the chimney. Yurts year know. Once went down a hot smoking hole. Roasted my nuts.
Professor ©lement Clark Moore. Genesus has come inside your christmas pudding over centuries. A pagan Santa once got me high on salmon. Hoping GZUS. Reindeer omen. Seedless immaculate Toad chair. Teak cabinet vine at Sun set. --Shannanigums Wave by Steve fly Agaric 23, Book III, Chaper 11, Page 67.

Shannanigums Wave Book III Chapter 11 Page 67.

This fabled 11 minute+ version of Brazilian icon Joyce's groundbreaking "Feminina" was recorded at Columbia Studios, New York in 1977, for the as yet unreleased Natureza album. Produced, arranged and conducted by the great Claus Ogerman (Frank Sinatra, Antonio Carlos Jobim, Billie Holiday... the list goes on), Natureza would have ostensibly been Joyce's big break to international stardom, but mysteriously, it was never released. With Joyce came fellow Brazilian icon Mauricio Maestro, while Nana Vasconcelos and Tutty Moreno were already living in New York, and Ogerman employed North American jazz legends Joe Farrell, Michael Brecker, Buster Williams, Mike Manieri and a full orchestra for the sessions.

In anticipation of the monumental forthcoming Natureza album release via Far Out Recordings, this astonishing version of a true classic gets its first proper 12" vinyl release for Record Store Day 2022. In the spirit of making the release special for Record Store Day, rather than leave it as a single sided 12", Far Out boss called up Joyce to talk about the recording, recorded the conversation, and got it pressed onto the B-side.

Joyce - Feminina (produced, arranged and conducted by Claus Ogerman)

"Ten Good Reasons to Get Out of Bed in the Morning" by Robert Anton Wilson, read by Matthew Shelton.  Originally published in OUI Magazine, 1977.
**********I claim no ownership of the content of this recording, aside from my own voice, and share this material strictly for education and enlightenment, with no material profit motive.  Any offended parties are welcome to contact me, and I will remove the offensive material.  Thank you.

Ten Good Reasons To Get Out Of Bed In The Morning (Robert Anton Wilson)

Manny based @z_james who you might recognise from the @kulturacollective steps up with this crazy fire UK Funky/Afrobeat inspired summer riddim. This one is guaranteed to make you want to draw for the jerk chicken, Magnum tonic wine and catch a little whine... It is Carnival Season after all! 💃🏾

Free Download

Z.James - Press Trigga [Free DL]

Following Far Out’s reissue of Agustin Pereyra Lucena Quartet’s La Rana, the label continues its memorialisation of the late, great Argentinian guitarist’s music, with the first ever direct from tape, audiophile reissue of Pereyra Lucena’s self-titled debut album from 1970.

One of the outstanding South American guitarists, Agustin Pereyra Lucena commanded a unique position in Latin music history. He hailed from Buenos Aires, but was obsessed with the music of Brazil. A disciple of Antônio Carlos Jobim, Baden Powell and Vinicius De Moraes, the nature of Agustin’s Argentinian roots combined with the nurture of Brazil and its music to give Agustin a sound entirely his own. 

After being scouted in a nightclub, by musician and guitar craftsman Jorge Demonte, Agustin was invited for an audition at Argenitinian label Tonodisc. Before he knew it, aged 22, he was in the studio recording his first album. 

Agustin enlisted fellow Argentinian Brazilophiles Mario "Mojarra" Fernandez who played bass and drummer Enrique "Zurdo" Roizner. He had first heard the duo backing Vinicius de Moraes, Toquinho and Maria Creuza on their legendary La Fusa live album, also recorded in Buenos Aires. For vocals, Agustin brought in his old friend, a French teacher called Helena Uriburu, who at the time had (unbelievably) never sung in a studio before. 

The atypical bossas and spiritual swinging sambas, composed by many of Agustin’s aforementioned heroes, were elevated to new heights by Agustin’s dazzling arrangements and phenomenal guitar playing. The almost cosmic reaches Agustin achieved with his sound are balanced against the stylish sophistication and breezy nature of the music. 

Moments of calm serenity include Agustin’s own composition “Nina No Divagues”, Durval Ferreira and Pedro Camargo’s “Chuva” and the Brazilian bossa classic “Tristeza Nos Dois”, which feels like it draws equally upon exotica and early library records. Accompanied by Roizner’s shuffling samba jazz drums, opener “O Astronauta” is Agustin’s cover of the Brazilian guitar standard composed by Baden Powell. Another Baden Powell classic, “Consolacao” is an extended full-band set, which features Agustin’s crisp guitar dancing around a hypnotic rhythm section. Upright bass is swapped out for a big, round-sounding electric one, which sits loud in the mix for almost seven minutes of deep, groovy, distinctly early-seventies magic.

Agustin passed away in 2019, and it is only in recent years that he is starting to gain his plaudits as one of South America’s greats. On the liner notes of the album Vinicius De Moraes writes: “I think I never saw, with the exception of Baden Powell and Toquinho, anyone more linked to his instrument than Agustín Pereyra Lucena. It would give the impression that if the guitar were taken away from him, he would fade into music as one dies from the amputation of an arm.”

Agustin Pereyra Lucena will be released on audiophile vinyl LP, CD and digitally on the 26th January 2024 via Far Out Recordings.

Agustin Pereyra Lucena - Consolação

Up The Place EP

Overdue

Militia

Militia (feat. Flowdan)

If ‘After The Dawn’ was the hors d'oeuvre to Project Gemini aka Paul Osborne’s next chapter, ‘Colours & Light’ serves up a slice of the main course. Heralding the official announcement of Paul’s sophomore album under the same name, the title track further showcases the sonic palette listeners should expect to sample across the forthcoming album.
 
Garnering a deluge of BBC 6 Music plays and a brilliant reception, ‘After The Dawn’ sparked excitement around the prospect of a new LP from Project Gemini. Breaking through the winter gloom, the second single ‘Colours & Light’ further spotlights a refinement in Paul’s sound. Talking of the origins of the track, he states that it wields a “UK folk-rock sound with a breakbeat-like rhythm section, partly inspired by a live version of Pentangle’s ‘Wedding Dress’ from a 1973 TV performance”. A psychedelic trip through time and emotion, hazy hues and wistful horizons.
 
Paul’s reverberating vocal refrains draw you in from the get-go, with the cauldron of folk-flavoured guitar, earthy bass and ethereal organs providing a ritual of resonance. Jack Sharp of Wolf People/Large Plants fame stands front and centre, leaning into that rock-tinged feeling with an expertly constructed, wah-wah fuzzed guitar solo. Creating the breakbeat foundation, Sababa 5 drummer Raz Man and percussionist Paul Elliott from Eleven 76/Call Sender work in unison to conjure up a captivating groove.
 
‘Colours & Light’ gives an alluring insight into what’s to come on this much-anticipated follow-up LP. Moving deftly between light and shade, through folk, psych and hazy funk, whilst being artfully enveloped in Paul’s signature cinematic style.

Project Gemini - Colours & Light

DANCEHALL MIX

Luke Vibert – Hardcore UK Rap Mix 88-92

Fly Agaric 23 reads from Finnegans Wake by James Joyce. (Pages 593 and 210-213)

http://shannanigumswave.wikispaces.com/

Artwork by CHU
www.schudio.co.uk



Part:1 Episode:7 Page:210

jary every dive she'd neb in her culdee sacco of wabbash she
raabed and reach out her maundy meerschaundize, poor souvenir
as per ricorder and all for sore aringarung, stinkers and heelers,
laggards and primelads, her furzeborn sons and dribblederry
daughters, a thousand and one of them, and wickerpotluck for
each of them. For evil and ever. And kiks the buch. A tinker's
bann and a barrow to boil his billy for Gipsy Lee; a cartridge of
cockaleekie soup for Chummy the Guardsman; for sulky
Pender's acid nephew delto�d drops, curiously strong; a cough and
a rattle and wildrose cheeks for poor Piccolina Petite MacFarlane;
a jigsaw puzzle of needles and pins and blankets and shins between
them for Isabel, Jezebel and Llewelyn Mmarriage; a brazen nose
and pigiron mittens for Johnny Walker Beg; a papar flag of the
saints and stripes for Kevineen O'Dea; a puffpuff for Pudge Craig
and a nightmarching hare for Techertim Tombigby; waterleg
and gumboots each for Bully Hayes and Hurricane Hartigan;
a prodigal heart and fatted calves for Buck Jones, the pride of
Clonliffe; a loaf of bread and a father's early aim for Val from
Skibereen; a jauntingcar for Larry Doolin, the Ballyclee jackeen;
a seasick trip on a government ship for Teague O'Flanagan; a
louse and trap for Jerry Coyle; slushmincepies for Andy
Mackenzie; a hairclip and clackdish for Penceless Peter; that twelve
sounds look for G. V. Brooke; a drowned doll, to face
downwards for modest Sister Anne Mortimer; altar falls for Blanchisse's
bed; Wildairs' breechettes for Magpeg Woppington; to Sue Dot
a big eye; to Sam Dash a false step; snakes in clover, picked and
scotched, and a vaticanned viper catcher's visa for Patsy Presbys;
a reiz every morning for Standfast Dick and a drop every minute
for Stumblestone Davy; scruboak beads for beatified Biddy; two
appletweed stools for Eva Mobbely; for Saara Philpot a jordan
vale tearorne; a pretty box of Pettyfib's Powder for Eileen Aruna
to whiten her teeth and outflash Helen Arhone; a whippingtop
for Eddy Lawless; for Kitty Coleraine of Butterman's Lane a
penny wise for her foolish pitcher; a putty shovel for Terry the
Puckaun; an apotamus mask for Promoter Dunne; a niester egg
with a twicedated shell and a dynamight right for Pavl the Curate; 

Part:1 Episode:7 Page:211

a collera morbous for Mann in the Cloack; a starr and girton for
Draper and Deane; for Will-of-the-Wisp and Barny-the-Bark two
mangolds noble to sweeden their bitters; for Oliver Bound a
way in his frey; for Seumas, thought little, a crown he feels big;
a tibertine's pile with a Congoswood cross on the back for
Sunny Twimjim; a praises be and spare me days for Brian-the
Bravo; penteplenty of pity with lubilashings of lust for Olona
Lena Magdalena; for Camilla, Dromilla, Ludmilla, Mamilla, a
bucket, a packet, a book and a pillow; for Nancy Shannon a
Tuami brooch; for Dora Riparia Hopeandwater a cooling douche
and a warmingpan; a pair of Blarney braggs for Wally Meagher;
a hairpin slatepencil for Elsie Oram to scratch her toby, doing
her best with her volgar fractions; an old age pension for Betty
Bellezza; a bag of the blues for Funny Fitz; a Missa pro Messa for
Taff de Taff; Jill, the spoon of a girl, for Jack, the broth of a boy;
a Rogerson Crusoe's Friday fast for Caducus Angelus
Rubiconstein; three hundred and sixtysix poplin tyne for revery warp in
the weaver's woof for Victor Hugonot; a stiff steaded rake and
good varians muck for Kate the Cleaner; a hole in the ballad for
Hosty; two dozen of cradles for J.F.X.P. Coppinger; tenpounten
on the pop for the daulphins born with five spoiled squibs for
Infanta; a letter to last a lifetime for Maggi beyond by the ashpit;
the heftiest frozenmeat woman from Lusk to Livienbad for Felim
the Ferry; spas and speranza and symposium's syrup for decayed
and blind and gouty Gough; a change of naves and joys of ills
for Armoricus Tristram Amoor Saint Lawrence; a guillotine
shirt for Reuben Redbreast and hempen suspendeats for
Brennan on the Moor; an oakanknee for Conditor Sawyer and
musquodoboits for Great Tropical Scott; a C3 peduncle for
Karmalite Kane; a sunless map of the month, including the sword and
stamps, for Shemus O'Shaun the Post; a jackal with hide for
Browne but Nolan; a stonecold shoulder for Donn Joe Vance;
all lock and no stable for Honorbright Merreytrickx; a big drum
for Billy Dunboyne; a guilty goldeny bellows, below me blow
me,for Ida Ida and a hushaby rocker,Elletrouvetout,for
Who-issilvier -- Where-is-he?; whatever you like to swilly to swash, 

Part:1 Episode:7 Page:212

Yuinness or Yennessy, Laagen or Niger, for Festus King and
Roaring Peter and Frisky Shorty and Treacle Tom and O. B.
Behan and Sully the Thug and Master Magrath and Peter Cloran
and O'Delawarr Rossa and Nerone MacPacem and whoever you
chance to meet knocking around; and a pig's bladder balloon for
Selina Susquehanna Stakelum. But what did she give to Pruda
Ward and Katty Kanel and Peggy Quilty and Briery Brosna and
Teasy Kieran and Ena Lappin and Muriel Maassy and Zusan Camac
and Melissa Bradogue and Flora Ferns and Fauna
Fox-Goodman and Grettna Greaney and Penelope Inglesante and Lezba
Licking like Leytha Liane and Roxana Rohan with Simpatica
Sohan and Una Bina Laterza and Trina La Mesme and Philomena
O'Farrell and Irmak Elly and Josephine Foyle and Snakeshead
Lily and Fountainoy Laura and Marie Xavier Agnes Daisy
Frances de Sales Macleay? She gave them ilcka madre's daughter
a moonflower and a bloodvein: but the grapes that ripe before
reason to them that devide the vinedress. So on Izzy, her
shamemaid, love shone befond her tears as from Shem, her penmight,
life past befoul his prime.
My colonial, wardha bagful! A bakereen's dusind with tithe
tillies to boot. That's what you may call a tale of a tub ! And
Hibernonian market! All that and more under one crinoline
envelope if you dare to break the porkbarrel seal. No wonder they'd
run from her pison plague. Throw us your hudson soap for the
honour of Clane! The wee taste the water left. I'll raft it back,
first thing in the marne. Merced mulde! Ay, and don't forget the
reckitts I lohaned you. You've all the swirls your side of the
current. Well, am I to blame for that if I have? Who said you're to
blame for that if you have? You're a bit on the sharp side. I'm on
the wide. Only snuffers' cornets drifts my way that the cracka
dvine chucks out of his cassock, with her estheryear's marsh
narcissus to make him recant his vanitty fair. Foul strips of his
chinook's bible I do be reading, dodwell disgustered but chickled
with chuckles at the tittles is drawn on the tattlepage. Senior ga
dito: Faciasi Omo! E omo fu fo. Ho! Ho! Senior ga dito: Faciasi
Hidamo! Hidamo se ga facess�. Ha! Ha! And Die Windermere 

Part:1 Episode:7 Page:213

Dichter and Lefanu (Sheridan's) old House by the Coachyard and
Mill (J.) On Woman with Ditto on the Floss. Ja, a swamp for
Altmuehler and a stone for his flossies ! I know how racy they move
his wheel. My hands are blawcauld between isker and suda like
that piece of pattern chayney there, lying below. Or where is it?
Lying beside the sedge I saw it. Hoangho, my sorrow, I've lost
it! Aimihi! With that turbary water who could see? So near and
yet so far! But O, gihon! I lovat a gabber. I could listen to maure
and moravar again. Regn onder river. Flies do your float. Thick
is the life for mere.
Well, you know or don't you kennet or haven't I told you
every telling has a taling and that's the he and the she of it. Look,
look, the dusk is growing! My branches lofty are taking root.
And my cold cher's gone ashley. Fieluhr? Filou! What age is at?
It saon is late. 'Tis endless now senne eye or erewone last saw
Waterhouse's clogh. They took it asunder, I hurd thum sigh.
When will they reassemble it? O, my back, my back, my bach!
I'd want to go to Aches-les-Pains. Pingpong! There's the Belle
for Sexaloitez! And Concepta de Send-us-pray! Pang! Wring out
the clothes! Wring in the dew! Godavari, vert the showers! And
grant thaya grace! Aman. Will we spread them here now? Ay,
we will. Flip ! Spread on your bank and I'll spread mine on mine.
Flep! It's what I'm doing. Spread ! It's churning chill. Der went is
rising. I'll lay a few stones on the hostel sheets. A man and his bride
embraced between them. Else I'd have sprinkled and folded them
only. And I'll tie my butcher's apron here. It's suety yet. The
strollers will pass it by. Six shifts, ten kerchiefs, nine to hold to
the fire and this for the code, the convent napkins,twelve, one
baby's shawl. Good mother Jossiph knows, she said. Whose
head? Mutter snores? Deataceas! Wharnow are alle her childer,
say? In kingdome gone or power to come or gloria be to them
farther? Allalivial, allalluvial! Some here, more no more, more
again lost alla stranger. I've heard tell that same brooch of the
Shannons was married into a family in Spain. And all the
Dunders de Dunnes in Markland's Vineland beyond Brendan's herring
pool takes number nine in yangsee's hats. And one of Biddy's


Stinkers to Biddies: Finnegans Wake pages 593 and 210-213

Drowning Street

Meaning
Fly Agaric 23 reads from Shannanigums Wave

Bass: Leslie Lopez
Drums: Steve Fly Agaric
Voice, whistles: Steve Fly Agaric
Recorded at Zen Studios
Cafe The Zen. Amsterdam by Leslie Lopez.
Executive Producer: John Sinclair
Thanks To Leslie Lopez, Larry Haden, John Sinclair, Maurits, and Cafe the Zen.
Released by: Fly Agaric 23 and Soundcloud.

Artwork by CHU
www.schudio.co.uk

Meaning

ConLibLabor
Fly Agaric 23 reads from Shannanigums Wave

Bass: Leslie Lopez
Drums: Steve Fly Agaric
Voice, whistles: Steve Fly Agaric
Recorded at Zen Studios
Cafe The Zen. Amsterdam by Leslie Lopez.
Executive Producer: John Sinclair
Thanks To Leslie Lopez, Larry Haden, John Sinclair, Maurits, and Cafe the Zen.
Released by: Fly Agaric 23 and Soundcloud.


ConLibLabor

Some Stoney drones guitar sounds and some backwards stuff

Stinkers to Biddies: Finnegans Wake pages 593 and 210-213

Steve Fly Agaric 23

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