The Loneliest Hunk delivers a unique fusion of house, disco, Italo-electro, and indie dance, sprinkled with acid nuances and unexpected edits – always with enough grit to keep the floor moving. 

Drawing from two decades honing his craft in London and Ibiza, playing iconic venues like Space and Café Del Mar in Ibiza, and Ministry of Sound and Pacha in London, his sets are more than just music—they’re celebrations of connection and collective joy.

Originating within the edits scene, The Loneliest Hunk is now finding success with his original productions. Over the past few years, his edits have traveled worldwide, earning support from legendary DJs such as Colleen ‘Cosmo’ Murphy, Peter Kruder, Craig Charles on his BB6 Funk and Soul radio show, Birdee, Rimarkable, Yolando Be Cool, Fingerman, and Ladies on Mars, cementing his global presence and influence.

That momentum carried into his first official release, ‘Claviee’, which earned him a spot in Magnetic Magazine’s monthly Top 15 Disco & Funk Tracks, with the magazine praising it as “a groovy little disco number that will have you throwing your hands in the air and shaking what your mama gave ya.”

Thick As Thieves presents   
        Boogs Podcast  

Available on Thick As Thieves Soundcloud
Here is the link

http://soundcloud.com/thickasthieves-1

Melbourne based producer and DJ Sgt Slick has been a solid fixture behind the decks and on dance music charts and radio for the better part of 20 years. He has a huge list of achievements to his name including ARIA / APRA Awards and nominations, Billboard, Music Week, Traxsource & Beatport # 1 Records, and a string of successful music releases. Armed with a continuous delivery of his trademark ‘Discotizer ReCuts’, he also produced the crossover radio hit and ARIA Gold Certified ABBA cover, ‘Gimme! Gimme! Gimme!’ in 2020 (Beatport’s highest selling Nu Disco single of all time!)… a track which is still filling dance floors in 2024 and one which has seen The Sarge headlining the nation’s biggest clubs and events week after week since. He has graced the cover of Spotify’s esteemed ‘New Dance Beats’ playlist twice, is ranked # 6 on Beatport’s highest selling artists of all time in the ‘Nu Disco’ genre, and reached the # 1 position on Shazam’s Discovery Australia Chart! His recent remixes and productions have earnt him regular support from the likes of Jamie Jones, Diplo, Fisher, Vintage Culture, Kygo and Tame Impala, whilst at home he continues to land in the upper reaches of the ARIA Club Chart with every release. With his past releases encompassing some of Australia’s finest moments in dance music history, Sgt Slick remains one of the nation’s most prominent and enduring industry figures, continually pushing forward as a world class DJ, Producer and Remixer.

My long search for the enigmatic Mr Burton has led me into the mystic bowels of old Chinatown, deep underneath the cobbled streets of San Francisco. I find myself nestled into the darkest corner of the dingiest, dank opium den. Behind a stained curtain I am introduced to Mr Chen, who, im told has information on the whereabouts of Jack. 
“Jack Burton, yeah I know that guy. Lots of trouble, nice hair though. And if you see him, tell that asshole still owes me a truck”
A puff of smoke crawls across the brim of Mr Chens hat, it slithers into the air taking the impossibly conspicuous form of an arrow, pointing towards a badly lit corridor to my right. 
“More you find down there” he adds, in an increasingly creepy tone. 
Only then do I first gaze upon his eyes. They are bright green and menacing. 
Am I meant to follow? What kind of old-world GPS is this? Having ingested countless ‘Choose your own adventure’ book in my misspent youth, I choose to take the chance and follow the signs. 
Some say Jacks mother was an Amazon warrior and his father was a god damn circus lion, others say he fell from the sky like a meteorite and landed in a wig and singlet store. His origins are many but they all imply the same stark fact. Jack Burton is an everyman with extraordinary powers. His diamond sharp jawline and impervious bouffant hairstyle are stuff of legend, and he has used these unique powers to fight unknowable evil across infinite realms. 
Somewhere along his path he swapped his fighting swords for writing chords, a calculated move to throw the gargoyles, vampires and exploding martial arts champions off his scent.
He has hid in the depths of deep disco, forever distancing himself from his past…until now.
As I cautiously meander towards the corridor and push aside the shadowy bamboo curtain, I am faced with a black wall, and on it is written in chalk “Don’t Ya Wanna See?”. Underneath the hastily scribbled double entendre is a hulking shadow. It lurches forward and under the dim light I make out a familiar face. It’s Mikah Freeman wearing little more than a trucker cap and shit-eating grin. 
“It’s me man! How do you like my new jam?”
Mikah’s new passion project is inspired by the erotic frivolity of the 60s, caramel-smooth funk of the 70s and digital uprising of the 80s and 90s. Jack Burton is the result of one man diving into a figurative kaleidoscope of sound and being reborn with a tech-nine machine gun and a mullet. 
All things aside, If this expedition has taught me anything it would be that if you aren’t listening to a Burton record, then you ain’t got Jack.

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