prodigy-poison (NF re-edit)

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CAN'T STOP LOVING

Daso, a new player within the ranks of Luv Shack Records (with two tracks on LUV015) is by no means a stranger to the electronic music scene. 

His first appearances on Spectral, Connaiseur or My Best Friend and collabs with Florian Meindl and Franklin Da Costa have helped him amass a strong following in the house & techno community - and his recent excursions into disco territory (including an excellent EP on Dikso) have proven to be just as intricate and rich in detail as his earlier, more techno oriented, productions.

Needless to say we had to have an exclusive Daso mix for our LUVCAST series - and what he delivered is a mindblowing, italo heavy oevre that includes a lot of edits he made especially for this occasion! Thank you Daso!

TRACKLIST:
01. Coo Coo - Upside Down (Crazy Version)
02. The Hurricanes - Only One Night
03. Brando - Rainy Day
04. Kasso - Walkmen
05. Klein & MBO - Dirty Talk
06. Ryan Paris - Dolce Vita
07. Mike Cannon - Voices In The Dark
08. Mr. Flagio - Take A Chance
09. Ken Laszlo - Hey, Hey Guy
10. Daso - unreleased
11. Space Echo - Phobos Grunt
12. Daso - Your Room
13. Daso - Ride Tide

https://soundcloud.com/daso

LUVCAST 029: DASO

An era is drawing to a close: my last show with this incarnation of my band playing music from 'The Inheritors' is this Sunday 15th November in London. 

So it seemed like a good time to exhibit these 3 tools that have been in the back of a drawer full of archaeological remains since 2012. As well as the original antisocial late night urban field recordings that made 'Sky Burial' there are tool versions I made to play in DJ sets of 'The Caterpillar's Intervention' and 'Rannoch Dawn'.

Last show: Electric Brixton 15th Nov, I'll have Tom Page (Drums) & Etienne Jaumet (Sax) with me and we're coheadlining with Polar Bear. http://electricbrixton.uk.com/events-article.php?id=652

Then I'm taking a break to spend some time in the studio, back with more live shows next year!

PEACE! JH

Rannoch Dawn (Drumtool Feb 2012)

With a career spanning 14 years, Jake Fairley aka @fairmont, the Canadian skateboard kid turned DJ is the latest artist to add his name to the EDWIN line-up.

His live sets have evolved over the years and now consist of an ever-expanding live arsenal of three analogue synthesizers, two drum machines, his trusty sampler and a slew of other toys (Note: No Laptop!) resulting in a simultaneous stage show and killer dance-floor set.

Enjoy the next 53 minutes of disparate influences from all over the electronic universe...

№ 30 - Fairmont

info text:::

There is a purpose behind ambient music: it is utility music. Brian Eno made that clear once and for all with ‘Music for Airports’ – the utilitarian nature of this music can already be found in the title. But way before that, in 1920, Erik Satie composed ‘Musique d’ameublement’ – furniture music. Satie created true background music as a reaction against the misuse of classical music as a carpet of sound. The purpose of his furniture music was also to bridge the awkward gaps in conversation in social situations. In turn, Eno’s airport music is meant to serve as background music while sounding interesting enough for listeners to become absorbed. If we go by Eno’s definition, the music on T.Raumschmiere’s new album is not ambient. Although – or in fact, because – each individual track on this album immediately and effortlessly generates atmospheres, it is impossible not to be drawn in. T.Raumschmiere sucks the listener into the perceptible endlessness of his pulsating sounds, even though the music does not actually expect anything from the listener. It is not demanding, it does not sound lofty or ethereal. It is in constant movement and evolution while sounding grounded at the same time. The tracks are not weightless; they have body.
A darkly beating pulse works like a machine through the surging pads of ‘Dampfer.’ Synths drone languidly on ‘Anker.’ T.Raumschmiere deftly manages to avoid succumbing to the kitsch that often arises from these kinds of sounds. ‘Grotznogg’ has an inner stillness within the rustling and scattered clattering and clanging. ‘Zwischenstopp’ provides the perfect soundtrack for a submarine ride, complete with depth sounder and an undercurrent of anxiety. The track ‘007’ is a post-industrial masterpiece – warm, heavy, and latently threatening. And the list goes on.
Clearly a new meaning of the term ambient is needed to describe the music on this album more accurately. It is music that never sounds deliberate yet at the same time is so compelling, which might have something to do with the fact that Shitkatapult label founder Marco Haas aka T.Raumschmiere is the one behind it. As T.Raumschmiere, Haas produces a sound with influences ranging from bass music and
punk rock to industrial; the names of his records speak best for themselves: Monstertruckdriver, Sick Like Me, I Tank U… everyone knows what the deal is here. It is only logical that his new album is just called ‘T.Raumschmiere.’ This record is certainly an excellent lubricant for dreams.
Haas is known for his take-no-prisoners approach to his live sets, which feature distorted beats, grueling basses, and steep descents. Now for the flipside, the negative image of the sound that made T.Raumschmiere famous, the sound that has allowed us to get closer to the understanding of this magic ambient music. The shadow of T.Raumschmiere does not come in with massive beats and basses, yet it
is so imposing and so dark that it seems within our grasp.
In addition to his duties as label manager, musician, and DJ, Haas has also worked as a producer for other artists such as Dieter Meier, Fraktus, Barbara Morgenstern, Das Bierbeben, and Ofrin over the past
few years. The new album by Shrubbn!!, his collaboration with Ulli Bomans, will be released on
Shitkatapult.

T.Raumschmiere

Dampfer

It’s that time again… Every summer Jennifer Cardini’s Correspondant imprint celebrates another ground-breaking year with a far-reaching collection.

Ranging from palpitating ambience to chuggernaut technoid trips; the stirring 16 track set features late night creations from old friends (Red Axes, Zombies In Miami, Mike Simonetti, Moscoman) new friends (Simple Symmetry, Perel, Julian Stetter, ) and friends that have been Correspondant kindred spirits since day one, but have never had the opportunity to cast their magic on the label… Until now (Black Merlin, The Golden Filter, MR TC, Yula Kasp & Mi.ro).

As always, the vibe is deep, smoldering, emotive, innovative and unapologetically cosmic as we’re pushed headfirst into Correspondant’s boundary-less soundscape. From the coiled spring funk of Javi Redondo’s ‘Fictional Friendship’ to the hypnotic harmonics and trippy vocal textures of Uriah Klapter’s ‘Breeze’ via the slinky arpeggiated charm of Marvin & Guy’s ‘Cowboy Disco’, it’s another sublime excursion from one of the most consistent and considered imprints on the left side of techno.

Follow : 
@correspondant
www.facebook.com/Correspondant.records
www.beatport.com/label/correspondant/20970

Black Merlin - Sub Conscious

Space Teddy EP

Damit niemand, der dem Schlager gegenüber seine kulturellen Vorbehalte pflegt, auf die Idee kommt, Christian Bruhn wäre, wie die Helene-Fischer-Produzenten heute, nicht mehr als ein raffinierter Stimmungsfabrikant, wird eines Besseren belehrt. An manchen Stellen im Film vielleicht etwas zu bemüht. Es treten auf: Klaus Doldinger, der sagt, das Leichte sei schon immer schwieriger gewesen als das Schwere. Remixer und DJs, die von Bruhns Musik schwärmen, als wären „Shamtu Shampoo bringt Spannkraft ins Haar“ und „LBS – Wir geben Ihrer Zukunft ein Zuhause“ Klassiker des Krautrocks. DJ Hell wandelt in seiner knöchellangen Bomberjacke durch die heiligen Hallen, lässt sich die Musik zur Fernsehserie „Timm Thaler“ von den Originaltonbändern vorspielen, kämpft mit den Tränen und nennt seinen Gastgeber „Professor Bruhn“.

Christian Bruhn - Meine Welt ist die Musik (Original Score)

Christian Bruhn - Timm's Thema (DJ Hell Remix)

Jimi Hendrix

Man and nature. Death and eternity.

A1. Högre
A2. Gud
B1. Kilsbergen
B2. Huldra

Releasedate: 2013-09-09.
300 copies.

Hardwax: http://hardwax.com/69104/evigt-moerker/1/
Clone: https://clone.nl/item28498.html
Decks: http://www.decks.de/t/evigt_moerker-evigt_moerker_-_1/c22-0j
Juno: http://www.juno.co.uk/products/evigt-morker-1/503862-01/
Red Eye: http://www.redeyerecords.co.uk/asp/view_product.asp?id=46090

Mastered By – Neel,  Enisslab Studios.
Distributed by Diamonds and Pearls Music.
Artwork by Nicola Bergström Hansen.

EVIGT001 - Evigt Mörker 1 EP

Bookings: jessica@blivemusic.art (Worldwide)
diana@provocateur-booking.de (Gsa)

An unequivocal industry visionary, DJ Hell's career has embodied and then transcended his many guises: Anti-Superstar DJ, International DeeJay Gigolo Label Boss, GQ Man of the Year, Playboy, Jetsetter, Bon Viveur, Munich Machine, New York Muscle. Seeing, and envisioning - that is of enormous relevance to Hell. He managed to convey pure artistic prowess as well as pure style during his thirty year DJ career. The individual look, the do-it-yourself approach, the elitism. That's how it grew.

Christian Bruhn - Timm's Thema (DJ Hell Remix)

DJ Hell

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