Lupe Fiasco performs Kick Push w/ The Robert Glasper Experiment. 

Kick Push Live at The Blue Note Ft. Robert Glasper Experiment

A feel good party edit. Gang Starr x Jurassic 5 x DJ Mitsu

Just To Get Unified (Mr. Sonny James Edit)

A quick remix I did a few months back... The beat was recorded straight out of the mpc2000 (no mix/eq).

Luchini (Soul Supreme remix)

New Song from AmIr "Ms. Atari Flashback 5"

Ms. Atari Flashback 5

MR.GOODMAN (KANYE TYPE BEAT)

First Place

"High Output is an inside joke we have from a trip to Manila with our good friends from Do-Over Jamie and Chris.  The project itself is a collaboration between two friends from different horizons but with a same vision.  We’ve been playing together in many different cities around the world and we have a lot of friends in common all over the planet, it was just a matter of time before we’d put out something together, just because we thought it would be fun to do.  Our mix contains unexpected music, rare grooves and unreleased material…and we hope you’ll appreciate the effort and the music we put into this mix.  If you own the 7” as well, you have two previously unreleased productions in your hands and I really hope you got the shirt as well, if not, you’ve been ripped off, haha!" - LEFTO

LEFTO
As one the most important tastemakers Europe has to offer, and af- filiated with labels Brownswood, Blue Note, !K7 Records, Stones Throw and Jazzy Sport, this bearded early riser is consistently a couple steps ahead of your average early adopter. He doesn’t wait for the next thing to land on his lap, actively seeking it out - just take a peek at his playl- ists on Belgium’s foremost national radio station Studio Brussel which received compliments from Rough Trade Shops and Gilles Peterson.

JROCC
One of the original turntablists, J. Rocc founded the Beat Junkies in 1992 with Melo-D and Rhettmatic, but has done just as much on his own as in a group setting. He began DJing in the mid-’80s with a California group named PSK. Soon after forming, the Beat Junkies became a seminal force in the rise of instrumental hip-hop, including core member Babu plus future stars Shortkut and D-Styles. In addition to numerous mix- tapes and his own production for Stones Throw releases, J. Rocc has been the DJ for Madlib’s live shows since the early 2000’s, was the 3rd member of Jaylib (Madlib & J Dilla) during the group’s live events, and collaborated with Madlib on Beat Konducta Vol. 5-6: A Tribute to J Dilla.

J.Rocc - Hight Output DJ Mix - 12 Min Snippet

Thank you for tuning in to our new mix series MUTUAL MIXES. The first installment of the series is also Moe Chakiri's first ever mix on Soundcloud. Moe is our in-house photographer, always coming correct, like with this cover photo. His working title for these soulful 45 minutes was STRAIGHT UP SILK SON.

Enjoy, share, stay tuned. Much love!


Mutual Mix #01: Moe Chakiri

Partnered with Freestyle Records label mate Omar Lyefook (on vox) here the duo offer a fresh interpretation of Herbie's classic track, Butterfly.  The single is taken from Pine's new album, Black Notes From The Deep - out October 27th.

Butterfly

Pre-Order

Premiere: Courtney Pine feat. Omar - Butterfly

Liquid Beat Radio is live every Friday 8-9pm on XRAY.FM with DJ Roane & Matt Nelkin.

Playlist
Aru-2 - Bonker
Mulu Music - BusCrates Joint
Devin Morrison - With You f/ Joyce Wrice
Stro Elliot - Marvin’s Mood
Don Leisure - Mango Season
Fredfades - All I Do
~~~
DJ Deena Bee https://soundcloud.com/thesoundbox - guest mix

Liquid Beat Radio 04/05/19 - w/ Deena Bee

The release last autumn of Reel People’s first full studio album in 10 years was, it’s fair to say, a moment. Retroflection stylishly recreated soul, disco and boogie classics behind the collective’s formation nearly 20 years ago and exposed its rarefied DNA like never before. Now band leader Oli Lazarus widens the collective, inviting the world’s finest producers and remixers to add their funky splices to the Retroflection blueprint. Retroflection Remixed, featuring Mousse T., Osunlade, DJ Spinna, John Morales, Atjazz, Terry Hunter, Sebb Junior, Scott Diaz, Da Brownie, Tall Black Guy, Matt Cooper’s OUTSIDE, BusCrates and Art Of Tones, is a majestic rebooting of the soulful flow that swept us away in 2018.
	
Art Of Tones get’s his sparkly mitts on Don’t Stop The Music, swaggering synth ‘n’ bass riffs further underlining Angie Stone’s classy strut through Yarbrough & People’s 1980 hit, whilst Buscrates – true to the name of his remix – pumps irresistible funk bounce into I’m In Love, a truly lowdown re-skinning of Reel People’s Evelyn ‘Champagne’ King tribute where Navasha Daya’s vocal sounds sassier than ever.

Osunlade eases us in with an elegant re-interpretation of Reel People’s Pleasure cover Joyous, deep throbs of electronica and rippling percussion carrying loops of the vocal and that iconic sax solo to stunning new heights – or depths. Similarly, Atjazz dims the lights and intensifies the mood for his take on Twilight. Where Reel People played impressively close to Maze’s original, Atjazz treads to shuffling jazz drums, double-bass and piano. The build of parts is spine-tingling stuff. Matt Cooper and his outstanding OUTSIDE project also take on the mantle of Joyous, and serve us a full fat disco jazz funk odyssey.

There are a number of uptempo treats too. Take Sebb Junior’s snappy piano-house routine for the Mica Paris-fronted I Want To Thank You – a sparkling turbo-charge to Alicia Myers’ early Eighties gospel-R&B vibe – or NYC mix legend John Morales’ ecstatic nine-minute mirrorball twirl of Geraldine Hunt-anthem Can’t Fake The Feeling complete with epic drum and vocal (Daya once again) breakdowns. Respected UK house DJ-producer Scott Diaz gives the Sharlene Hector-led cover of Side Effect’s Always There greater guitar-licked urgency but without compromise to the song’s soulful poise and power, and revered Chicago veteran Terry Hunter is a match made in heaven for Tony Momrelle, who soars through the former’s soulfully-charged remix of Buttercup (Carl Anderson’s mid-Eighties, Stevie Wonder-penned gem) with all of its funky drums, b-line twists and warm musical arrangements. German maestro Mousse T. hands us a nostalgic rework of Teena Marie’s I Need Your Lovin’  featuring the female powerhouses Vulu Malinga, LaDonna Harley-Peters and Sharlene Hector.

Elsewhere, South African talent Da Brownie dresses Reel People’s peppy, Omar-fronted update of Skipworth & Turner treasure Thinking About Your Love in sharp, finely-detailed deep dance threads, and Detroit star Tall Black Guy (TBG) sprinkles considerable amounts of summer samba magic over Momrelle’s other Retroflection outing Can We Pretend - a stunning re-awakening of the Bill Withers and Jose Feliciano collabo for the second time in mere months. There’s room yet for DJ Spinna to expand the reaches of Keep It Up (Anthony David’s luscious rendition of Milton Wright’s deep-soul bomb) with another of his transcendental space-funk remixes. Mind-blowing.

Retroflection Remixed

Reel People feat. Navasha Daya - I'm In Love (BusCrates Remix)

I came up in the Music (Business) where there were rules and guidelines to the way things were done. It never made sense to me. I felt like you can own your own studio,make your own records and put them out how & when you want and even shoot your own videos. I'm soooo happy to finally be in that place now. I hope you enjoy the music i'm putting out now as much as i'm enjoying making it. Welcome to my Independence!!!! Check it Out. http://www.djjazzyjeff.com

Ms. Atari Flashback 5

DJ Jazzy Jeff