From the album "Where The Light Doesn't Go"
https://sunnygianni.bandcamp.com/album/where-the-light-doesnt-go-2020

Created: 2020

Consequence

Trap

Run And Hide

The Culling

Instrumental hip hop inspired by the lofi genre and made to make you chill. Written and arranged in Maschine and mixed and mastered in Studio One. Like, comment and repost away beatsters!

Downtime

Composed by Sylvianne Beckett & Yossef Bolino

Spotify: https://open.spotify.com/artist/2hGKZ8yhiXUujWfijsVorf

2022 Archangel Auditorium ©
For scoring enquiries: archangelenterprisesgroup@gmail.com

The Inevitable Truth

The Inevitable Truth - Archangel Auditorium 🍁

this is one of my favorites so far. inspired by Floating Points and other acts like Fourtet and Shadow...this has a he'll of a sonic journey. do yourself a favor and enjoy this one

movement 1.mp3

Nadiya

Marco Lucchi : synthesizers and tape

*

found sounds
https://freesound.org/people/felix.blume/sounds/779920/

Grout water

Countdown To Impact

Halston / Neural Stimulus Broadcast 1 / April 20, 2020 (part 2)

The Avant-Garde Spontaneous Broadcast (on Mixlr.com as Judd Rubinstein) - 
Ambient / House / Progressive House / Rave / Psychedelic Rock / Rock

The Orb – Little Fluffy Clouds (Live Electric Brixton/Abbey Road 15.03.14) (end of song)
Johann Strauss – Radetzky March
Peter Gabriel – The Feeling Begins
Delerium – Certain Trust
Plateau – Drift
Spice Barons – Spice Of God
Alpha Wave Movement – Lucid Recollection Of An Aquamarine World
The Heavenly Music Corporation – ReEntry (Trip Edit)
Echospace Plays Michael Mantra – Sea Shell City – Morning
The Orb – Spanish Castles In Space (Live 2016)
Janis Mattox – Venice Beach

Halston aka DJJUDD

Neural Stimulus Broadcast 1

NSB 1 (part 2)

Neural Stimulus Broadcast 1 (part 2) April 20 2020

Paulina Miranda - Ciao Ragazzo (Low End + Mixer/Master by HIRAM)

HALSTON of NEURAL STIMULUS RECORDINGS (NSR) / https://halston.club / BOOKINGS: Judd512@comcast.net  I’ve been a Disc Jockey now since 1992, starting at age 15 when I bought my first Technics SL-1200MK2 turntable and DJ mixer along with starting to buy vinyl records just as the rave parties were starting to come about in The San Francisco Bay Area and of course in the U.K., Canada and Europe. Back then I started to buy and read Mixmag, Muzik Magazine along with DJ Mag for years. Since I have amassed an extensive vinyl (7000+) & CD (500+) collection, along with a huge collection of high quality digital audio files over the years in my computer. I play mostly progressive house, deep house, and techno music, along with sets of industrial & new wave and ambient music, which were my musical interests prior to the rave parties of the 90’s. I’ve loved electronic music since I was young from Duran Duran to Depeche Mode to New Order to Ministry, Skinny Puppy, FRONT 242, Siouxsie & The Banshees, to DJs Sasha & John Digweed, Tiga, Jeno & Garth, and The Hardkiss Brothers (Scott, Robbie & Gavin Hardkiss) the list is endless. Today I still love to use vinyl records in my sets along with digital files & CDs. As an audio engineer from SAE Expression College I prefer to use vinyl records or AIFF/WAV files when I am putting out an 320kpbs MP3 recording of a set that I’m DJing so as to keep the best sound quality. I love to craft a journey using music for others to enjoy along with introducing brand new artists and songs within my sets.  –HALSTON aka DJJUDD