C.O.B. stands for City Of Believers cuz we are sure you can do everything you want if you believe in it.
We also represent our Hometowns SinCity and A-Town. 
We started the group at December 2011.
 First Leo Johnson and Mysterio teamed up as a group called 'DSQ' in 2006.
 Ima Essien was already a known singer who worked with a lot of a artists (Dj Guy'do, Deejay Shine,Robert Abigail, did a warm-up for Clouseau,...).
 Early in 2011 she teamed up with Y.T. who started his career as a songwriter for underground artists.
 After working together we decided to start an organisation called C.O.B. 'City Of Believers'.
 We're all Solo-artists working under the same name and part of the same family C.O.B. 


POOL SERIES is a Berlin-based live recording and networking platform for artists performing across electronic music. 
Through weekly live-streamed sessions, we invite artists to contribute to a diverse and evolving community that spans a wide range of genres and stylistic approaches. As an open platform, POOL SERIES aims to create artistic visibility and encourages connections between artists, collectives and audiences.

For DJ Bookings & Events contact:
info@etonmessy.com

Follow our channel and page for the best in new electronic music
Spotify: http://bit.ly/EMspotify
Facebook: http://on.fb.me/R5QGH6
Youtube: http://bit.ly/P7EPdo
Instagram: http://bit.ly/EMinsta

For music enquires/submissions contact -
etonmessysubmissions@gmail.com
Join our DJ Promo List: https://goo.gl/forms/ygDJf9XUoKSLjJXw2

Record Label:
http://soundcloud.com/etonmessyrecords

What is it you are searching for?
https://linktr.ee/DTX

DOUBLE DOUBLE - Through This Night / Nothing More - Remixes Remixes
bfan.link/remixes-remixes

EREZ - LIMITS - OUT NOW 
https://bfan.link/erezlimits

Xinobi - Finite Fields / 500mg - OUT NOW 
https://bfan.link/finite-fields-500mg

Madd Rod - Sad Behaviour The Remixes PT.1
https://bfan.link/sad-behaviour-the-remixes-pt-1

Moullinex △ GPU Panic - Jade
https://bfan.link/mxgpujade

Discotexas is an electronic music label and event series based in Lisbon. Founded circa 2007 by Moullinex & Xinobi. They gave birth to it as a platform to release their music and the music they love, gathering outstanding artists in what can only be called a family affair.


Please submit all demo tracks exclusively via our contact section at https://www.discotexas.com

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Booking: franzi@stereo-express.com

Riding in with the power to deliver sunshine to world’s rainiest open-air events, Monkey Safari brings rays of light to whatever dance floors they cast their shimmering spell on. 

The past few years saw the brothers swinging to new trees, retiring their previous labels to focus on their new label 'Hommage.' It were the years of transformation for the German producers, developing and tailoring a sound suited perfectly for the unique club nuances while still keeping the core elements of melodic chords and grooves synonymous with the duos productions. 

During this time, Monkey Safari unveiled their remix for Marc Houle’s “Pepper” on Richie Hawtin’s label Minus and their hugely successful “Cranes” and “Walls“ EPs that presented opportunities for Monkey Safari to work with some exciting musicians, such as Wolf + Lamb and Kölsch, techno heavy weights Guy Gerber and Josh Wink, as well as one of dance music’s most iconic producers, Moby. 

Monkey Safari remixed a track for Moby & The Void Pacific Choir, returning the favor after Moby’s successful rework of the duo’s track “Walls” last year. Their next releases continued in the same fashion, featuring remixes from Paco Osuna, Chloé, John Digweed & Nick Muir, UNER, Guy Mantzur, Victor Ruiz and more, while signing tracks from amazing Blond:ish, legendary John Tajada, and others on their Hommage imprint. 

The duo’s efforts in the studio have transcended to their DJ sets with stand out shows at Time Warp and Awakenings Festival. On top of a heavy touring schedule at world renowned clubs and headlining slots at festivals, the duo released their album ‘Odyssey’. Monkey Safari produced the same kind of tracks for this album they were playing as they toured nightclubs and festivals around the world, rather than simply a listening album. 

In 2018 Monkey Safari carefully handpicked remixers they saw as most capable of continuing their vision for the album. The ‘Odyssey Remixes’ featured reworks of the original album tracks by the master himself, Carl Cox, international stars Hernan Cattaneo, Guy J, Musumeci, Tensnake and Reboot, studio geniuses Dubspeeka, Hannes Bieger, ROD, and Phil Moffa, as well as up-and-coming talent Avidus and Trivmph . 

Monkey Safari’s third album comes in perfect time for the summer sunshine of 2019. The duo follow up their last album, ‘Odyssey’, with this warm, inviting collection of music designed to brighten your day and complement the glorious sunny days that bless us during the summer. Sven and Lars learned some valuable lessons from their last long-player, and the new album ‘HI’ comes from a far more relaxed, easy-going place. An organic project that came together quite naturally, their third album sees the duo in high spirits ready to bring a large dose of positive vibes and emotional depth to the party. 

2020 and 2021 sees Monkey Safari moving closer to legendary brands Get Physical and Anjuna Deep, starting with a remix and a multitude of EPs on the labels. Watch out for more news soon! 

The German outfit has been on an incredible run of form with promising developments in all of their endeavors and exciting news still to come. Be it a fresh remix or EP drop, DJ set or party, Monkey Safari will be sure to touch all scopes of dance culture with no signs of deceleration on the horizon. 
Their mandate remains the same, sending sunny vibes to make even the darkest dance floors smile.

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


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