Innovadeep is a Plattform like a label. it is a music project. a corner for friends and music lovers.  @creamy_sound and Sokool (Thomas)  is a part of innovadeep. releasse from innovadeep are more ambient and experimental sound. creamy is a mix from house to techno. Sokool released many tracks free from genres in the electronic world.

Art free from the soul .
booking: innovadeep@posteo.de

Insta: innovadeep_official

Linktree Innovadeep

https://linktr.ee/innovadeep?fbclid=PAY2xjawJMEyFleHRuA2FlbQIxMQABpvanEOP3MOxy1njjduBWQoIWnF6xVVKooDPgfwuIdWu9nA_OzSSlD9aF2w_aem_xi31NwZa3T6INKB5_-m2TA

for booking requests:

sqim@openairtogo.info

Releases:
Nils Ohrmann & Sqim - Real Deal ep. (Arms & Legs)
Sqim - Kill me ep. (Play it Down )
Sqim - Addicted ep.(Play It Down )
Sqim - In my sleep (Arms & Legs)
Sqim - I Feel (play it down)
Brillstein - It Is Sew (Sqim Remix)(Play It Down)
Dimitri Max - Work That 808(Oliver $ & Sqim Refix) (Sampled Recordings)
Princess Di - Who's Dick Is This (Sqim Ghetto Mix)
Princess Di - Who's Dick Is This (Sqim Warm Up Mix)Danse Club Records	
Sqim - Forever More (Bargrooves)
Oliver Dollar & Sqim - Hoes (Mixmag Records)
Sqim - Forever More (exploited)	
Sqim - where is where (play it down)
Oliver Dollar and Sqim - Hoes (play it down)
Sqim - Forever More (evamore music)
Camel - Blow Up / Sqim RMX / (jackmode music)


We still stand united with our Ukrainian and Russian friends hand in hand: STOP THE WAR NOW, Putin.

❤❤❤

BDA Allstar Residents: 
CASIMIR VON OETTINGEN @CasimirVonOettingen, MIKE BOOK @MikeBook, SOKOOL @sokool-musik, DANIEL JAEGER @DanielJaegerMusic, ELECTRONIC ELEPHANT @ElectronicElephant, VOM FEISTEN @VomFeisten, MARTIN KA @Martin_Ka, SAM SHURE @samshure, BROTECH @brotech, SKALA @skalared, MAURICE MINO @mauricemino, POLYTOXIKOMANIE @polytoxikomanie, COLAMBO @colambo, SIN:PORT @sinport, FLOCO C @floco_c, DAENSEN @lsdaensen, JURIE MEMBER @ju-rie-member1, TOMISLAV @tomislav-music, RICKSTER @ricksterrickstser, TIMO REPLAY @timoreplay, SASKIA @saskia-bauer-1, MARCOLINYO @altendorf,

The tale of Danny Tenaglia's love affair with music, and the world's subsequent romance with him, is one of the critical veins in the body of dance music. He is every dancer's secret discovery; a random purchase at the record store, a reluctant night out that unexpectedly turned magic. Explosive success came not behind a major label release, or a world tour, or a radio hit remix: It happened when enough people had the private Tenaglia experience for themselves.

The momentum started building in early '70s New York, when a barely 10-year-old Danny first got the feel of vinyl in his hands. Enthralled by the music of artists like Philly Soul's The Trammps, Motown's Marvin Gaye, African trumpeter Hugh Masekela, and disco producer Giorgio Moroder, he started to collect records, plumbing the depths of each one, and frequently finding that he preferred the B-side to the A. It was 1979 when he discovered legendary nightclub Paradise Garage, where DJ Larry Levan's rich, genre-less blend of music seemed to mirror his own "no boundaries" policy. It was here where Danny found the club model he would one day emulate: Levan's bold style, the venue's plain décor, and the party's warmth and inclusiveness.

Danny left New York in 1985 and launched a successful DJ-ing career in Miami as a resident at Cheers nightclub. There he schooled the locals in classic New York and Chicago house, but five years later he returned home, tired of only playing other people's music. He started to assemble an impressive roster of remixes, including Right Said Fred's "I'm Too Sexy" (1991), Jamiroquai's "Emergency on Planet Earth" (1993), and Madonna's "Human Nature" (1994). But his first epic was The Daou's "Surrender Yourself" (1993): With the kick in the bass and the underlying rhythm as the foundation, Tenaglia blanketed Vanessa Daou's wispy vocal with grand, thick chords, a combination of classic groove and modern club-ready depth that was, at the time, entirely new. The title of his 1995 debut artist album on New York's Tribal Records described it perfectly: Hard & Soul. But even if the cocktail was his own, Tenaglia never hesitated to declare how heavily his influences weighed in his productions - everyone from Patti LaBelle to Kraftwerk, with countless lesser-known Soul, R&B, Latin, Samba, and Disco artists in between.

In 1996, after a brief stint at New York superclub Roxy, Danny landed a Saturday night residency at white-hot Twilo, a position that upped his profile but didn't satisfy his expanding artistry as a DJ and producer. While New York swooned for big-room diva anthems, Danny was turning his ear toward the more minimal, tech-y grooves originating in European production studios. This period produced solid remixes like Grace's "Not Over Yet" (1996) and Janet Jackson's "The Pleasure Principle" (1996), but by the time he moved to Tunnel in 1998, Danny had already created "Elements," an instant classic that caused the dance scene's collective jaw to drop. With his own warped voice providing the narration, "Elements" (one track off full-length Tourism) walked the listener through the different components of a dance track in real time, going from kick to drum loop to snare hit, letting each layer over the other until the track exploded with dark, drum-heavy energy. Next to ostentatious radio anthems, its simplicity was a revelation. 

It was around this time that the murmurs started to get louder: Who is this Danny Tenaglia, and just what does he do to people? Clubbers reported seemingly inhuman mixing capabilities, booth-to-floor telepathy, and the grittiest "modern yet classic" grooves they had ever heard come out of a speaker. A trio of label compilations - Mix This Pussy (1994) and Can Your Pussy Do The Dog? (1995) for Tribal, and Gag Me With A Tune (1996) for Maxi - were the first Tenaglia sets clued-in clubbers could take home to dissect, but the release of his first installment in the UK-based Global Underground series of DJ mixes, titled Athens (2000), lit the international fire. Athens (meant to reflect the set he played at the Greek capital's club King Size) remains one of the darkest, strangest, sexiest sets ever released, and its tame cover photo of a gentle-looking man in a Yankee cap just didn't seem to fit. DJ dates across Europe dispelled the mystery and started the spread of the infectious Tenaglia fever.

Back in New York, Tenaglia was tiring of the cavernous gloom of Tunnel and longed for a weekly home that better resembled where the DJ bug first bit him - the Paradise Garage. He landed at Vinyl, a black-walled, single-environment, no-liquor club about one-quarter the size of Tunnel. He named the night "Be Yourself," after the self-affirming, heavy-bottomed vocal track he had recently recorded with Chicago's Celeda. And he took the name to heart: Without the pressure of bar minimums or an expectant crowd, Tenaglia spread his DJ wings. Next to new tracks by young producers like Rui Da Silva, Peace Division, and Saeed & Palash, he played the artists of his youth, with nary a beat dropped. If he wanted to launch into a two-hour set of straight-up techno, he did. If he wanted to play old Michael Jackson records, he did. If he wanted to get on the mic and tell the crowd the name of the sound he was about to play, or who next week's guest opening DJ would be, or just give everyone a "verbal handshake" to welcome them to the club, he did. And a city tired of drama embraced the barebones, music-centered night. 

The world caught up to Tenaglia in 2000. His annual party during Miami's Winter Music Conference outgrew its home at the cramped Groovejet and moved to just-opened superclub Space. DJ giants like Carl Cox danced on top of the speakers with the Deep Dish boys, Fatboy Slim mingled on the patio, and for a day the ego inherent to DJ culture evaporated: Tenaglia was hailed as the undisputed king, the "DJ's DJ." His roof-raising revamp of Green Velvet's "Flash" won "Best Remix" at the UK's Muzik Awards, where he was also awarded the "Best International DJ" prize. 

In the two years that followed, Tenaglia released another Global Underground installment (London); toured the world, took the party island of Ibiza by storm, remixed Billy Nichols' "Give Your Body Up To The Music" (a Garage anthem); got nominated for a Grammy (for his remix of Depeche Mode's "I Feel Loved," also nominated for Best Dance Song); returned to Twilo for two special gigs - a President's Day marathon with Carl Cox that shattered all its attendance records, and the club's sixth anniversary party with John Digweed, which turned out to be even more meaningful than it seemed at the time (Twilo was shut down permanently a week later); graced the cover of every major dance music magazine; and won a Dancestar Lifetime Achievement award... all while keeping Be Yourself buzzing every Friday. 

In 2003, Danny came full circle with the release of Choice: A Collection Of Classics, a two-CD mixed compilation that let him pay direct tribute to many of the artists who had influenced his sound and style. It featured everyone from Blaze to Adeva to Imagination, as well as hefty liner notes explaining the significance of each track, penned by the man himself. He also remixed another Garage classic (Yoko Ono's "Walking On Thin Ice," which became her first Billboard number one ever), opened another Space during Winter Music Conference (the new location down the block), and took another Dancestar award, this time "Best Party" for Be Yourself. 

Be Yourself took the same honor again in 2004, but this time the win was bittersweet. At the time of the ceremony, Vinyl, now called Arc, had already been sold to developers. Danny closed the classic club on Sunday, April 25, 2004, with an emotional set that lasted well into Monday afternoon, and culminated with his mix of Kings Of Tomorrow's paean to unending love, "Finally."

And as in every year since his DJ odyssey began, all across the globe, from Acapulco to Tokyo, more people experienced their first night with Danny Tenaglia, that clubber rite-of-passage that forever changes how you listen to music, go out to nightclubs, and think about DJs. 


@44-hertz
www.44hertz.com

current release: White Zoo & vom Feisten - Nach Pankow

Listen: https://open.spotify.com/intl-de/track/3bnYpe8Og6kGqCFP4njPkV?si=f9d28926bfe94766

booking-requests: booking(at)petrified-phoenix.com

FUTURE GIGs
20.12.25 JR, PBerg
31.12.25 Unverschämt, b2b @stefanmuchte
07.01.25 KitKat, Berlin
10.01.26 Nachtigall, Köln
16.01.26 Goldengate, Berlin
19.01.26 JR, Xberg
23.01.26 Ritter Butzke, Berlin
31.01.26 Bahnwärter Thiel, München
21.02.26 Hollystone, KP - THAI
23.02.26 Halfmoon Beach, KP - THAI
24.02.26 Halfmoon Festival, KP - THAI
27.02.26 Escobar, KT - THAI
20.03.25 Oxa, KP - THAI
17.04.26 Bday Party, Unverschämt, Berlin
20.06.26 Kieler Woche, Kiel
22.08.26 Funhouse Festival, Kiel

For Booking: kontakt@marcus-thiele.com

Kia grew up in Hessen,Germany. At a very young age she was already interested in going out and had her first contact with electronic music in different clubs in Frankfurt. It didn`t take long for her to realize that it wouldn`t be enough to just listen or dance to this sound.

Her style is to be situated somewhere between House and Techno. To her the most important is "being danceable"!
In 2005 she started her career in Frankfurt`s nightlife. Since then she got bookings all over Europe:
Robert Johnson (Offenbach)
Tresor (Berlin)
Watergate (Berlin)
Space (Ibiza)
Harry Klein (Munich)
Cable (London)
Regines (Paris)
Silo (Leuven/Belgium)
Surburbia (Rome/Italy)
Caleido Club (Bologna/Italy)
Wilde Renate (Berlin)
Goldengate (Berlin)
50 Grad (Mainz)

...and many more

In 2008 she started working for La Peña, a record label from Frankfurt together with Einzelkind. There she signed her first release together with Vera (Perlon, Hello?Repeat) in 2010.
http://www.beatport.com/track/chop-the-bang-sang-original-mix/1114489

Her latest release was in 2012 on Playhouse
http://www.beatport.com/release/weasels-monster-melodys/892740

Now Kia is based in Berlin, working on a new project called "Motivation Corporation" together with Dj Handmade from Tresor!

Her new Track is played by Reboot in Bergamo
https://www.youtube.com/watch?v=5pXqbykk1QA&feature=youtu.be


DJ Kotti is following