LoloCamp

Loloman - Liberation

Jesse Somfay - Small Pebbled Forest (Original)

ALEX BAU - ON SYNTH - CORDIG035

Misleading Feeling

Whatever by Brat Simpsoné is an underground house weapon built for late-night festival floors and open-air moments. Driven by deep, rolling basslines and hypnotic tribal percussion, the track channels raw, earthy energy with an Amazonian-inspired vocal that feels ancient, ritualistic, and untamed. It’s a groove-first journey designed to move bodies, blur time, and connect the crowd through rhythm—pure underground house with a primal edge.

BRAT SIMPSONÉ - WHATEVER (Eat my shorts remix)

Free Download!

oskar med k, Haley Joelle - i think i'm addicted ( KRONZ Remix )

Blackout

Fear Of An Extra Planet (Blackout)

The legendary Josh Wink celebrates 25 years of Ovum Recordings with its 300th release, ‘Aries In Mars’. Hear the typically rip-roaring original mix now…

Read more: https://bit.ly/2EfqeKF

Premiere: Josh Wink ‘Aries In Mars’

Buy/Stream: https://KompaktRecords.lnk.to/Speicher114SD

@marcromboy returns to our KOMPAKT EXTRA series with STALKER / BEYOND.

Since we last saw him in 2018 on SPEICHER 103, Marc has kept plenty busy with a release on Bedrock, a collaboration with Stephan Bodzin, plus a series of releases with Petar Dundov on his own Systematic Recordings. Beyond Marc’s rigorous DJ touring schedule, he performed live in a Planetarium and ended the year with a highlight, performing live at Philharmonie Cologne together with violinist Miki Kekenj and the Takeover! Ensemble.

Marc appears to be looking back to the deep, twisted forms of techno that shaped his early years with this double header. STALKER clearly delivers a typical Detroit-ish 90’s grittiness and drive which resounded the dancefloors of the German rave scene of that era.

BEYOND is a deeper cut for those late-night dreamers who are into the sound of Carpenter. A growling synth and laser light synth mingle relentlessly until a delicate piano quickly realizes that IT’S THE place.

Premiere: Josh Wink ‘Aries In Mars’

djmag