a little bouncy and fun

ickle bootie of Cassie 
Don't go too slow+me=like it when we go real

Cassie like it when we go real (headgirl on top)

Cut for me Kelela Pandora's Jukebox & Lucien Walker

COME 4 ME by P.J.

Nozinja (Shangaan Electro, Warp Records) teams up with Tessela (R&S Records) for a split 12" release to be released by Bleep on February 9th.

Pre-order now: http://link.bleep.com/nozinja-tessela-wa-chacha

Wa Chacha (Tessela Version)

http://www.juno.co.uk/products/pdl-perth-drug-legend-broxden-burners-ep/533076-01/

Recorded between 2012-2014, Jared Blum’s (of GiganteSound, The Talking Book, Blanketship, Vulcanus 68, et al.) Vision Heat project is a laser guided, hyper vintage conflation of early to mid 80’s centric production, montage and style. Recalling such luminaries as Tangerine Dream, John Carpenter, Harold Faltemeyer, Craig Safan and such lofty houses as KPM, Bruton and Parry with nods to oddballs from Russia and the Eastern Bloc, Blum still manages to be forcefully yet effortlessly unique. Inspired by countless soundtrack compilations and blog mixes of rare, foreign library and VHS music, Vision Heat varies in production style and technique as if it were the definitive archive - deftly genre skipping from moody sci-fi suspense, incidental queues and dramatic scores to uplifting electro-boogie, synthpop and cinematic arrangements. Ultimately so much more than an homage, The Chosen Themes are a subtle and skilled conjuring of a full spectrum re-imagined past. Part one of a two volume set.
Exclusive video stills provided by Jennifer Juniper Stratford.

Vision Heat - Run With The Foxx

Berlin resident Anastasia Vtorova aka Machine Woman follows up her ‘For Sweden’ 12” on Peder Mannerfelt with two new cuts for Where To Now? Records, accompanied by an expansive and sprawling remix from Kassem Mosse.

Machine Woman is beginning to cement herself as a rather unique figure in the world of Techno. Her music is undoubtedly brutalist, functional, industrial, and stripped back for the most basic of heads down body movement, but there’s a persistent seductive, soulful, and human element to her work which is in a state of constant interplay with this idea of the ‘Machine Woman’ - an approach which is undoubtedly inspired by the pioneers of man vs. machine music - Kraftwerk.

‘Genau House’ opens with the 11 minute ‘I can mend your broken heart’. Shuffling percussion struts alongside a myriad of synthesized melodies and the sound of data processing. For Anastasia, the track is inspired by unsuccessful Tinder dates, and the yearning lyrical content of the tracks certainly laments the implications of this perhaps often mechanical and rigid love seeking world against an honest and seeking heart – A Machine Music space to explore the increasingly common impact of disposable Computer Love colliding head on with a legitimate longing and want for lasting human connection.

‘Friday Night’ encompasses a similar vocal mantra but here the focus is not so much on the intricacies of the human heart, but rather the seduction, enthrallment, and sometimes unfortunate exclusivity inherent in sectors of the Berlin nightlife. Undoubtedly a track aimed towards the pitch-black nightclub ‘Friday Night’ is stricter in its intention, with less space for romanticism. An unrelenting Techno thud grinds with the mechanical shifting of gears and movement to create the desired hypnotic state whilst Anastasia’s heavily treated vocals plume the melody into even darker recesses of the dancefloor.

Kassem Mosse makes an appearance to close the record with his own incredible interpretation of ‘I can mend your broken heart’. To call this a remix is a discredit to Kassem’s ability to completely transform a work into his own whilst staying respectful to the original artists intention. Much like his interpretation of Simone White’s ‘Flowers in May’ (Honest Jons, 2015) Kassem takes the vocal line of the original and sets it against a deep, sprawling, immersive soundscape of his own. Over it’s 10+ minutes a Deepchord style dubwise basin of echo and melody lingers behind the deepest Trip-Hop style palette of slow, churning, and intricately evolving percussion.

“Machine Woman draws upon her foundations in ‘90s Leningrad and the hardest edge of her new home city’s industrial scene to forge a raw, buzzing, and brutalist style working on the cusp of dance functionality and avant-garde, tonal exploration. – Boomkat.” 
credits
released May 13, 2016

Genau House

Machine Woman - Genau House -  I Can Mend Your Broken Heart

Taken from "Reflections 2012-2016", a 30 track mixtape of unreleased music excerpts from 2012—2016 by ¬ b (fka Lee Bannon).

The physical version is available for pre-order through 1080p in double cassette form (limited to 100 copies), and ships June 1.

Buy Tape: bit.ly/1WDB8gY
Digital: bit.ly/1WEJB2Z

Lee Bannon - 3m12 Disc 2-sideD

Pinkman and Lux Rec first collaborative release.

Ian Martin - Mirage

Tzusing-日出東方 唯我不敗 (LIES-092)
from the upcoming 東方不敗 lp
to be released Feb 28th 2017

東方不敗

Buy Vinyl Direct

Tzusing-日出東方 唯我不敗 (LIES-092)

Wish I Could Still.. by @upsammy. 128kbps

Paerels

Wish I Could Still..

A1| upsammy -  Wish I Could Still..

Electronic Mist is a serie of releases where each track exists as a landmark in a space both surrounded and closed by the Mist. The Mist embody the Question while we all remain on the tangible dimension. 

Electronic Mist 1 contains two tracks «Force Of Foliage» and «Hairesis». Both of them reflect terrestrial and concrete mood with a hypnotic rhythm. A1ST invites us to an odyssey through his personal universe, where each track is a step to reach the Mist.

Released November 16, 2017 

Produced & Mixed by A1ST 
Mastered by Pieter de Wagter

Electronic Mist 1

[ Download ]

Force Of Foliage

Mancunian newcomer LOFT lands on Wisdom Teeth with a stunning set of dramatic, dynamic and cinematic club cuts.

Available everywhere on 12" and digital.

WSDM007 03 LOFT - Oh Well, We're All Fucked Now

Production: Jerico Rony
Mastering: Jesse Osborne-Lanthier
Visuals: H Studios (Jesse Osborne-Lanthier & Francesco De Gallo)

A Fool For Love

BUY VINYL: http://www.darkentriesrecords.com/store/vinyl/bezier-parler-musique-2xlp/
Dark Entries is proud to release the debut album from Bézier titled ‘Parler Musique’. Bézier is Taiwanese-American musician Robert Yang who is also part of the Honey Soundsystem crew. A multi-instrumentalist, Robert grew up in Southern California then planted his roots in San Francisco in 2005. Over the years in SF he has built an impressive analog synth-based studio, which also serves as the creative hub for his riveting live performances.

Parler Musique clocks in at over 52 minutes with 8 tracks are spread across four sides for maximum loudness. The album title is a French transliteration on the phrase “Parlor Music” and is evening music for a meeting of minds in a drawing room or a literary salon. To ‘talk about music’, the actual translation of the title, the album is a hotbed of ideas. Different genres are crisscrossed: punk, synthpop, jungle, new romantic, industrial and new wave. Airy melodies, surging arpeggios and symphonic breakdowns counterpoint cold digital drum sounds to convey beauty within inescapable and impending daily processes. The track titles for ‘Parler Musique’ zoom in on Romantic preoccupations with mystery, unknowns, depths--where themes combine to form an occult revelatory experience.

All songs have been mixed by Mark Pistel (Meat Beat Manifesto, Consolidated) at Room 5, San Francisco and EQed for vinyl by George Horn at Fantasy Studios. The vinyl comes housed in a jacket featuring a surreal circuit board pattern with pink bubbles flickering on an abstract horizon of water designed by Eloise Leigh. Each copy includes a postcard risograph-printed in fluorescent  pink and dark blue with Dadaist text by Justin Aulis Long.

“Is the drum the successor of human sacrifice or does it still sound the command to kill?” Adorno, Motifs (1951)

Parler Musique

Bézier - Parler Musique 2xLP snippets

Rezzett LP, out 19.02.18

Pre-order here www.shop.thetrilogytapes.com

Hala 
Longboat 
Sexzzy Creep 
Yunus in Ekstasi 
Wet Bilge 
Tarang 
Gremlinz 
Worst Ever Contender

TTT070

Rezzett LP

TTT SHOP

Rezzett – Yunus In Ekstasi

buy tape + digital nicemusiclabel.bandcamp.com - also available on Spotify, Apple Music, Tidal, Google Play, Juno Download and more.

taken from Nina Buchanan 'Highly Emotional' NM021

Highly Emotional

Nina Buchanan 'Cyndi's Theme'

Minor Science - Volumes

Heat is a surprise new double album from Shinichi Atobe for DDS. It follows on from last year’s “From The Heart, It’s A Start, A Work Of Art” set and continues a run of highly enigmatic, acclaimed and completely unparalleled productions that follow their own timeless logic. There’s no sonic fiction involved - this material really does just turn up on a CD sent by air mail from Japan to Manchester, sparse info, no messing, pure gold.

Heat

Shinichi Atobe - Heat 1

Lyrics and Vocals performed by Viva Ruiz.

Feel your force in these times
You have a role -  did you come to play?
Are you willing to see?
Who did you come to be
We claim the shadow and the light have you chosen to live?
Then make it big make it real big can you hear me? Do you understand?
Our rage is sacred, too
What have you come to do, what do you see?
Who did you come to be?


Can you take a stand can you listen, what are you able to see? 
Who do you
Who do you want to be? 
How are you perceiving our reality do you see us together?
Do you care can you care more can you hold your hand out too?
Do what you came to do
Can we live?
Live.
In this reality will you let yourself see 
Who have we come to be?

I see you there shining can you see me
Together can we can make brand new ways to be I believe in you 
I believe in me
Can you listen
Can you hear what you’ve known is true
Listen 
Let it all work thru you

Can we do what needs to be done?

Be what we need to become

Love is a clenched fist ready to strike
These are the moments we’re in
Right on time to get it in
These are the moments we’re in
Remember who you wanted to be and look now at what you could not see
Transforming clarity 
Conviction
The care that exists between us
We are the ones that we trust


Light and shadow equally sacred don’t you rob me of my rage
Watch me use it
I use it to turn the page
We use it to turn the page


These tricks we trade in for better burn all the contracts one by one until its done
Care OVER, capital. See their desperate clinging to what life used to be so happily 
for so few …
And now we turn the page

a little bouncy and fun

dj_maltodextrin