Spotify: http://spoti.fi/29pBabK

Management: 
Moe@theshalizigroup.com
Adam@theshalizigroup.com

Bookings: 
ROW: Mac Clark / mclark@caa.com
EU: panos@connectedartists.com
leon@connectedartists.com
       

Press:
Alesso@sequel-inc.com

Kollektiv Turmstrasse, one of the most successful German live acts in electronic music, is an influential presence in the global techno and house scene. With a compelling discography featuring releases on renowned labels like Kompakt, Diynamic, Cocoon, Fabric, and FFFR, his sound is deeply rooted in house music while also drawing inspiration from breakbeat, indie dance, techno, and even elements of hip-hop and modern pop. Turmstrasse is a complex, progressive and intriguing artist who focuses on the liberated space between driving house tracks and dancefloor anthems.

Quality will find its way.
booking: info@pracht.dk

Emotional Dance Music.

Booking Contact
sarah@paracou.de

https://phantogram.komi.io/

Fall In Love Again (Desmond Remix) Out Now
Move In Silence feat. Big Boi Out Now

Sparked by a color or song that recalls the most joyful and tragic moments in your life, a sense memory vaults you into the distant past. These subtle triggers remind us that memory isn’t confined to the mind; it lives in the body, too. Phantogram’s fifth album, Memory of a Day, captures that disorienting sense of time travel. “We put these songs together as a capsule, thinking about how a certain sound or melody can bring you back instantly to a memory of a day,” Phantogram says. 

While they were recording, the duo fixated on life calendars, a gridded sheet in which each unit represents a single week of a person’s life on the planet. As you fill in the grid, you witness the progression of your life in stark terms. The older you get, the darker the grid becomes, reminding you of how much time you have lived, and how little you may have left. “It’s this exploded view,” Phantogram says. “Like an image of Earth from a distance.” The life calendar is both morbid and nostalgic, a physical representation of our ephemeral time on Earth. 

“Days are only numbers,” Sarah Barthel sings on the chorus of “Come Alive.” That lyric became a north star for the duo as they set forth to make Memory of a Day. At once heavy and ebullient, “Come Alive” distills the lasting impact Phantogram has made on popular culture. Since their 2010 debut, Eyelid Movies, Phantogram has been comparable to no one, futurists who still manage to stay ahead of the curve more than a decade into their career. Their genre-bending approach to pop has led them to work with everyone, from Big Boi, with whom they founded Big Grams, to Subtronics, Future Islands, Deftones, the Flaming Lips, Tom Morello, and Miley Cyrus, to name just a few. A festival staple across the globe, Phantogram has also toured with Queens of the Stone Age, Arcade Fire, the XX, and many more. “We’ve always been proud of that: not being afraid of the experimental.”

Though their music has always been future-facing, to make Memory of a Day, Phantogram looked back. “Recording this album, it felt like how it did when we first started making music together,” Phantogram says. Alongside special collaborators like Mikky Ekko and Dan Wilson, Phantogram was joined in the studio by producer John Hill, who helmed Phantogram’s second album, Voices. The duo experimented in the studio and indulged in the music that brought them together in the beginning, artists such as J Dilla, Prince, Slowdive, and so much more. They reference new wave acts like the Talking Heads, ESG, and Liquid Liquid as influences on the percussive punk track “Feedback Invisible,” which is followed by the wistful burst of color “Attaway.” It’s a shoegaze song so sumptuous “you can almost see the grain in the guitar sounds.” 

Phantogram think in images when they write, drawing on scenes from films that linger with them years on. “Ever since Eyelid Movies, our work has been visually driven,” Phantogram says. In the video for the fuzzed-out waltz “All a Mystery,” snippets of human lives coalesce into a montage of experience. “Erase all the tapes in my mind/ Throw them all away,” Barthel sings, accompanied by a bittersweet swell of synths. “Turn back the tables of time/ Let all those memories die.” A swirl of memories, both triumphant and tragic, surface on Memory of a Day. “Come Alive” was written after Barthel experienced a transformative live show on her own, while the title track recounts the moment Josh Carter had to put his dog down. “It’s what you wanted, but couldn’t say,” he sings. “I’m not afraid of dying or what it feels like”

The album’s penultimate track, “Happy Again,” is a thrumming, bass-heavy rock song with a chorus that sounds like a wave crashing against the sand. “Another empty summer sunset/ Feeling homesick,” Barthel sings ahead of the bridge, her voice catching on the breezy, luminous production. “Can you believe this is your life?” It’s a moment of realization Phantogram compares to the dour scene in Forrest Gump, where Lieutenant Dan, “mega depressed and drunk,” throws a bummer New Year’s Eve party. Still, the song ends with an enlivening mantra. “I can be happy again,” Barthel repeats as guitars careen and crash. If days are only numbers, then how else can a person measure a life? On “Ashes,” the answer seems to be in moments of resilience. Based on the adage “you came into this world alone and you’ll leave it alone,” the throbbing production infused with elements of trip hop, shoegaze and indie accompanies Barthel as she reminds the listener: “Ashes rise, ashes rise.”

When they penned the lyrics, Phantogram thought of the mythical phoenix spreading its wings after catastrophe to take flight. The vulnerable, even despairing moments on Memory of a Day are stark, but they’re buoyed by a relentless optimism that has driven this project from the outset. In the Los Angeles studio where they recorded Memory of a Day, Phantogram often marveled at the distance they’ve come, both physically and spiritually, since they first started making music together in a barn in Upstate New York. “Tomorrow never knows,” Barthel nods to the Beatles on “Come Alive.” The accumulation of days together tell a story bigger than any finite lifetime, and Phantogram’s life calendar is only a fraction full.

Contacts
email:   miguelfernandes222@gmail.com
Insta :   Mikalogic
Whatsapp: +351 963310830 

For Business Management and Bookings :
       hushrecordz@portugalmail.pt

Portugal: 
       info@fuse.pt

No Many words are need to describe Portuguese Deep & Tech- House Maestro, is currently one of the most established and respected World producers with over 400 tracks and remixes released on some of the most respected Electronic world Music Imprints, such as All-Time Top 100 most charted labels on RA Resident Advisor Noir Music; Suara; Defected Records; Toolroom Records; VIVa MUSiC or Monique Musique, you also can find his music on his own imprint Hush Recordz or Sex Panda White, Soulman Music, Beatfreak Records, K9, DataGroove, Nervine Records, Go Deeva, Beat Youself, Factomania among many others. 
The striking quality of his music reached Several Beatport Tech-House & Deep-House Top 10 and is track "Cheesemaker" on CR2 Records reached 6th place in Beatport Overall top sales. Mikalogic´s music productions has been consistently supported, played and Charted by Top Artists like Pete Tong, Marco Carola, Chus & Ceballos, Nic Fanciulli, Noir, Ronan Portela, Audiojack, Supernova, Jason Jollins, MYNC, Mark Brown, Magillian, Robin Hirte, D-Formation or Steve Lawler who invited him to several releases on his imprint VIVA Music. The year of 2013 promises to be the year of the worldwide consecration of Mikalogic, already with a bag full of forthcoming releases signed on Labels such as Defected, Noir Music & K9.
With massive support from the legend himself "NOIR" that recently said " I personally think Mikalogic is only gonna get bigger and bigger. He is one of the most talented rising stars out there at the moment if you ask me." along with an exciting release schedule including collaborations with here is no doubt that this will be another inspired chapter in the story of these Portuguese talent
His most recent project and Label called Hush Recordz, in partnership with Portuguese Top Dj & Studio partner, Magillian, is a innovative independent Label based in Lisbon, focused on high quality Electronic Dance Music on is different expressions, releasing top artist and some bright new talent.

www.facebook.com/MikalogicOfficial
www.myspace.com/mikalogic
www.soundcloud.com/mikalogic

contact: steven@livefromoon.com


DJ/producer Gunnar Stiller has seen Berlin transform considerably over the last couple of decades, soaking in influence as well as helping shape its development as a musical force, becoming a fixture of the city’s scene along the way.

Whether playing in clubs around the world such as Berghain/Panorama Bar and Watergate or Sisyphos and Ritter Butzke in Berlin, Hive Club Zurich, Baum in Bogotá and Glow Bangkok or producing his own tracks for respected labels like Upon.You Records, Smiley Fingers, Voltage Musique and Ballroom Records, Stiller’s technique is deep in character, an outward-reaching combination of techno and house with his trademark funk-tinged basslines.

Born in the sunny seaside town of Rostock, Germany, Gunnar Stiller found a change of scenery when his family moved to Berlin in the early 80s. Moving to such a beautifully chaotic, adventurous city was a key factor in shaping his musical perspective, and with the purchase of his well loved (and now worn out) turntables in the late 90s, he took his first step into a professional artistic career as DJ and producer.

In 2003 while working as manager for Berlin-based event agency No Ufos, Gunnar found himself in the heart of a perfect playground to gain insight and develop his own style, which at the time was focused on deep house, breaks and electro. Inspired by those around him such as Steve Bug, Matthias Tanzmann and Martin Landsky, Stiller quickly began to carve out his own sound that impressed not just the dancers filling the floor but also any promoter and organizer who was paying attention.

Pushing himself toward further success, he founded the artist alliance Edelmut in 2004 along with a few of his friends, an endeavor which quickly gained them notoriety as they played in the city’s top clubs like Watergate, Bar25 and later the infamous KaterHolzig , the latter of which invited Gunnar to become a resident DJ, a position he gladly accepted. On top of this, he became a regular player at the legendary HomeSweetHome sessions. His frequent and often lengthy sets (sometimes in excess of 10 hours) allowed him to explore the boundaries between (and beyond) techno and techhouse, creating a dramatic musical landscape that sets him apart from countless other DJs.

By 2009 Stiller had formed a solid intuition for exactly what moved listeners’ bodies (and spirits) and began his foray into production. His debut release, the Heideberg EP, and its followup the Manaus Madness EP – both on Voltage Musique – landed directly within the Top 5 German club charts, and Marek Hemmann’s remix of “Manaus Madness” was voted the #10 best remix by dance music authority Groove Magazine’s 2010 readers’ poll. It was around this time that Gunnar joined Upon.You Records as part of their label and booking roster, releasing a lot more EPs and contributing to the acclaimed label compilation Upon.You Diary, which was compiled by himself in 2014. These where followed by collaborations and remix projects with artists like Solomun, AndHim, Layo & Bushwacka!, Alex Niggemann, Danny Serrano, Ray Okpara, Nikola Gala, Larry Cadge, Samuel Dan, Nakadia, Dj Le Roi or Loko and more released tracks on labels like Clap Your Hands, Smiley Fingers and Time Has Changed. 

Meanwhile, Gunnar Stiller’s DJ career picked up exponentially as he established a name for himself outside his native Berlin borders. In the last few years, he has been booked to play at top festivals such as Sonar Festival, Amsterdam Dance Event, Melt! Festival, Fusion and Sonnemondsterne, in clubs throughout Eastern and Western Europe as well as South America, Asia, Australia and Africa, sharing the booth with the likes of Richie Hawtin, Ricardo Villalobos, Carl Craig, Laurent Garnier and Luciano. If you want to know where the global electronic dance scene is headed next, keep your eyes and ears on Gunnar Stiller…

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Max Cooper is an electronic composer, multi-disciplinary artist, music label founder and former scientist who has carved out a unique space in music and visual art.

He holds a PhD in computational biology at the same time as being the first contemporary electronic musician to perform at the ancient Acropolis theatre in Athens and one of the first clutch of musicians to produce in Dolby Atmos.

Cooper has enquired for over 15 years through music, collaborations, and his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos and live events.  Anchored throughout is his emotive approach, connecting how ideas and forms feel, in a manner accessible to us all. 
 
As an artist synonymous with the evolution of club culture, Cooper honed his craft as a DJ with a 10 year residency at legendary Midlands techno event Firefly where he formed a foundational relationship with Architecture Social Club, with whom he still collaborates on extravagant immersive installations.

"I want to encourage the acceptance of electronic music as an art form like any other. Bringing electronic music and abstract audio-visual projects into concert halls, museums and galleries is liberating - the art world opens up doors to communicate in ways that aren’t possible elsewhere."
  
Pivoting from computational biology to electronic music might not seem like the most natural career transition, but for Cooper the commonalities are obvious:
 
"In both fields, you're in a sense, free. Free from the limits of living systems, free from the limits of corporeal sound. The only constraints are in your mind."

www.maxcooper.net 

Contacts:
Management: James Palmer-Bullock, The Wild Seeds - james@thewildseeds.com 
Label: Anthony Faulkner, Mesh – anthony@thewildseeds.com 
PR: Neil Bainbridge, Neighbourhood PR - neil@nbhd-group.com 
Radio: Matthew Maxey, Enganche - matthew@enganche.co.uk

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