Lovely paired down trip hop feel to this.

I Can

A cover of this tune originally played by Ned Landry, famous fiddler from New Brunswick Canada.  (see: https://www.youtube.com/watch?v=0lsqlU3ar1g )with Jore, Hilary and Alan playing in this version.

This is a repost of earlier posting see: https://soundcloud.com/jorma-heikkil/woodcutters-reel-collaboration-band
I applied the mastering gizmo from soundcloud on the track to see how it changes things.

Hilary Dirlam @hilary-dirlam :  Banjo
Jore  Heikkilä @jorma-heikkil :  bozouki, bass, mix
Alan Ingall @newshoe :  Accordion

Woodcutter Reel ( w/Hilary Dirlam & Jore's Folk Orch)

YOUTUBE CHANNEL: www.youtube.com/user/WrittenForGuitar
BANDCAMP: georgewanat.bandcamp.com/

WANATG@GMAIL.COM

Resistance (Free Download)

Vocals, Brian Egan
￼ ￼track by MrDjBigHouse 
WML(wizards of the magic llama )

Fall of the New Empire (WML) ft Brian Egan

Bluefusion - Rerelease

...vox populi vox Dei... vox et praeterea nihil...

Voxes

Soundsplorations (2017-2019)

The Really Central Kafka Joke

Influenced by the brilliant work (Dark Sitar) of The Pharmaceutical Phaggot, some Sitar in this track. Main stringed is mandolin. TPP refused to transact a ludicrous deal I proposed some weeks ago, by which I offered TPP,  in part exchange for his Sitar, a banjo playing rodent (so far as he knew). Following the collapse of what would have been a transaction to remember, I therefore had to make my own Sitar.... from commonly available household items (mostly stuff found in a drawer marked 'pieces of string too small for use'). The link to TPP's brilliancy is here: https://soundcloud.com/pharmaceutical_phaggot/dark-sitar

First Rock On The Dune

Musica autoral de um grande amigo irmão personalidade relíquia da Bela vista.
Eduardo Franciulli - Atravesse a Rua.
(letra e voz)
Gravado no Home Estudio Cafofus Records.
Produção - Enrico de Luca a.k.a Lubraxx
(guitarra, baixo e bateria)

EDU FRANCIULLI - ATRAVESSE A RUA.

Teil - Look - Down oder wer geht heute zur Tanke ?

The sound chip, named Paula, supports four PCM-sample-based sound channels (two for the left speaker and two for the right) with 8-bit resolution for each channel and a 6-bit volume control per channel. The analog output is connected to a low-pass filter, which filters out high-frequency aliases when the Amiga is using a lower sampling rate (see Nyquist frequency). The brightness of the Amiga's power LED is used to indicate the status of the Amiga's low-pass filter. The filter is active when the LED is at normal brightness, and deactivated when dimmed (or off on older A500 Amigas). On Amiga 1000 (and first Amiga 500 and Amiga 2000 model), the power LED had no relation to the filter's status, and a wire needed to be manually soldered between pins on the sound chip to disable the filter. Paula can read directly from the system's RAM, using direct memory access (DMA), making sound playback without CPU intervention possible.

Although the hardware is limited to four separate sound channels, software such as OctaMED uses software mixing to allow eight or more virtual channels, and it was possible for software to mix two hardware channels to achieve a single 14-bit resolution channel by playing with the volumes of the channels in such a way that one of the source channels contributes the most significant bits and the other the least.

The quality of the Amiga's sound output, and the fact that the hardware is ubiquitous and easily addressed by software, were standout features of Amiga hardware unavailable on PC platforms for years. Third-party sound cards exist that provide DSP functions, multi-track direct-to-disk recording, multiple hardware sound channels and 16-bit and beyond resolutions. A retargetable sound API called AHI was developed allowing these cards to be used transparently by the OS and software.

Teil - Look - Down oder wer geht heute zur Tanke ?

Isolierstation

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