classiqueskompaszouksoukouss

1 - 08 Sweet Mother (Prince Nico Mbarga)

Greatest Hits 1964-2004

Vuli Ndlela

Zouk Machine - Maldon

Do Ba Dance [Tony Mix, Douyon, Black Mayco, Babas, Roger] Remix Live

Vini Pou

Syé bwa

Majestik Zouk

Sé dam' bonjou

(dee-zee-got)
The name "DZgot" is inspired by the scientific word "dizygotic" making reference to non-identical or fraternal twins.
DZgot is a music producing/Dj duo composed by Cedric Roy and David Chatelain, inspired by the Afro House movement and the golden years of haitian kompa music.
In 2013, they came together to form a dj duo concept focusing on projects where the international dance scene would meet the haitian culture halfway on the dancefloor, opening a new world of possibilities where ethnic sounds and EDM tendencies would unite.
Three years later, DZgot is proud to present it's first original music composition: La Vibe Tropicale.

La Vibe Tropicale EP

Download

Bout Konpa (Original Mix)

Bill Loko - Nen lambo
Vintage Makossa 1980 Cameroun

Arranged by Micho Dhin (Keyboards, Bass, Guitars)

Bill Loko - Nen lambo

Kassav - Zouk La Se Sel Medikaman Nou Ni

1er Gaou

Awilo Longomba - Karolina

Amajovi Jovi

Best

Monie

Greatest Hits

Bottom in de Road

Soundway Records present Kenya Special: Selected East African Recordings from the 1970s & ‘80s - a treasure-trove of rare and unusual recordings from East Africa. Spread out over two CDs and one triple LP, Kenya Special is accompanied by detailed liner notes, original artwork and photographs.It follows on from Soundway’s much acclaimed African ‘Special’ series that to date has focused on the highlife and afrobeat output from 1970s Nigeria and Ghana.

Kenya Special is a collection of 32 recordings (most of which were only ever released on small-run 45rpm 7" singles) that stand out as being different or unique as well as some classic genre standards. From Kikuyu language ‘liquid soul’, Luo benga and Swahili afrobeat to genre-bending Congolese and Tanzanian tracks recorded in Nairobi, Kenya Special sees Soundway yet again taking the less trodden path. Many of the tracks featured here are peppered with innovation and experimentation highlighting how diverse the music scene in Kenya was at the time. 

In 1970s Kenya the two threads of rumba and benga loosely dominated the music scene. Benga quickly became Kenya’s unique contribution to afro-pop; spreading like wildfire through the interior countryside with it’s fast, 4/4 machine-gun beat and intricate electric guitar layers. The Congolese take on Afro-Cuban rumba was introduced by touring bands many of whom settled in East Africa - influencing bands from Kenya and Tanzania to come up with their own take on this popular style. Alongside these styles were small ensembles and hotel-sponsored bands, playing a blend of music that often included rock ‘n’ roll riffs, elements of ‘afro’ music (influenced by West African musicians like Fela Kuti), and multiple other combinations from South African and Zambian guitar styles to disco, funk and Swahili coastal rhythms like chakacha.

Painstakingly compiled, assembled and researched over two years by a team of five people from five countries (Kenya included), Kenya Special is a collection that looks beyond the mainstream and brings new life and recognition to some little known gems and forgotten classics of Kenya’s past. 

The Rift Valley Brothers - Mu Africa (Kenya Special)

I love all different genres of music and I like to try to play connect the dots in musical interludes and influences as queer child of the great and wide African Diaspora.


Biography
My love affair with music began when I was just a kid. Living with a father who was a musician, he fostered an interest in a wide spectrum of musical genres from the time we could crawl.
    When I was a teenager, I got into making mix tapes for friends and myself. Music inspired me and was my rock when I came out as a queer teen. One Friday night I had the opportunity to play some music at my queer youth group's coffeehouse. It ignited something in me and I decided this was something I 've got to do.
    For a couple of years due to the lack of opportunities I was relegated to making mix tapes and the coffee house nights. I moved to Toronto in the mid 1990's and stumbled into a wonderful place called CKLN 88.1 fm. The station offered training workshops in being a technician and on-air programming. I was soon volunteering there as a tech and doing the occasional on-air fill in. To my good fortune a slot opened on air and soon I was programming a weekly show with Karen Augustine called B.A.S.S (blak Afrikan sistas of soul).
    
    From spinning on air I was asked if I would play a few gigs. I accepted it with joy and have been creating vibes since then. After a year and half on B.A.S.S, I moved onto my own show on CKLN - RedLight Special (Tuesday's 12:30 A.M. -2:30AM) and then now Afrotransit(Thursday’s 5:00 P.M. - 7:00 P.M) I continued with Aftrotransit on radioregent when CKLN folded.  I am no longer on Radio Regent  but will have a Podcast coming soon!

Personal Information
zest for life and a uncanny knack for stepping in muddy
I get great joy of seeing people respond and participate in whatever fashion they may choose. I like my music to reflect the diversity of the community I live in for me that means pushing the boundaries of race, sexuality and gender. It is how I live .... It is how I play. The key to this is to reach higher and respect always

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