DiscoHouse, AfroHouse, LatinoHouse
Tech House, Electro, Melodic

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Welcome music lovers from around the world! As a highly respected & rapidly-growing global electronic music collective, we are here to share & support quality music and artists. 

We accept deep house, melodic house, progressive, techno, melodic techno, a bit of downtempo, & deep tech only.

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Founder of @runafterrecords & @likenoother_rec

Promo/Contact/Booking:
gutennmusic@gmail.com

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


Lvl Up OUT NOW !

Romhan Beast is a French artist born in 1998 in France. Passionate about creation and very inventive, he began his career as an artist at the age of 23 in electronic music. He mainly compose the Big Room, Bass House, Future House and Mainstage styles with two completely different identities. Its first identity is inspired by the main styles of electronic music festivals played on the main stages with a lot of energy, while the second is more club-oriented and more danceable.
Through his collaborations, he likes to work with artists from other worlds such as the visual arts, thus introducing other artistic styles through his works.

Born in the city of Lille, Frenchman Clawz SG has been a devout electronic music enthusiast for a very long time. After many years of clubbing his passion naturally flourished, inspiring him to immerse himself even further into the music scene. 

It’s only recently however, that his name has started to circulate, becoming synonymous with the current Deep House and Melodic Techno sounds of today. Nevertheless, Clawz SG stays true to his roots and remains an old-school synth aficionado from way back, having collected an impressive selection of numerous analogue vintage synthesizers over the years.

His ardour for producing was originally something he engaged in purely for himself and his friends, however after much support and encouragement he finally decided to take that final step, thus paving way for the birth of Clawz SG. His debut release with Parquet Recordings in 2014, was a significant mile stone clocking up two highly acclaimed collaborated tracks titled “Obvious” and “Abyss”. 

The success from Parquet 082 cemented a solid springboard for his musical art form and it opened the flood gates to a succession of accomplished releases. To date he has remixed and produced originals with a number of well-established labels, including TRAUM, Natura Viva, Inlab Recordings, Blendwerk, Save Us Records and Making You Dance Records. 

More immediately, his creative aspirations have compelled him to embark on a new and exciting phase of his career. 2016 sees him join the Steyoyoke Recordings family and already he has a debut release set to make its mark.

 “Sounds in Motion” is a finely polished all original four track EP, due out in April 2016. Nothing shy of a masterpiece, it directly reflects his internal profoundness and mirrors his necessity to express his personal sentiments with sound, when words do not suffice.
 
Broadening his career will never change Claws SG’s deep-seated morals or values. He’s an individual with strong family ties, even dedicating an entire EP to his family and proudly upholds many noble attributes within all his professional connections, which assures lasting relationships and solid honest partnerships within the industry. 

With all these positive traits and artistic facets to boast, Clawz SG has definitely found kindred spirits in his alliance with the Steyoyoke family and 2016 is sure to throw his talents well and truly into the spotlight. 

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3rd Avenue is an electronic music imprint which operates under https://soundcloud.com/madloch 's https://soundcloud.com/soundavenue umbrella.  As the Belgian imprint continued to grow and diversify its output 3rd Avenue was created to focus on the more traditional progressive house sounds which ultimately spawned Sound Avenue’s beginnings. The labels initial releases from Blusoul, Lautaro Varela, Matias Chilano and Progress Inn forged a strong blueprint which still holds true today. Now ten years since the labels inception 3rd Avenue has built a healthy artist roster which includes Nicolas Rada, Dmitry Molosh, Hot Tuneik, Eric Lune, Monojoke, Figueras, Subnode, La Vue, Beije, St.Ego and many more.  The label’s ‘We Are The Future’ compilation series has long been one of the best showcases of new and undiscovered artists. Released quarterly these exclusive collections are now revered industry wide for not only developing new talent but for featuring some of the freshest most cutting edge music around. 2024 holds even more promise for this flourishing imprint with a bevy of exciting releases and an ever expanding artist roster.

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