Skee-Lo's 'I Wish' blended with Syrup's 'Sink Mess' in a funky breakbeat-flute kinda fashion. Any feedback appreciated! 

Skee Lo vs Syrup - I Wish (DJ Pactman Funk Edit)

hustlin is the key to success

Part Of: Morning Love
Catalog: FAS069S4
Release Date: 27.01.23
Buy Link: https://www.traxsource.com/title/1929834/morning-love-jonny-faith-bruk-beats-mix

Jonny Faith
SoundCloud | https://soundcloud.com/jonnyfaith

Feedasoul Records
SoundCloud | https://soundcloud.com/feedasoulrecords
Bandcamp | https://feedasoulrecords.bandcamp.com

Release Text:
Jonny Faith reworks SMTHNG SMTIME's 'Morning Love' into a stunning UK-oriented cut. Highlighting the beautiful vocals, Johnny Faith reworks the rhythm section into an absolute Broken Beat beauty. Heavy basslines, swinging synths licks, and percussion turn the original track into a sure-fire.

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Berlin House Music
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PREMIERE: SMTHNG SMTIME - Morning Love (Jonny Faith Bruk Beats Mix) [Feedasoul Records]

Out Now: "Yasiin Gaye: The Return (Side Two)"

Facebook: https://www.facebook.com/amerigogazaway
Twitter: https://twitter.com/amerigo615

Amerigo Gazaway’s *Soul Mates* series continues the theme of his previous work in creating collaborations that never were. On the series’ latest installment, Amerigo unites Brooklyn rapper Yasiin Bey (Mos Def) and soul legend Marvin Gaye for a dream collaboration aptly titled “Yasiin Gaye”. Building the album's foundation from deconstructed samples of Gaye’s Motown classics, Gazaway re-purposes the instrumentation into new productions within a similar framework. Carefully weaving Bey’s tangled raps and Gaye’s soulful vocals over his new arrangements, the producer delivers a quality much closer to an authentic collaboration than a lukewarm "mashup" album.

Yasiin Gaye - Two Worlds feat. Kanye West

Intro]
(Ah yeah!)
Hey baby! (Hey what?)
You ready? (For what?)
Let’s go swingin’ till the morning light!
C’mon now!

[Verse 1]
Well the band’s on fire and the floor’s alive,
Got my shoes shined up, feelin’ that vibe!
You caught my eye from across the crowd,
Let’s twist it up, let’s make it loud!
Come on sugar, don’t stand still,
The rhythm’s jumpin’, you know the thrill!
Every move, every groove’s the thing—
So hey baby, let’s go swing!

[Verse 1 Partner B]
Mmm honey, you talk so sweet,
You got that style that moves your feet!
You spin me ‘round, I lose my mind,
Ain’t felt this good in such a long time!
You grab my waist, I grab your hand,
Let’s show ‘em how we twist and stand!
The night is young, let the jukebox ring—
Hey baby, let’s go swing!

[Chorus]
Hey baby, let’s go swing!
Twist that body, do your thing!
Round and round, don’t you stop,
Move those hips and let it drop!
Hey baby, the groove’s the king—
Clap your hands, let the rhythm sing!
Come on now, let your heart take wing—
Hey baby, let’s go swing!

[Verse 2 Partner A]
I see you movin’, you got that fire,
Your steps are smooth, you lift me higher!
You dip and slide, you twist so neat,
I can feel that heat from your dancing feet!
Let’s spin again, don’t lose the beat,
Our hearts are pounding, oh so sweet!
The crowd’s all clappin’, the trumpets sting—
Oh, hey baby, let’s go swing!

[Verse 2 Partner B]
Oh darling, you sure can move,
You’ve got that old-school Chubby groove!
The sax is blowin’, the bass is tight,
This dance could last all through the night!
We’re twistin’, turnin’, shoutin’ loud,
We’re the heartbeat of this crowd!
Let’s shake it, baby, do your thing—
Hey baby, let’s go swing!

[Bridge]
Partner A: Left foot, right foot, spin around!
Partner B: Twist that body, get down, get down!
Partner A: Shake those hips, now don’t be shy!
Partner B: Come on baby, let’s touch the sky!
Both: Everybody’s watchin’, the band’s on fire—
We’re swingin’ high, we’re climbin’ higher!

[Chorus]
Hey baby, let’s go swing! (Yeah!)
Twist that body, do your thing! (Woo!)
Round and round, don’t you stop!
Move those hips and let it drop!
Hey baby, the groove’s the king—
Clap your hands, let the rhythm sing!
Come on now, let your heart take wing—
Hey baby, let’s go swing!

[Break]
Partner A: Spin me, sugar!
Partner B: Don’t you let go!
Partner A: I’m flyin’!
Partner B: I told you so!

[Final Chorus]
Hey baby, let’s go swing!
Twist that body, do your thing!
Round and round, don’t you stop!
Move those hips and let it drop!
Hey baby, the groove’s the king—
Clap your hands, let the rhythm sing!
One more time, let the rafters ring—
Hey baby, let’s go swing!

[Outro]
Partner A: Oh yeah, baby, we’re swingin’ tonight!
Partner B: Don’t stop now, keep it tight!
Partner A: The moon’s up high, our hearts are too—
Both: Hey baby… I’m swingin’ with you!

Hey Baby, Let’s Go Swing

People Under The Stairs- Uprock Boogie

Live at broadway NYC Supper Club - 1994, gathering hip-hop and jazz cats against AIDS for the Red Hot + Cool project. 

  Bass - Carl Carter 
  Drums - Steve Williams
  Featuring - Wah Wah Watson
  Featuring [Trumpet] - Lester Bowie 
  Percussion - Danny Sadownick
  Piano [Fender Rhodes] - Federico Gonzalez Pena
  Producer - Butterfly , Lester Bowie , Wah Wah Watson

Stolen Moments: Red Hot + Cool was hailed as Time Magazine’s 1994 Album of the Year. One of the first projects to explore the impact of AIDS upon the African American community, Stolen Moments features collaborations between old school jazz performers and contemporary hip hop artists

In addition to the album release, a one hour music television special will air on public television stations across the United States presented by the Independent Television Service (ITVS) with funds provided by the Corporation for Public Broadcasting. The Stolen Moments: Red Hot + Cool special is a dynamic concert event filled with electric on-stage collaborations and candid discussion. The ITVS broadcast marks the first of the Red Hot Organization's five music projects to be aired on public television. In addition to footage of the live performances, interviews with Professor Cornel West and actor Giancarlo Esposito, and people who are infected with HIV, talking about their experiences and concerns.. It creates a space for frank and necessary discussion about HIV/AIDS."

Produced by The Red Hot Organization for the Independent Television Service (ITVS), Stolen Moments: Red Hot + Cool is the fifth in a series of AIDS benefit musical projects, and the first to air on public television. A fresh and innovative concert special, Stolen Moments melds the classic genre of jazz with today's hip hop featuring the best artists from both worlds together for the first time. But Stolen Moments is more than just a landmark centerstage music event. It's a compelling video montage of what's happening in communities of color around the difficult issues brought on by the stunning rise in AIDS cases in recent years. At a time when media interest in AIDS has ebbed, Stolen Moments: Red Hot + Cool is bound to refuel the debate

The Stolen Moments: Red Hot + Cool project provides a meeting place where artists of several generations and styles can meet and create a musical dialogue. Where does fusion flow into funk? Where does the controlled anarchy of hard be-bop feed into the adrenaline-rush of hard core hip-hop? The answer to these questions and more are found in the spirit of collaboration and discovery on Stolen Moments: Red Hot + Cool. In addition to the straight ahead jazz and rap elements found with on this extraordinary recording, gospel vocals, blues guitar, scat singing, R&B, soul and other African American art forms hug and tug and pull at each other, like relatives at a long overdue reunion. Gender, age, and race are bridged in the three-way effort by Us3, Tony Remy, and Joshua Redman (son of the legendary Dewey Redman). Up-and-coming talents meet one of their heroes in the case of Groove Collective's joint jam with funk master Bernie Worell. Ditto for Me'Shell N'degéOcello's musical studio encounter with Herbie Hancock. Two men from two different eras but with surprisingly similar ears for music join forces in a track by Donald Byrd and Gangstarr's Guru. Add the differences of language and culture into the equation when you consider the distances spanned by Ron Carter's collaboration with Afro-French rapper MC Solaar. The list goes on and on, including contributions by Michael Franti, Digable Planets with Lester Bowie & Wah Wah Watson, The Pharcyde, Roots with Roy Ayers, Incognito, Carleen Anderson with Ramsey Lewis, Umar Bin Hassan and Abiodun Oyewole (formerly of The Last Poets) with Pharoah Sanders, Don Cherry with Watts Prophets, and Branford Marsalis.

Stolen Moments: Red Hot + Cool

Digable Planets and friends - Flyin' High InThe Brooklyn Sky (Live At The Supper Club 1994)

One funky edit for the Summer !!!
Break it down!

Sam & Dave - Hold on, I'm comin' (Mount Ten Edit) -  [Free Download]

Question Mark Asylum - Baby

East Of The Rock is one of the most mysterious crews from Chicago’s 90s Hip Hop underground. They don’t have any official releases, yet they are considered by many in the know to have classic songs…available only as tapes or the infamous test-pressings. There’s at least two noted 12” test presses of E.O.R material, but neither materialized into a proper release. They rocked a series of shows thru out the 90s, but weren’t known for mingling in the crowd or hanging out otherwise.

East Of The Rock = The Flux, The Mad Thinker, Mac 10 & Mr. V, their most well known demo contains four songs- “Egyptian Musk”, “Galaxy Rays”, “Mr Producer”, and “Burnout Assassin” a.k.a “Funky Prescription”. The closest thing to an actual release is their contributed track to Chicago’s 1995 Talent Fest Compilation, “Check The Mic.” Each offering is top notch: musically, lyrically, and stylistically.

For years I wondered not only about their history, but also their disappearance, by the time the late 90s arrived. Then after stumbling upon a Talent Fest Press Release semi-recently I discovered some useful information. Armed with some government names and a Facebook log-in I began a simple investigation, which lead to contact with “The Mad Thinker.”

Below is Part 1 of a four part interview series that offers some great and well -needed insight on the crew formation, creations, disbanding and current status. He reveals who the producer being dissed in "Mr Producer". He talks about getting production from Muggs (sort of...), Plus the unearthing of some unreleased demos and new music! All that and even a jab at a key Hip Hop respected figure is thrown out and later explained. Check back all week for parts 2-4, it’s all here peoples….

Peep a full article and interview on the group here: bit.ly/PvZsJM

East Of The Rock-Egyptian Musk

Groggy Pack Entertainment LLC 
All songs written & produced by The Doppelgangaz 
(M. Bennett, E. Sakla) Groggy Pack Music (ASCAP)  
Thonio appears courtesy of Thonio Recordings 
Recorded by The Doppelgangaz @ The Brothel 845 NY 
Mixed by The Doppelgangaz 
Mastered by Ricardo Gutierrez for Westward Music Group Inc 
Photography by G Grhymey 
Art direction & design by The Doppelgangaz 
Executive Produced by Matter ov Fact & EP

G Pack, Vol. 2

Cloak Makes The Man

More mixes from me here:
http://www.mixcloud.com/djpactman/
