D&B mixtapes

Meakusma is an artist-focused collective in operation since 2004, organising concerts, club nights, workshops and - since 2016 - the Meakusma Festival. The Eupen-based label has invited Viola Klein who brings us a highly moving one-hour house mix. This show serves as a kind of symbolic public release part for 'We', her collaborative record with Julion De'Angelo and Whodat, which was released one year ago on Meakusma.

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Outsiders: Meakusma w/ Viola Klein @ Kiosk Radio 18.03.2021

One hour of outer space moods from the one and only Myles Mac. Essential home listening. 

Otik - Neuron Blossom
picnic - drops in the water (DJ Paradise version)
Spacetime Continuum - Floatilla
LOG - LOG 3
Spacetime Continuum - Voice of the Earth
Midi Brotherhood - The Superself
Gianni Brezzo - Hickup
Mr. YT - Morning
Opik - Travelling Without Moving
Vril - Riese (Rework)
Terekke - Swim
Jean F. Cochois - White Clouds Passing The Blue Sky
Salt Tank - Sargasso Sea

@myles-mac
@melbourne-deepcast

The Best Effort Show Episode Twenty Four (Myles Mac)

This mix contains early to mid 1990s deep drum n bass, including some of my random favourites by the legends of the genre. Mostly UK material.

TRACKLISTING:
01. Motive One - Technical Wizardry
02. Code Of Practice - Infiltrate
03. Oblivion - Lush
04. B.C. & Neil Trix - Sixth Sense
05. Midi Magic - Calm Before The Storm
06. Goldie - Sensual
07. Shamen - Transamazonia (LTJ Bukem Remix)
08. Artemis - Elysian Fields
09. St Germain - Alabama Blues (Wax Doctor Remix)
10. Seba & Lotek - So Long
11. Sentinel - Toulepleu

Deep & Atmospheric Drum N Bass Mix (1990s)

15 years of Faitiche.

Tracklisting and download: https://bit.ly/XLR8Rinfluences_JanJelinek

XLR8R Influences Podcast

Tracklist & Download

XLR8R Influences Podcast 24: Jan Jelinek

Wav Fuzz with that seasonal serving of euro funk, dub edits and proper disco sleaze. That tasty French take on Sexual Healing has us melting like slices in a croque. 

The mix was recoded in the early evening of a summer night somewhere in the woods of Chicago. Wonder what cheese was being served then. @wave-fuzz

30 - Wav Fuzz

The #1 Hammer Returns With A Vengeance "Here Comes The Pain". Over 20 Phat Cuts 70+ Minutes Of Non Stop Junglistic Drumbastic Bassonic Vibrations By R.S.L. Corleon a.k.a. "Strange Love" (recorded in the late 1990’s or early 2000’s I have no clue. Made a lot of mixtapes back then and didn’t save copy’s or keep records lol)

RSL CORLEON HERE COMES THE PAIN

Changing Faces blends her way through a sublime selection of liquid, soul and deep D&B in this immersive guest mix. Vibes inside! 

Changing Faces:
Facebook → https://www.facebook.com/changingfacesdnb
SoundCloud → https://soundcloud.com/changing_faces_dnb
Instagram → https://www.instagram.com/changingfacesdnb/

Tracklist
High Contrast - Everything's Different
Hybrid Minds - Touch ft. Tiffani Juno (Tokyo Prose Remix)
Changing Faces - Talk To You
Dawn Wall - Mantis
Data 3 - Hound Dog
Dottor Poison & Ethik - 81:94 FX (Kodin & Logics Remix)
Pola & Bryson - Things I Do
Logistics - Seasons (ft. Lifford)
Monrroe - Dawning VIP (ft. Emily Jones)
Revaux - Northern Air
Changing Faces - Dusk [2017 VIP]
Hugh Hardie - Colourful Language
Dawn Wall - Twin Falls
Moby - Porcelain (Pola & Bryson Remix)
Technimatic - Night Vision
Changing Faces - In The Woods
Nexus & Tight - Lost Time (dub)
Fluidity - Tribute
Fluidity - Minotaur
GLXY - ID
Changing Faces - Nothing At All
Skeptical - Catch 22
Nero - What Does Love Mean (Changing Faces Bootleg)
Nero - Two Minds (Dimension Remix)
S.P.Y - Dusty Fingers (feat. Diane Charlemagne) (Northern Zone Remix)

Link with Drum&BassArena on:
Spotify → www.open.spotify.com/user/officialdnba
YouTube → www.youtube.com/user/officialdnbtv
Mixcloud → www.mixcloud.com/drumandbassarena/
Facebook → www.facebook.com/officialdnba
Twitter → www.twitter.com/OfficialDnBA
Music news → www.breakbeat.co.uk/
Subscribe to our weekly newsletter → breakbeat.co.uk/#modal

Changing Faces - Exclusive Drum&BassArena Mix

Download

L.I.E.S. Takeover - Terekke - Saturday 24th February 2018

This is the Point Of Origin: Vol. 3 album mix by @deadlinednb. Point Of Origin: Vol. 3 features 17 exclusive tracks from some of the scene's best up and coming talent. 
Download/stream the compilation here: https://ShogunAudio.lnk.to/PointOfOriginVol3SD

Tracklist (in order of mix)

Malaky - Requiem
Klax - Self Loathing (ft. Illiterate)
Dub Motion - Feeling U
Document One - Black Holes
Revaux - Ibex
Aperio & Monrroe - Focus
Macca & Loz Contreras - Moving On
Reflektor - Hold On Me (ft. Anastasia)
Dub Elements - Hidden Garage
Sustance - UGLY
Monika - Intentions
Data 3 & Koherent - Latitude
Ill Truth - Get Rollin'
Javano - Love Too Much
Deadline - Why You Wanna
Gerra & Stone - Blue Noise
Rizzle - Solstice (ft. Sydney)

Point Of Origin: Vol. 3

Point Of Origin: Vol. 3 - Continuous Mix

A studio mix with some of our favourite selections to celebrate not only our latest EP but Drum & Bass music as a whole. Enjoy x

J&T

CHIRALITY (w/ Visionobi)

Episode 10 of our monthly NTS radio program featuring our good friend @yu_su . First hour is @yu_su , second hour is PSS. 

Full tracklist available here: https://www.nts.live/shows/pender-street-steppers/episodes/pender-street-steppers-7th-may-2019

Yu Su is fresh off a recently released record with @secondcircle - check it out! https://soundcloud.com/secondcircle/sets/sc012-yu-su-roll-with-the

NTS Radio Episode 10 with guest Yu Su (7/5/2019)

Click here for the interview with Citizen Maze: melbournedeepcast.net/citizen-maze

A couple of months into studio isolation and Melbourne's @citizenmaze presents us with a new live set and our deepest trip yet! Hitting the radars in 2018 with a debut EP of four incredible mind melters for local label Analogue Attic, Citizen Maze (aka Adam McCoy) has an innate sense for the natural spaces we inhabit, intertwining serene soundscapes, organic drum sounds and synthesised atmospheres custom built for deep sonic introspection. Ready your mind for a trance inducing bliss-out, live sounds from the suburbs of Melbourne and beyond!

www.melbournedeepcast.net

Interview

MDC.244 Citizen Maze

The last mix of 2020 comes from Jonah Sharp (@reflecto), electronic mainstay and part of 'Virtual Dreams' as Space Time Continuum. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Jonah. Originally from Edinburgh, San Francisco resident since 1992, do you still live in San Francisco?

JS: Actually I recently just moved back to SF after spending most of 2020 in the UK. I had planned to be in Europe for an extended break from the US but Covid saw an end to that and my plans had to change. I miss British and European culture. I have family and friends there so I intend to be back over as soon as I can!

MFM: According to your discography the majority of your output started to shape up right after you moved abroad, in '91. How would you explain this creative outburst? 

JS: Before I arrived in San Francisco i was still figuring out how to produce the music that I wanted to make so when I got here I started to collect gear in earnest - it was a little moment in time when most people thought analog synths and drums sounded shit so I managed to find a TR-909 for $150, a Roland SH101 at the flea market and so on. So yes, suddenly having some decent gear and fun gigs to play was very inspiring! I did feel a kind of creative freedom being so far from South London and the pressures of living there as an artist. SF in the 90’s was very affordable for artists and it gave us the freedom to really focus on the music.
 
MFM: You started your own label Reflective in '93 and had quite a busy release schedule, especially during '95/'96, before it suddenly seemed to stop right after. What happened? 

JS: I started Reflective in '93, the year my first son was born. Flurescence EP was my first solo release and it got noticed around the world so that enabled me to keep putting releases out. With the momentum of the Terence McKenna collab album, things were going pretty well. But what we found was that even though there are lots of amazing labels in the US, it was actually pretty hard to sell them domestically so most of our stock was exported to Europe and Japan. We ended up pressing in the UK and running the label from SF and that presented problems so I had to put the release schedule on hold. At that time I had also signed a deal with Astralwerks so had contractual obligations to deliver albums and tour. It was a very busy time and by 1997 when our second son was born we decided to take a hiatus from the label. Not to say the label is gone forever though!
 
MFM: Flurescence, now found its way to the Virtual Dreams compilation, almost 30 years later. How does it feel that your older music is being re-released and rediscovered by newer generations?

JS: I am very happy and honored to be part of the Virtual Dreams compilation. Yes, there seems to be a bit of attention for this time period of electronic music at the moment, and the chill out thing in general. With so many online resources, everything is discoverable by anyone so all those tiny labels like Reflective that were putting out small runs of 1000 records (that was a small run then) are maybe enjoying some retroactive attention now. 
 
MFM: Does this new interest change your motivation and/or inspiration in the studio maybe?

JS: I follow my own interests and direction when it comes to making music but reaching new audiences has to gratify the artist whose work was made for sharing. My development as an electronic musician has come through thirty years of studio experimentation, initially with hardware and then incorporating digital software. When I made Fluorescence in 1993 there was no computer in my studio, but by the early 2000s San Francisco was the epicenter of computer innovation, people like my friend Josh Clayton were writing amazing software and so I went off on a long exploratory trip to integrate digital technology both in my studio and in my live rig. My aim right now in the studio is the same as always: make sounds and keep the good ones.

MFM Mix 023: Jonah Sharp

Doc Jay - End of an algorithm

Dug into my Rhythm and Sound collection (Mark Ernestus, Moritz von Oswald)  for this RWD.FM Session. 2 hrs of dubby, reggae infused Basic channel goodness

Throw this on early morning, late night or anytime you want to step back and slow down

if your unfamiliar, check out the label and all things basic channel related 
http://www.discogs.com/artist/Rhythm+%26+Sound
-----

i play records live wednesdays, 8-10 est on www.rwd.fm tune in, say hello :)



Rhythm & Sound Dedication Mix (Basic Channel)

NOTE: I love listening to mixes, but if your mix does not have tracklisting (or if its a PayWithATweet tracklisting) - I WILL NOT listen to it. I hate listening to tracks that I don't know the name for.
---------------------------------------------------------
DJ, collector of music and knowledge, photographer, expert gardener and website designer.

Introduced to EDM scene for the first time in 1997 upon arriving to Canada (Energy 108, Hits 103 dot 5, Power 88.5) at the age of 12 and immediately started collecting music. Vinyl, CDs, digital. In 2005 began making music mixes. Started DJ'ing in 2008, gradually developing into an independent mobile DJ with own equipment and complete lighting system. Proudly using a turntable-based setup and Native Instruments interface.

Currently has many mixes scattered under various accounts on Soundcloud (see here: http://soundcloud.com/tags/magnetonium/all_time) - eventually will be merged into this account.

Listens and collects every style of EDM except dubstep, in particularly prefers the 1975-2005 era and some new stuff (deep house, garage, nu disco). 

In music, biggest inspirations have to be: 

- Trance 1988-2005 
- Italian Deep House & Piano/Euro House (1988-1994) 
- Garage House: USA/UK/Canada (1983-today) 
- Eurodance / Italodance (1992-1998) 
- NY/Chicago Deep House (1990-1998) 
- Hardcore/Breakbeat/Bleep/Old-school stuff (1988-1993) 
- Techno / Detroit Techno (1984-1999) and music inspired by it (i.e. Joris Voorn, Funk D'Void, Steve Rachmad) 
- Deep, Atmospheric and/or Jazzy Drum & Bass (1992-2000) 
- Speed Garage / UK Garage (1994-1999) 
- Ambient (1977-2005) 
- Classic House (1984-1990) 
- Underground Disco (1977-1984) 
- Italo-Disco (mainly 1980-1985) 
- Canadian House (1988-1995)
- Many other styles of house music, except for minimal, experimental, electro and similar.
- Gabber / Speedcore / Hardcore
- Spacesynth 
- Acid (mainly 1990s) 
- Jazz 
- Smooth Jazz 
- Hardstyle

Further profile updates to come later :)
-DJ Philton aka Magnetonium

Deep & Atmospheric Drum N Bass Mix (1990s)

djphilton

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