Welcome to Discipline.

Discipline and Friends, Vol.1
https://discipline-audio.bandcamp.com/album/discipline-and-friends-vol-1-dscplfrnd001

contact: audiodiscipline@gmail.com

We are currently not taking demos for Gobsmacked Records
BIO:

Irish-born and Berlin-based, Millhouse has been at the forefront of the techno scene for over two decades, beginning his DJing career at the tender age of 17. Known for his electrifying performances, Millhouse delivers sets rich with machine-based techno, featuring deep bass beats and compelling basslines. His dynamic approach and energetic flair have made him a favorite across Europe’s most prestigious venues.

Millhouse's musical journey took a decisive turn in 2002 after being profoundly influenced by techno legend Dave Clarke. This experience redirected his passion towards techno, leading him to avidly collect records and immerse himself in the scene. His initial forays into music production began with casual sessions on Reason software, which soon turned into a serious endeavor, particularly after forming meaningful connections with artists like Diarmaid O’ Meara and Luke Creed.

In 2013, seeking deeper integration with the techno community, Millhouse moved to Berlin and soon took the reins at Gobsmacked Records. As the label manager, he has been instrumental in shaping its direction, curating releases and events that highlight the core of techno culture.

Over the years, Millhouse has released tracks on major labels such as Hydraulix, RIOT, UKR, and Khazad, showcasing his versatility and commitment to quality techno. His discography also includes a well-received remix for techno legend Funk D’Void, further cementing his status in the techno world. His track ‘Harsh Times’ featured on RIOT Radio Records’ charity V/A album has garnered extensive acclaim, with support from heavyweights like Dave Clarke.

His collaborations, notably with close friend Patrick DSP, have pushed his creative boundaries, enhancing his studio work to stratospheric levels. Millhouse continues to innovate and inspire, proving time and again that he is a central figure in the evolution of energetic techno.

In a career spanning well over two decades, Rydel has experience with almost every style of electronic dance music. His outstanding mixing skills impress even the most demanding audience and he always delivers sets tuned to the maximum enjoyment of the people in front of him.

Playing in more than 15 different countries around the world including Spain, Belgium, Czech Republic, Germany, Mexico, Italy, Colombia, Poland, the Netherlands and Norway, he has shared the stage with DJ's like Tiësto, Ian Carey, Redhead, James Zabiela, Misjah, Filterheadz and played on international festivals with artists like Moby, Massive Attack, N.E.R.D., Kraftwerk and many others.
Being an active producer as well, Rydel is getting strong support from some of the major players in the scene. While continuing to release on several international labels he's now primarily situated at Neptuun City and Sub Cult, where he is free to expand his experience in the music industry beyond the range of just DJ and artist.

His productions have been supported by Carl Cox, PHNTM, Umek, Chris Lake, Cristian Varela, Bryan Cox, DJ Rush, Funkagenda, Eddie Halliwell, David Moleon, Eric Sneo, Christian Cambas, Boriqua Tribez, Mark Sherry, Fer BR, Indecent Noise, and Mike Humphries, amongst others.

The tale of Danny Tenaglia's love affair with music, and the world's subsequent romance with him, is one of the critical veins in the body of dance music. He is every dancer's secret discovery; a random purchase at the record store, a reluctant night out that unexpectedly turned magic. Explosive success came not behind a major label release, or a world tour, or a radio hit remix: It happened when enough people had the private Tenaglia experience for themselves.

The momentum started building in early '70s New York, when a barely 10-year-old Danny first got the feel of vinyl in his hands. Enthralled by the music of artists like Philly Soul's The Trammps, Motown's Marvin Gaye, African trumpeter Hugh Masekela, and disco producer Giorgio Moroder, he started to collect records, plumbing the depths of each one, and frequently finding that he preferred the B-side to the A. It was 1979 when he discovered legendary nightclub Paradise Garage, where DJ Larry Levan's rich, genre-less blend of music seemed to mirror his own "no boundaries" policy. It was here where Danny found the club model he would one day emulate: Levan's bold style, the venue's plain décor, and the party's warmth and inclusiveness.

Danny left New York in 1985 and launched a successful DJ-ing career in Miami as a resident at Cheers nightclub. There he schooled the locals in classic New York and Chicago house, but five years later he returned home, tired of only playing other people's music. He started to assemble an impressive roster of remixes, including Right Said Fred's "I'm Too Sexy" (1991), Jamiroquai's "Emergency on Planet Earth" (1993), and Madonna's "Human Nature" (1994). But his first epic was The Daou's "Surrender Yourself" (1993): With the kick in the bass and the underlying rhythm as the foundation, Tenaglia blanketed Vanessa Daou's wispy vocal with grand, thick chords, a combination of classic groove and modern club-ready depth that was, at the time, entirely new. The title of his 1995 debut artist album on New York's Tribal Records described it perfectly: Hard & Soul. But even if the cocktail was his own, Tenaglia never hesitated to declare how heavily his influences weighed in his productions - everyone from Patti LaBelle to Kraftwerk, with countless lesser-known Soul, R&B, Latin, Samba, and Disco artists in between.

In 1996, after a brief stint at New York superclub Roxy, Danny landed a Saturday night residency at white-hot Twilo, a position that upped his profile but didn't satisfy his expanding artistry as a DJ and producer. While New York swooned for big-room diva anthems, Danny was turning his ear toward the more minimal, tech-y grooves originating in European production studios. This period produced solid remixes like Grace's "Not Over Yet" (1996) and Janet Jackson's "The Pleasure Principle" (1996), but by the time he moved to Tunnel in 1998, Danny had already created "Elements," an instant classic that caused the dance scene's collective jaw to drop. With his own warped voice providing the narration, "Elements" (one track off full-length Tourism) walked the listener through the different components of a dance track in real time, going from kick to drum loop to snare hit, letting each layer over the other until the track exploded with dark, drum-heavy energy. Next to ostentatious radio anthems, its simplicity was a revelation. 

It was around this time that the murmurs started to get louder: Who is this Danny Tenaglia, and just what does he do to people? Clubbers reported seemingly inhuman mixing capabilities, booth-to-floor telepathy, and the grittiest "modern yet classic" grooves they had ever heard come out of a speaker. A trio of label compilations - Mix This Pussy (1994) and Can Your Pussy Do The Dog? (1995) for Tribal, and Gag Me With A Tune (1996) for Maxi - were the first Tenaglia sets clued-in clubbers could take home to dissect, but the release of his first installment in the UK-based Global Underground series of DJ mixes, titled Athens (2000), lit the international fire. Athens (meant to reflect the set he played at the Greek capital's club King Size) remains one of the darkest, strangest, sexiest sets ever released, and its tame cover photo of a gentle-looking man in a Yankee cap just didn't seem to fit. DJ dates across Europe dispelled the mystery and started the spread of the infectious Tenaglia fever.

Back in New York, Tenaglia was tiring of the cavernous gloom of Tunnel and longed for a weekly home that better resembled where the DJ bug first bit him - the Paradise Garage. He landed at Vinyl, a black-walled, single-environment, no-liquor club about one-quarter the size of Tunnel. He named the night "Be Yourself," after the self-affirming, heavy-bottomed vocal track he had recently recorded with Chicago's Celeda. And he took the name to heart: Without the pressure of bar minimums or an expectant crowd, Tenaglia spread his DJ wings. Next to new tracks by young producers like Rui Da Silva, Peace Division, and Saeed & Palash, he played the artists of his youth, with nary a beat dropped. If he wanted to launch into a two-hour set of straight-up techno, he did. If he wanted to play old Michael Jackson records, he did. If he wanted to get on the mic and tell the crowd the name of the sound he was about to play, or who next week's guest opening DJ would be, or just give everyone a "verbal handshake" to welcome them to the club, he did. And a city tired of drama embraced the barebones, music-centered night. 

The world caught up to Tenaglia in 2000. His annual party during Miami's Winter Music Conference outgrew its home at the cramped Groovejet and moved to just-opened superclub Space. DJ giants like Carl Cox danced on top of the speakers with the Deep Dish boys, Fatboy Slim mingled on the patio, and for a day the ego inherent to DJ culture evaporated: Tenaglia was hailed as the undisputed king, the "DJ's DJ." His roof-raising revamp of Green Velvet's "Flash" won "Best Remix" at the UK's Muzik Awards, where he was also awarded the "Best International DJ" prize. 

In the two years that followed, Tenaglia released another Global Underground installment (London); toured the world, took the party island of Ibiza by storm, remixed Billy Nichols' "Give Your Body Up To The Music" (a Garage anthem); got nominated for a Grammy (for his remix of Depeche Mode's "I Feel Loved," also nominated for Best Dance Song); returned to Twilo for two special gigs - a President's Day marathon with Carl Cox that shattered all its attendance records, and the club's sixth anniversary party with John Digweed, which turned out to be even more meaningful than it seemed at the time (Twilo was shut down permanently a week later); graced the cover of every major dance music magazine; and won a Dancestar Lifetime Achievement award... all while keeping Be Yourself buzzing every Friday. 

In 2003, Danny came full circle with the release of Choice: A Collection Of Classics, a two-CD mixed compilation that let him pay direct tribute to many of the artists who had influenced his sound and style. It featured everyone from Blaze to Adeva to Imagination, as well as hefty liner notes explaining the significance of each track, penned by the man himself. He also remixed another Garage classic (Yoko Ono's "Walking On Thin Ice," which became her first Billboard number one ever), opened another Space during Winter Music Conference (the new location down the block), and took another Dancestar award, this time "Best Party" for Be Yourself. 

Be Yourself took the same honor again in 2004, but this time the win was bittersweet. At the time of the ceremony, Vinyl, now called Arc, had already been sold to developers. Danny closed the classic club on Sunday, April 25, 2004, with an emotional set that lasted well into Monday afternoon, and culminated with his mix of Kings Of Tomorrow's paean to unending love, "Finally."

And as in every year since his DJ odyssey began, all across the globe, from Acapulco to Tokyo, more people experienced their first night with Danny Tenaglia, that clubber rite-of-passage that forever changes how you listen to music, go out to nightclubs, and think about DJs. 


New 3-deck vinyl set now live on YouTube – recorded live at Cvetličarna, April 2023 🎥
 👉https://www.youtube.com/watch?v=H1NN6jWPkF8
 

As one of the founding fathers of Slovenian techno, Valentino Kanzyani has been involved in the country’s dance scene since the mid 1990s. A celebrated DJ first and foremost, Valentino built a solid reputation for himself whilst he was resident spinner of Ambasada Gavioli - Slovenia’s most famous electronic music club. His fame grew when he started spinning on three turntables as standard.

Joining forces with fellow countryman and techno champion Umek, Valentino saw his first release in 1999 under the moniker Recycled Loops. Due to the success of their joint EPs, Valentino Kanzyani and Umek set up Recycled Loops as a record label, which further helped establish Valentino as a major player in Eastern Europe’s techno scene. A number of world tours, festival appearances and big club gigs followed.


Whilst Valentino’s sound has evolved over the years, he is committed to protecting the art of the DJ with real integrity. Valentino set up his label Jesus Loved You in 2005, for instance, just as digital downloading was becoming the main dissemination channel for the music industry. Instead of joining the trend, Valentino decided to release his label’s music mainly on vinyl as a way to support the true original format of the DJ. And it is his love for vinyl that has seen him flourish today, to become one of most respected underground vinyl djs around.


Through 2012, Valentino released a series of Eps on Cadenza in the build up to his debut artist album ‘Love & Gratitude’. The latest EP as well as a continuous mixed cd which includes all tracks from the project was released in April 2013. The project showcases Valentino Kanzyani’s underground house vision and it also represents a new chapter in Valentino Kanzyani’s career – as part of Cadenza’s booking agency.

Link to preview his release on Tenax recordings: 
http://www.believedigital.com/artists/270237-41486,valentino-kanzyani-alen-sforzina.html 

Click on the link below to preview the first EP on Cadenza: 
soundcloud.com/cadenzamusic/sets/valentino-kanzyani-cadenza77 

Click on the link to preview the second EP on Cadenza:
http://soundcloud.com/cadenzamusic/sets/valentino-kanzyani-cad80 

VIDEO
Valentino Kanzyani b2b Herodot @Sunwaves 11 (episode#260 on Dancetrippin.tv) http://www.dancetrippin.tv/video/episode-260-valentino-kanzyani-herdot-sunwaves-romania-tech-house

LATEST RECORDED SETS & PODCAST

https://soundcloud.com/cruise-podcasts/valentino-kanzyani-cruise-podcast-004

https://soundcloud.com/data-transmission/exclusive-mix-valentino-kanzyani

https://soundcloud.com/pulse-radio/valentino-kanzyanis-art-of

https://soundcloud.com/fact-world-wide-events/fact-worldwide-session-by-5

https://soundcloud.com/wetyourself/valentino-kanzyani-wys-promo



 <bookings> 
alexander@aetherartists.com booking@aetherartists.com 
www.aetherartists.com


http://www.jesuslovedyou.tumblr.com
http://www.myspace.com/jesuslovedyou
http://www.twitter.com/JesusLovedYou
http://www.facebook.com/jesuslovedyou
http://soundcloud.com/jesuslovedyou

D-Nox (born 06 December 1975) is a German DJ/producer and 1 time DJ Awards winner whose career in electronic music spans well over 25 years. Everything started for him with the electronic scene in his hometown of Düsseldorf in the early 90ties, branding his mark in the music community by also being a part of the duo D-Nox & Beckers who are responsible for various club hits since 2004 and are still currently releasing 16 years later on prestigious labels such as Bedrock, Suara and Sudbeat to name a few, as well as through D-Nox’s own record label Sprout Music. 
D-Nox has brought his sound all around the world with his international bookings as a DJ, keeping him constantly on the move with his travels every weekend, through Europe, down to Australia, across the Americas, and around Asia and Africa. D-Nox has an exceptionally outstanding career in Brazil where he has his biggest fan community.
D-Nox was born in East Germany, but his family escaped to the West of Germany before the wall went down in 1989. As a young boy, he fed his interest in music by recording music on cassette tapes, as there was no way to buy records in East Germany. It was only in the time that he and his family moved to the West, that he got access to all the music which he had been recording on tapes and this is when his real passion for collecting music was born. In the early 90ties he started to go out and meet people from the nightlife scene of his new hometown Düsseldorf. Düsseldorf has always played an important role in the underground music scene. Many important bands such as Kraftwerk come from Düsseldorf.
With the first money that D-Nox made after he had left school, he was able to buy himself all of the important equipment needed to start the art of mixing vinyl records.
Around 1992 was the first time he got booked to play in a nightclub and by 1993 he became a professional DJ. These early years made D-Nox one of the most booked DJs in his region, with numerous gigs in his hometown and other cities near by. In 2001 he started to work as A&R for the record label Tatsu. This job taught him even more about the music scene and inspired him to start his own record label Sprout Music in 2003.
In 2004 he met Beckers and both started the form the famous duo D-Nox & Beckers which was responsible for many underground club hits such as „Jetlag Slave“, „Memory Cell“, „Seven Hours“ and many others. In 2007 the duo D-Nox & Beckers won the price for best selling progressive house artist in Beatport.com and in 2010 the duo won the DJ award for best progressive house artist. 
D-Nox & Beckers have released 3 albums; in 2007 “Left Behind”, in 2009 “Big City Lights” and in 2011 “Distance”. Since 2004 the duo have released more than 50 EPs and made over 70 remixes. Until today, D-Nox & Beckers still receive a lot of recognition and respect, and continue to play shows all around the world together.  But due D-Nox’s change of location in 2016 when he moved to South America, he is now focusing again on his solo gigs, with current shows booked in Germany, Belgium, Japan, Turkey, Israel, Australia, Russia, Poland, Costa Rica, Hungary, Brazil, Canada, Mexico, Argentina and many more to follow.  
Along with D-Nox’s change of location from Germany to South America, a few new collaboration partnerships in the studio were formed. One of them together with Victor Ruiz, one of the most demanded DJs of today.  Together Victor and D-Nox produced ‘Arise’ which was released on Sudbeat Recordings in 2016, the label belonging to Hernan Cattaneo. This track became one of the most played tracks in sets of DJ’s all around the world. They followed up this release, with a second best seller in 2017 on Sudbeat from Victor Ruiz and D-Nox, called ‚Pure’. Another new collaboration made with Stereo Underground, a very well respect producer from Israel „Dolby“ has reached number 1 in Beatport, the world wide leading digital store for DJs and was holding the top position for over 3 month. The pandemic month have d-nox become way more creative in his studio than he ever was before and his discography has just grown bigger and bigger. Its is now over 20 years that D-Nox is traveling all around the world and keeps on moving the dance floors.
D-Nox came out quite strong of the pandemic years and all the time he had spent well during those month off brought more shows and new fans. The years 2022/23 sent to to over 20 countries and his single „Dolby“ with Stereo Underground managed to stay 3 month on top 1 of the Beatport sale charts.
In 2023 D-Nox is celebrating his 30 years as a professional dj and he keeps touring the world. 
By now, D-Nox and/or D-Nox & Beckers have played many mayor festivals such as Rainbow Serpent, Ozora, Fusion, Tribe, Boom,  ADE, Love Parade, Tomorrowland, Lollapaloza, Loveland, Extrema to name a few and  many important clubs around the world, such as Stereo, Womb, the Bow, Dedge, Pacha, The Block, Warung, Ame, and so on, stoking up gigs in over 70 countries, this duo belongs to the most important underground dance music products from Germany.

PHNTM has released on some of the industry's top labels including: Blanco y Negro, Toolroom, 1605, Great Stuff, Hotfingers, Definitive, BluFin, and many more. PHNTM has received prestigious recognition from the music community such as Beatport’s Artist to Watch and being nominated for a Beatport Music Award. His popular genre blending style of Commercial Disco and Groovy Tech-Funk also received great success on the Beatport charts, with multiple #1's, reaching as high as #4 overall with his Umek collaboration "Dead Space". PHNTM has performed at some of the most premier events in the world such as the Ultra Music Festival in Miami and the famous BCM in Mallorca.

PHNTM is the owner of the classic Tech House label Neptuun City.  For all demo submissions, please do so in the form of a private Soundcloud link [Tech House / House only].

Neptuun City demos:  neptuuncity@gmail.com

DJ Ogi got into Croatian electronic music scene in 1995. He is the founder of Rijeka's techno scene and also one of the leading people of today's Croatian electronic music scene.
 His style has always been based on techno, and even today it's a combination of pumping techno with  dark elements, marked and well rounded with his beastly mixing technique. His DJ and Live P.A. sets could be heard at the raves and parties such as Dance Valley a Spaarnwoude (Hol), Love Parade in Berlin (Ger), Apokalypsa in Brno (Cz), SDF Festival in Rijeka, ECO Festival in Nova Gorica, Stealth in Los Angeles (US), Aux Music Festival in Augsbourg (Ger) and  in clubs like Florida 135 in Fraga, Lov.e in Sao Paolo, Anti club in Toronto, Kantine in Augsbourg, Anti club in Toronto, Lagoa in Menen. Triple 777 , Fabrik in Ostrava, MDa in Florence, Cinema in Kiev, Ambasada Gavioli in Izola, Factory in London, Crkva in Rijeka, ExExtreme in Bratislava, Zoreks in Lleida.

With releases on numerous renowned vinyl labels like Submission, Planet Rhythm, Compressed, Patterns, Holzplatten and Compound (some of it featured on compilations like "Mayday", "Palazzo Mix", and "The Detroit Connection by Kevin Saunderson"), 
Today Ogi is behind several labels (Technodrome, Techno Factory, Noisy Room, , Dark Noise...) and his productions were played by numerous well-known DJ's, including the one and only Aphex Twin!

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⚡ submit your repost ☞ https://trndmsk.de/submit-your-repost/
⚡ premieres ☞ benny@trndmsk.de ⚡
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🌵"mirrors & moonstones " by @calyjandro ☞ https://bit.ly/3WH4ihs 🌵
🌞 "kaniba" by @yemanjo & @mariam-kone-2 ☞ https://bit.ly/3zqYBtS 🌞
⚡️ "gamelan" by @nasiri_music & @german-brigante. ☞ https://bit.ly/3r99XhO ⚡️
🏝 "puerta del sol" by @j_pool, @yemanjo & @sebacampos_musica. ☞ https://bit.ly/3AIr8Lh 🏝
🛕"serendipia" by @mutulmusic & liza ☞ https://bit.ly/3KFSWob 🛕
🕌 "romanian resurrection" by @konimusik & @hotoasis ☞ https://bit.ly/3RdIFBH 🕌
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our imprint ☞ @trndmsk-records
our mixtapes, podcasts and live sets ☞ @trndmsk
our agency ☞ @trndmsk_artist_management
submit your repost, free download, mix ☞ benny@trndmsk.de
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⚡ follow us on youtube ☞ https://www.youtube.com/c/TrndmusikDe
⚡ follow us on spotify ☞ https://spoti.fi/2jzGmv2
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trndmsk is a project about electronic music, founded in December 2010.
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www.trndmsk.de
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Rydel is following