DARIUS SYROSSIAN  (MOXY MUZIK)
TO BOOK > luke@nge-booking.com 
UK & Spain & Rest of World
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Management + Remix Enquires
Shino > Shino@motionartistmusic.com
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Italy Bookings
Grillo@beatoflife.it
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Electronic music label focused in tech-house sounds since 2012. We also like confetti & inflatables

Making electronic music since 1988
Official Store | plaid.warp.net
Bookings | marcus@lb-agency.net 
US Bookings | bowen@teamwass.com 
UK Press | duncan@9pr.co.uk
US Press | linda@warprecords.com

Plaid (pronounced \ˈplad\) are the London based electronic music duo Andy Turner & Ed Handley. They are two of the founding members of The Black Dog, releasing their first EP in 1989 and signing to Warp Records in 1991. They have used many other pseudonyms including; Atypic, Repeats and Balil, but have focusing on Plaid since 1995. They have released 11 studio albums as Plaid, from 1991's 'Mbuki Mvuki', to 2022's 'Feorm Falorx'. 

Various sources claim they took their name “Plaid” from the Welsh word for “Party”.

A renowned DJ & producer, label boss and art creative, DAVIDE SQUILLACE'S career is constantly evolving as he brings his innovative ideas to the forefront, from music to art. A true renowned talent, his sound is an eloquent mix of techno, dance, indie, instrumental and downtempo beats.
DAVIDE SQUILLACE’s career title is constantly evolving. A label boss,
art creative and renowned DJ & producer in his own right, Davide has the
ability to express himself audibly and visually through the different
platforms he has created over the years. Since establishing his music
career over a decade ago, Davide’s dynamic sound continues to light up
and inspire dancefloors, spanning over many continents. Constantly
pushing the boundaries of electronic music, his sound is an eloquent mix
of techno, dance, indie, instrumental and downtempo beats. His side
project, Better Lost Than Stupid sees Davide collaborate with fellow
revered DJ’s: Martin Buttrich and Matthias Tanzmann. Also passionate
about art and culture, Davide established two creative brands and artist
collectives, This And That and Blender.

Bookings: 
WW- Future Artists -Salvatore Assante - bookings@futureartists.agency
South America: Arturo Ruiz - arturo@tboamerica.com
Italy: Oltre Bookings  - alex@oltrebooking.com
North America: rs@thebullittagency.com

Influenciado pelas raízes da música eletrônica, explora sonoridades que tocam o público e energizam fortemente a dancefloor!
Atração diversas vezes em grandes Clubs como Eazy Club (Indústria), Park Art (PR), Clash Club, Club 33 e muitos outros Clubs de diversos estados brasileiros, suas apresentações são sempre memoráveis. Seu forte carisma e atitude, é o motivo pelo qual é sempre destaque no palco.

Born in Madrid in the 80’s, Domingo Bellot starts his musical career at the age of 16. Influenced in its beginnings by techno and drum&bass, his technical skills, ability to connect with the crowd and he’s diverse musical style has made him one of the most versatile DJ´s in Spain. Over the past 5 years De La Swing has shared turntables with different top level Djs as Marco Carola, Loco Dice, Richie Hawtin, Dubfire, Laurent Garnier, Joseph Capriati, Adam Beyer, Paul Ritch, Paco Osuna or
Vitalic among others, and has played at festivals like Monegros Desert Festival (Spain), Eastern Electric Festival (London),Kingsday Madness (Holland), We are Together (Marseille), Plages Electroniques (Cannes), Ultra Cape Town/Johannesburg & Origin Festival (South Africa), resulting rapidly a well-known and familiar Dj in countries as Spain, France, Italy and Holland.
Since 2010 this Madrid born is one of the emblematic ElRow residents, the after hour based in the ever growing electronic hub of Barcelona, that has become one of the best clubs worldwide, brainchild of the organisers of Europe's only desert festival, Monegros, and owners of the acclaimed techno club Florida 135 in Fraga, Huesca. Equally important are his recent ElRow residencies during the summer season in Privilege Ibiza -in 2012 and 2013- and Space Ibiza in 2014.
De la Swing is that type of non-conformist artist which lives in a continuous sound evolution, where the depth, darkness and fun are always present in his sets and throughout which he shows his creativity and innovation on stage, driving his passion and vibrancy to create a different story every time, while establishing a unique connection with the crowd.
While in the studio, De la Swing is a solid and fertile mind being in charge of different labels as Elrow Music, Florida Music & Ker Recordings, having also produced and remixed for labels like Form, Drakos Recordings and Amazing Lab. However, his skills and abilities go further on. We can also enjoy its more underground side with his aka ‘Smoke Signals’, usually as resident in Ker Club Barcelona once a month, sharing his talent with artists such as Martinez Brothers, Art Department,Maceo Plex, Maya Jane Coles, Seth Troxler, Scuba or Los Suru

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

David J Stone is following