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The Starburst and Pixie Show 
Thursdays 6-7 
Pukkaradio.net

Hailing from upstate N.Y. but now situated in the "City of Big Shoulders", Chicago, IL, Ryan Bell a.k.a. Moving Violationz always saw himself involved in music from an early age but was never able to capitalize on any sort of lessons in a particular instrument growing up in the smallish towns of Binghamton and Cortland, N.Y., save for some beginner lessons on the recorder flute and acoustic guitar. He grew up in the seminal early 80's, gaining influence early on from synthpop pioneers Thomas Dolby, Depeche Mode, Erasure, and the Pet Shop Boys and immediately fell in love with the classic sounds of the era's signature keyboards and synths. These sounds are what also drew him to film music, as he was additionally mesmerized by the synthetic classical noodlings of Vangelis, Giorgio Moroder, and Harold Faltermeyer (just to name a couple) for their respective work on the scores for "Chariots of Fire", "Midnight Express" and "Top Gun".

Without sounding like too much of a hard luck case, his ordeal of living a very sheltered adolescenthood, nevertheless, left him without alot of exposure to any kind of music, his first love! Disillusioned, he seemed to wander around aimlessly in a musical wasteland for three years after moving out on his own at the age of 18 in 1992. That was until, while enlisted in the Navy, he stumbled on hearing the classically-tinged synthetic bombast of Hans Zimmer in 2 films that changed his life seemingly forever: "Crimson Tide" and "Broken Arrow" in 1995 and 1996, respectively. With a new found love of film scores guiding his footsteps and ideas, Ryan resolved to ultimately become a composer of the film music he had started to (at this point) avidly collect and admire. Little did he know what would step up to greet him, influence, shape, and mold his musical directions next!

Upon moving to Chicago and meeting his Occum's Razor bandmate, Truth One a.k.a. Andy Woodman in 2000, Ryan was introduced to the menacing, pummeling breakbeats of drum and bass/jungle through a CD of Andy's from Philadelphia DJ and producer Dieselboy called "The 6ixth Session"! What struck Ryan like a 500 megaton bomb was the fact that drum and bass, like film scores, seemed (and indeed is) the perfect music of such extreme contrasts, tranquil and a thing of beauty one second and then, unexpectedly, a brutalizing juggernaut of beats bludgeoning you into submission. This was evident in "The 6ixth Session"'s opening transition from Dieselboy's own peaceful but dissonant intro to the battle cry, angry reece, and subsequent "murder-the-world" beats of Konflict's seminal jungle anthem, "Messiah".

Needless to say, it was all "downhill" from there, as the impression left by this new (to Ryan) form of music truly changed his life---FOR GOOD! From then on, it wasn't enough that he should attempt to DJ the music that had permanently changed him, HE WANTED TO CREATE IT!

Going off of what he had learned hands-on about creating film scores -- he had created an 8-cue demo CD of interesting soundscapes he felt would be useful in various types of visual media a few years prior -- Ryan set out to pay homage to all his influences by creating what would hopefully be an interesting melange of classical touches, trancey atmospheres as well as (on the other side of the coin) militaristic drums and angry textures. What you hear on this page is a culmination of these efforts!

VOID TYPE, Drum & Bass DJ and owner of net station Dirt Lab Audio.
aim: DirtLabAudio
Interested in the dark, Tech & Neurofunk side of the sound Void Type was captivated by the darker elements of Breakbeat Hardcore & Techno in the early 90's. Then came the emergence of Tech-Step a few years later.
Further inspiration came from visits to the Metalheadz sunday sessions @ the Blue Note in Hoxton in the late 90's.

As an outlet for tech-step, neuro and dark-step Void Type created Dark Wax Radio in 2007, an internet station working in conjunction with Dark Wax Recordings, a label owned by London based DJ and producer Mistic.

In 2008 Void Type created Scotopic Audio, a digital label releasing all forms of dark edged DnB. The label released 16 tracks.

2010 saw Dark Wax Radio re-branded to Dirt Lab Audio with a new website and logo.
Now in it's 4th year Dirt Lab Audio continues to supply dark-edged dnb to listeners worldwide.

Sleeper Cell has been into the underground dance scene for many years, he attended the 1st Fantasia event at Donington Park and from there on was smitten.  He first started DJ’ing hardcore break beat then progressed onto the harder more modern Hardcore and Tekno.  

After a period he had his first release on New Era Records and continued to work in the hardcore dance circuit, working closely with many artists Sleeper Cell started to develop his production skills.  Learning Cubase with off-board hardware was where it all started in the early days which proved to be a long learning curve. After an extended break from production and playing out Sleeper Cell decided to return to music and looked to where it all started many years before BREAKBEAT.

Sleeper Cell has always loved the routes of breakbeat and soon returned to these making drum & bass beats. He is inspired by such artists as Ed Rush, Optical, C4C and Andy C to mention a few. Sleeper Cell has had several releases and is signed to the following labels:


	Cyanide 
	Nasca
	Trust in Music
	Unknown Error 
	Sudden Def
	Subculture
	Close to Death
	Contaminated Recordings
	Broken Audio
	Flatline Records
        ATTIK
        Mute:8

Download full albums here https://fortress-of-vinyl-records.myshopify.com/

_-='''''-,,,The Starburst n Pixie Show,,,-''''=-_
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