1605 - BITTEN - KMS RECORDS - PHOBIQ - RESPEKT - MKT - ORANGE REC
"Full Funktion" who are also well known as Bowsie based in Dublin, Ireland. Scott Curtis & Raymond o Connor have been creating their own twisted take on house and techno for the last 15 years. Over the years they have been honoured to have their music remixed by Filthy Rich, Phunk Investigation, Filterheadz, and Steve Mulder. Their track Ducati on Umek's 1605 label went straight to no 1 on track it down and hit the top 30 on Beatport. This release was heavily supported by 1605 head man Umek. After this, they released an EP on Kevin Saunderson's KMS Records and a 2 track ep on Spektre's Label Respekt Recordings. Another one to mention is their massive release "Esperanza" on Flashmob Records.
After their releases on Flashmob, KMS, Respekt and 1605. Things really picked up with heavy rotation on BBC Radio 1 and Eats Everything supporting a lot of their tracks around the world. At this point, Full Funktion was fastly getting known for techno so the guys decided to create a second alias for their less tough sound. Bowsie was now born, with releases on Traum, Baroque, Mirabilis, BeLove, Decide, PPMusic and of course the massive hit La Sirena which was out on Flashmob Records.          

Check out links below https://www.facebook.com/137757922964183/posts/1973767029363254/
https://www.facebook.com/137757922964183/posts/2080543912018898/
https://www.1001tracklists.com/tracklist/16bmuh31/eats-everything-edible-beats-048-part-1-awakenings-gashouder-amsterdam-netherlands-2017-12-30-2018-02-01.html
Their tracks have been supported by Eats Everything, Monika Kruse, 2000 & One, Loco Dice, Spektre, Spartaque, Greg Gow, Paco Osuna, Markantonio, Giovanni Carozza, Pagano, Agent Orange, Gaston Zani, Boxia, Wehbba, Luciano, Richie Hawtin, UMEK, Butch, Phunk Investigation, Filthy Rich, Sasha Carassi, Loco & Jam, Slam, Gary Beck, Joy Kitikonti, Mastiksoul, Lank, Paul van Dyk, Paco Osuna, Omid 16B, Gabriel Ben, Flash Brothers, Yves Eaux, Berny, and David Herrero. 
Up and coming releasesAgain this year is looking likely to be a really top year for the guys under Full Funktion with them releasing a four-track ep on Sasha Carassi's label Phobiq and securing a release with top USA label De-Konstrukt, They also have plans to release again on top Dutch label "Bitten" owned and ran by Sandy Huner and 2000 & One.Regarding Bowsie, it has just gone totally mental with releases coming up on PPMusic with a top remix from Ilary Montanari Dj, a two-track ep on Iconyc Noir, massive release on NYLO with a super remix from legends Mutiny UK, they make their debut on Extravaganza with Remixes from NAT TYPE and Andrew Azara. This label has had some massive names on it such as Charlotte de Witte, Timo Maas, Joel Mull, Sasha Carassi, Tim Green, Rudosa, D-Nox & Beckers, and the list does on & on. They will also make their debut on the amazing Déepalma Records again a label that has released tracks from some savage artists like Ben Delay, David Penn, Maya Jane Coles, Tube & Berger, Eelke Kleijn, Purple Disco Machine, Sidney Charles, Steve Lawler, Josh Butler, Franky Rizardo, Full Intention, and Camelphat.  Finally, the guys plan to make a return to their good friend Flashmob's label this time on his exclusive Flashmob LTD.  Full Funktion Releases on Phobiq / De- Konstrukt / Bitten / Flashmob / Respekt / KMS / 1605 / / This is Hot / Decide / Bulletdodge / Phunk Traxx / Capsula / Tigereye / Indeep'n'dance Records / Bakroom / Triplefire Music / Suro Records / .
Bowsie Releases on Deepalma / Iconyc Noir / NYLO / Flashmob / Traum / PPMusic / Voltaire Music / Mirabilis / Escapism Musique / Belove / Presences Recordings / Baroque / White Label Recordings / Recovery Tech

Bookings / Management
twenty4bookings@gmail.com

Co-owned by Jamie Jones and Lee Foss, groundbreaking independent dance label Hot Creations has gained global notoriety in recent years through pioneering a new and unique sound born of its founders deep affinity with old disco records and soulful beats. 2013 will see the duo take their label to even greater planes upon the major label release of their band Hot Natured’s truly unique debut album and a mile long waiting list of incredible music from incredibly successful talent such as Digitaria, Greg Pidcock, Richy Ahmed, Robert James and wAFF.

For consideration for release on Hot Creations and Hottrax, please upload demos here for review: https://tstack.app/hotcreations

Sign up to our newsletter an receive a free 3 track EP here - http://www.hotcreations.com

perty☟
UK / EU:
shogan@wmeagency.com
jdooling@wmeagency.com

NORTH / SOUTH AMERICA: 
bowen@teamwass.com

bio:
Ewan McVicar is doing things differently. He’s not following any existing blueprints, nor is he adding a filter to what you see. As a result, DJ Mag’s recently crowned Best British DJ is taking the electronic scene by storm. If you combine the spirit and ethos of the rave generation with a forward-thinking approach to music, vivacious energy and drive to push things in the right direction, you end up with McVicar. 

While his journey may have started in Ayr, Ewan McVicar’s path has shown he doesn't intend to rest until he's left his mark in every corner of the globe. That formative period in his humble Scottish hometown is the bedrock for his success today and after years of honing his craft across hip hop and commercial-leaning sounds in clubs that didn't quite fit his direction, he launched his own enterprise. TEN, the club night that started it all, was the introduction to underground music that he and his town so desperately needed. 

It wasn't just McVicar's hunger for something with a bit more bite that was satisfied once TEN was established, it was a huge success within the town and beyond. A new movement had picked up steam.

His unwavering dedication to pushing a sound that’s intrinsically his own had paid off and after a string of releases via Trick, 'Tell Me Something Good' became a runaway success, all over the planet. The platinum-selling single catapulted Ewan into the public eye and since then, he's not left it, not even for a second. His trajectory has been skyward but crucially, it's been on his terms. 

Musically he's made sure that he's stood firm on his commitment to the underground with releases via Heras Records, Optimo Music, Unknown To The Unknown, Shall Not Fade, Nervous and perhaps most notably Ninja Tune's singles imprint Technicolour, where 'Heather Park' found its home. The track acted as a platform for Ewan to recognise and celebrate his origins while facing forward with his sound. With that, the ode to his former home is one of his most beloved productions to date.

Remixes for The Chemical Brothers, Groove Armada and Totally Enormous Extinct Dinosaurs further cement his demand as a technically proficient producer and one that can create music for the main stage as well as sweat-soaked basements. Throw singles like 'Groove Thang' into the mix, alongside hyped collaborations with producers like Kettama, and what you have is an artist who's able to straddle both sides of the fence with ease, a rare feat in today's publishing landscape. 

Ewan's popularity as a selector and performer is arguably the strongest part of his arsenal and with one of the most engaged and active fanbases in the world, his sell-out shows prove to be one of the biggest draws in dance music. 

His sets at Creamfields in the Steelyard have become the stuff of legend, and they showcase his technical ability and prowess performing to crowds upwards of 30,000. His curated club brand 'Handpicked' is a no nonsense night that gives the truest insight into the brain of the clued-up Scotsman and he's welcomed acts like Kerri Chandler, Optimo, Stevie Cox and frequent b2b partner Special Request to play, perfectly surmising his musical tastes.  

Taking curation one step further, 2023 saw the inaugural edition of his beloved Pavilion Festival, Ewan's own festival located in the heart of Ayr on the Low Green, a location that he unsurprisingly holds dearly, in a community that he's now able to lovingly give back.

There are a whole host of new musical projects in the works and most importantly, an album is coming. One that he's been working on tirelessly in the background of his relentless gig schedule and release calendar, one that's set to tell the story of how an ambitious boy from Ayr decided to take over the world and how he's only just getting started.

No messages please.
https://linkin.bio/rekids

All Rize (Remixes II):
https://orcd.co/REKIDS278

Rocco Rodamaal - The NYC Chronicle EP: 
https://orcd.co/Rkd014

As one of the longest standing independent record labels in the US, Nervous Records has built its reputation through a willingness to take chances on new sounds and new producers. Nervous was the first American label to sign and release tracks from such dance industry luminaries as Armand Van Helden, Paul Van Dyk and Nuyorican Soul. This spirit has enabled Nervous to build a catalogue of hits that spans the complete range of underground dance and hip hop genres.

The label was famous almost immediately when it started back in 1991 because of its eye-catching, very distinctive cartoon character logo. In addition the first three releases were produced by Roger S., Kenny Dope, and Todd Terry respectively, representing the three best house producers of that time. By 1992 Nervous was featured in magazines like Billboard, DJ Magazine (cover story), Mixmag, and ID, hailed by all as the “Sound of New York nitelife.”

Nervous’ first major dance release came in 1992, with “Feel Like Singing” by Sandy B. Nervous decided at that point to focus its energy on expanding the label’s musical field. The label’s first step outside the house music arena was with the Brooklyn, NY-based rap group, Black Moon, whose single “Who Got The Props” virtually put Brooklyn back on the map as a center of hip hop. At the same time, the label decided to alter the Nervous character for this release, giving it specific hip hop characteristics, and calling the hip hop label Wreck Records. Massive success followed with the Wreck imprint, as hits soon followed by Smif-N-Wessun, and Funkmaster Flex.

Nervous decided to continue to expand its musical boundries in 1993 by signing Mad Lion, which would be the first reggae artist on the Weeded imprint. Once again, there was huge success as Mad Lion’s single “Take It Easy” sold over 250,000 units.

Meanwhile, the Nervous merchandise continued to produce massive sales numbers as it established itself as one of the most favored t-shirts for the youth cultures of America, Japan, and many European countries.

In 1994, the label decided it was time to move into the electronic genre, and started an imprint called Sorted. The first artist on that label was Josh Wink, who went by the artist name Winx. While Winx’s debut release was a critical success although not a major seller, Winx’s follow-up release “Don’t Laugh” became the American dance community’s most talked about single, and ended up selling several hundred thousand units worlwide. Subsequently Nervous released Winx’s debut album, “Left Above The Clouds.” This album was one of the first “electronica” albums to be released, and lead to Josh Wink being signed to Sony as an artist. Nervous also released an album by two Long Island based dj’s, DJ Micro and Vicious Vic. The album, entitled “Progress Into Our Future,” since became a seminal album for the crew of Long Island dj’s that currently dominate clubs with their hard trance sound.

In 1996, Nervous virtually single-handedly created a garage house music revival by releasing the debut solo artist album by house music legend Byron Stingily. Byron was formerly the lead singer of gold-selling group Ten City. His second single on Nervous, “Get Up,” went to number one on dance charts around the world, including the Billboard Magazine club chart in America.. For his album, “The Purist,” Nervous assembled an all-star cast of legendary House producers, including Frankie Knuckles, Masters At Work, David Morales, Basement Boys, Maurice Joshua and MK.

As the musical trends continued to evolve in the late 90’s, Nervous continued to create new imprints to remain at the cutting edge of all independent labels. Nervous Dog was created to accommodate the emerging harder-edged house sound of New York; Strapped was the home for uptempo, club oriented hip hop Party tracks; and Nervous Chill released the down tempo, jazzy grooves that are always in vogue in the newest restaurants.

The label also has had many successful tours over the years. One of the biggest was in 2,000, when the Nervous tour was sponsored by Playboy Magazine and KAMEL cigarettes, and featured DJ’s Jackie Christie, Razor-n-Guido and DJ Escape, along With PA’s by Nervous artists Byron Stingily, Charlotte And Kim English. In addition, Nervous created what became one of the Winter Music Conference’s most original Parties, the Nervous After-hours breakfast at Denny’s, which featured an International list of dj’s entertaining conference attendees at 5:00 AM while they ate their grand slam Denny’s breakfast.

In 2000 and 2001, the energy tribal sound dominated the US club and Nervous gave America’s club-goers four of the its most dominant anthems, “Skin” by Charlotte, “Ssst…Listen” by Jonah, “Unspeakable Joy” by Kim English and Dive In The Pool by Barry Harris featuring Pepper Meshay. During this same time, the label has also created many successful compilation series, among them “Hip Hop Independent’s Day,” and “Future Progressive,” and “Club Nervous.

As the hits grew in number, so did the value of the catalogue for sampling purposes. Nervous songs have been sampled in major hits by Mariah Carey, New Edition, Coolio, Flip Squad, Basement Jax, George Michael, Soulsearcher and more..

In 2006 Nervous gave the US one of the biggest dance radio records with What A Feeling by Peter Luts & Dominico, a track which won the 2007 WMC award for Best Euro Dance track. In addition, Nervous delivered the most memorable US underground track of the year with Ralph Falcon – I Need Someone, which was also number one club record of 2007 according to Billboard Magazine.

In 2008 Nervous had two of the top five most played records of the year at dance radio, with Bellatrax feat. Sophia May/I Can’t Help Myself and Every Word by Ercola featuring Daniella, and ended the year as the two most played label at dance radio in the USA according to Billboard Magazine.

Nervous has also made a strong foray into the compilation market, building a roster with some of the most credible house music. The past twelve months has seen full length cd’s from Oscar G, Ralph Falcon, Funkagenda, Mark Brown, Behrouz, Chris Lake, Starkillers & Austin Leeds, DJ Theo, Exacta and Marlon D. Second half of 2009 will see releases from Danny Krivit, Frankie Knuckles, Tom Stephan, Peter Bailey and Richie Santana and Anane (produced by Louie Vega. 

In the grand tradition of Nervous launching sub-labels to embrace the next sounds to take over Nitelife ... In 2011 we launched Nurvous Records.  With the Indie Dance / Nu-Disco sound that has erupted from England and is now barreling towards full speed in America, one of our primary goals is to provide innovative homegrown style; and bringing back emotion to the music, squashing the over-commercialized big-room invasion.

Glasgow Underground was set up in 1997 by Kevin McKay. He began the label releasing his own music and collaborations with friends and other Glasgow-based artists (Omid 16b, Studio Blue, DJ Q, Harri). Through his DJing and work for various music magazines (Muzik, Jockey Slut, Mixmag Update) he met some of his favourite producers of the time (Romanthony, Mateo & Matos, Idjut Boys...) and convinced some of them to join him releasing on GU. In the early 2000s, Kevin met Mylo and set up the Breastfed record label. The global success of "Destroy Rock & Roll" meant Glasgow Underground was put on hold. After leaving the Breastfed label in 2011, Kevin re-started Glasgow Underground and since then the label has gone on to re-invigorate Romanthony's catalogue with remixes from the likes of Dixon, MCDE, Gerd, Andres, Oliver Dollar, Ejeca, Audiojack, Claptone, Christian Nielsen, Supernova, Jimmy Edgar and Waifs & Strays. The label has also introduced producers like Daniel Trim, Brett Gould, Mia Dora and Illyus & Barrientos as well has releasing established & rising stars such as Metodi Hristov, Stefano Ritteri and Sabb.

Booking: BW@t-s-agency.com
NA/SA: alo@prismaartists.com

https://linktr.ee/cinthie_dj

Follow my SPOTIFY PLAYLIST (Updated Weekly) : https://spoti.fi/2RHGKu3 

Berlin based DJ, Producer, Music Lover, Record Collector, Label Owner and Record Store Owner.


Berlin's Cinthie has grown to become one of the most revered and respected figures in contemporary electronic music in recent years both in her hometown and across the globe. Her touring schedule regularly sees her playing her inimitable DJ style in hotspot cities like Paris, London, Amsterdam, Barcelona, Stockholm, Seoul, Osaka, and of course her beloved hometown Berlin .

Djing in said city since the early nineties as a teenager Cinthie's depth of knowledge radiantly shines through in her sets and her productions, which traverse through a broad range of classic and contemporary House and Techno sounds. Recent times have seen Cinthie look inwards towards her aspirations for the future, and as a result, dedicated a huge portion of her time to building her own studio, featuring a wide spectrum of some of the most noteworthy vintage drum machines and synthesizers in existence.

Initially Cinthie made her mark with Diego Krause, Ed Herbst and stevn.aint.leavn as the Beste Modus / Beste Freunde collective, amongst running Unison Wax and We_R House on top of the main labels. Most recently she launched her 803 Crystalgrooves imprint to critical acclaim, a platform which has become a huge focus for her own productions for the foreseeable future as well as the imprint's sub-label Collective Cuts, which as the name suggests, welcomes music from affiliates and friends of the artist. On top of this there’s a burgeoning relationship with Will Saul's Aus imprint where her debut album comes in 2020. Cinthie’s unfaltering drive and dedication to all things House continues into another decade...

It was in 2011 that Dutch pair Lars Dales and Maarten Smeets quickly broke through in the electronic music scene. Since then they have become known for their widescreen approach to making and playing club-ready grooves. From deep to disco, tech to soul, they join the dots between the past and the present with their own sense of storytelling and do so in clubs around the world, as well as in their studio. House might be the root of the Dam Swindle sound, but it takes nourishment from a much wider world of music. 

Still now, their breakthrough tunes such as ‘The Wrap Around’ and ‘The Break Up’ receive countless plays on dancefloors all over the world and the duo has made timeless music such as their 2023 disco-house bomb ‘ That’s right’ and 90’s throwback banger ‘Allright – just a tribute’ that became one of the hits of the 2024 festival summer. Dam Swindle has built a trademark sound, while still evolving and maturing their craft in various musical niches. Their landmark 2018 album High Life shows a broad musicality from the duo and this is even more so on their highly anticipated 2025 long player ‘Open’.  ‘Open’ features countless collaborations with high-profile artists such as Dutch pianist Joep Beving and New York-based Ethiopian vocalist Haile Supreme, and sees the duo flex their sound from ambient electronica to synthwave, hiphouse and more. 

Since 2013, the pair has also established their record label Heist Recordings as one of the key independent labels for underground dance music, while also releasing music on other underground mainstays such as Aus Music and Classic Music Company. Heist is more than just a label, though - it is a breeding ground for talents old and new; somewhere talent is nurtured and allowed to develop. Label showcases and special projects such as the yearly Roundup EP; where all artists from the past 12 months remix each other after a random selection process, furthers the family vibe and helps Heist stand out from crowd. Artists such as Cinthie, DJ Sneak, Crackazat, Tesfa Williams, Makèz, Pépé Bradock, Matthew Herbert, Ge-Ology, Byron the Aquarius and many more have all contributed, proving that it is a place for unrestrained creatives to be free with their own sonic visions. The label looks as good as it sounds, too, thanks to visual artist Bas Koopmans's standout artwork designs. 
 
Proof of Dam Swindle's widescreen approach to production is their long and talented list of collaborators, which includes the likes of acclaimed musician Tom Misch, US talent Seven Davis Jr., instrumental collective Jungle by Night, plus Marc de Clive-Lowe, Jitwam and Lorenz Rhode. Next to their own originals, a broad spectrum of artists have asked Dam Swindle for some of their special remix magic: on labels like Strut and Soundway they have reworked the legendary Pat Thomas, aka the ‘Golden voice of Africa,' and gave his single ‘Yamona’ a contemporary electronic edge, as well as The Mauskovic Dance Band’s track ‘Space Drum Machine’ and plenty more artists like Kerri Chandler, Mayer Hawthorne and Tom Misch. As their talent for bridging genres from all over the world continues to attract global attention, high-profile projects keep rolling in from all points on the musical globe. 

Dam Swindle are famously avid collectors of both old and new records, and it shows in their DJ sets, which keep you on your toes as they move freely through the broad world of house music with skillfully blended moods of soulful techno, acid, breaks, disco and more, all to create those special moments that crowds never forget. It is for that reason that their name has become a real stamp of authority and invention in the dance music world. Whatever they do, then, this pair do with irresistible charm.

SASSENACH is following