///scrub & conrad zuse///team up///electronic music///beer/// 

Growing up in Chicago’s south side in the late 60’s and 70’s, Deeon experienced an era of profound change in America’s cultural and racial landscape which later became the subject-matter for his extensive musical portfolio. At a time when electronic music was new and starting to define itself, he was a pioneer in developing a sound that corresponded to the time and life of the people around him and the surrounding neighborhoods of Chicago’s downtrodden; those in dire need of profound change and liberation. His personal story and musical work is now indistinguishable from that rich tapestry that is America’s contemporary cultural history. 

Deeon started small producing gritty XXX club tracks with call and response chants which Deeon describes as "for the strippers, for the street”. These original masterpieces were created with a 606, 808, and 909 sampler where he made minimal ghetto beat tracks and played them off cassette. This is what provided the spark for Chicago House and Detroit Techno. Soon now-household name DJs and producers would start picking up on this sound, and remixing it and playing it in clubs, radio stations all over the world. It would be defined as “Ghetto House”. 

“it’s just fun music. It’s kind of like a getaway from the reality of life to music. Get freaky with a stranger music. Girls kissin’ girls music. Stress relief music” he would say in an interview for 5Magazine in 2013 regarding his sound. “The best thing [about Ghetto House] is there is almost always a packed dance floor! It moves the crowd. Ain’t that what we came here for?”

In 2002, Deeon’s started his on-going battle with his health problems. Diagnosed with Stage 4 Lymphoma, diabetes and a severe accident which resulted in having his left foot amputated, he has overcome adversity using his sound as a beacon of hope in his own life, to not lose the spark and to keep going strong. 

With a career of collaborations that reads like the who’s who of the history of dance music, remixes done by and for him that have delighted crowds all over the globe and a portfolio stronger than most of the artists in the industry, he’s now getting ready to launch a new stage in his career.

Depart is a collabo between Scrub & Paul Blauth focused on house ´n` techno stuff.
Be real...stay techno!

Many times, biographies of techno acts start by singing their praise of an extremely early,
extraordinary talent on synthesizers and other electronic devices.

In Heron’s case, things are different. Because Martin Spittel has been shaped musically since his childhood, the influences were as diverse as music can be.

On one side, there was his grandfather, who played various instruments, and to whom young Martin related closest to and whose influence still lasts until today. On the other side there were his cousins who were not much older than himself, enthusiastic about AC/DC, and band members themselves. Over the course of the following years, he explored the diversity of Black, Death and Trash Metal, EBM and Industrial, right up to Detroit Techno.

Ever since then, Heron's environment served as compensation to ferce parties and expanding his musical horizon. This symbiosis from the love of nature and the musical influences from his early childhood are a direct reflection of Heron’s entire life.

Following the scream of the waders (limicoline birds), he moved to picturesque island Norderney in 2003. There, exploring the island’s national park, he decided to live up to his enthusiasm about nature by going to study landscape ecology at the University of Münster. It turned out: The relocation to Münster was the initial spark for his career; the months in Norderney were inspiration for the name of his label “Limikola” which was founded in late 2008 and enjoyed enormous support by both DJs and fans.

After launching his now very successful °Schaltkreis-parties with four friends in mid-2007, everything went quickly: His first own radio show “The Grasshopper Warbler”, contacts to prominent players like Someone Else and Heartthrob, and finally the moment in early 2008 during the season’s opening at Time Warp, when Richie Hawtin played all three tracks from Heron’s Retro EP. It was merely his second EP, released on a netlabel (Minisome), and it became immediately successful. A knightly accolade.

The journey that Heron started lead to his bombshell track “Welcome to the Adventure Club” that charted in the Beatport charts in 2008, and continued with remixes and releases for Synewave, Supdub, Swap, micro.fon, Prosthetic Pressings and Sleaze Records. In 2010, it culminated with a tour across North America during the summer.

Two years later he released his very first EP on the legendary Detroit label KMS Records, owned by Kevin Saunderson, followed by remixes for Drumcomplex, P-Ben and Chris Gekä, one collaboration project with Inner City's Ann Saunderson and his second solo release „Ride The Pride“. Furthermore he made the step into the Soma family by publishing three solo EPs and an EP with Kevin's son Dantiez Saunderson, as well as he started to release on Florian Meindl's FLASH Recordings.

Bookings: hello@heron-music.com

https://linktr.ee/heronmusic

New FB Page & Soundcloud Link:
https://www.facebook.com/Noerdmann.DJ/

Scrub is following