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Here's the Quantize Quintessential mix session from this past Tuesday!!! DIG!

Dj Spen's QUANTIZE QUINTESSENTIAL MIX SESSIONS_08202013

The HHA Show 23rd Aug 2013

Here's the latest QUANTIZE QUINTESSENTIAL MIX SESSIONS_Enjoi!!!08272013

Dj Spen-QUANTIZE QUINTESSENTIAL MIX SESSIONS_08272013

This is the Quintessential Mix Session from yesterday! The track listing will be available on my facebook fan page! https://www.facebook.com/djspen?ref=hl

Dj Spen In The Mix

Spiritual Insurrection

DJ SPEN Cloud 9 Promo Mix

Here's the Mix Session fron Tuesday! Enjoy! Playlist will be on facebook in a few days.

Dj Spen QTZ Quintessential Mi

Here's The Quintessential Mix from this past Tuesday!!! I'm Back in ACTION so Enjoi! Playlist will be posted at https://www.facebook.com/djspen 

Dj Spen-Quantize Quintessential Mix Session 9-9-2014 Project

As Deep Into Soul prepare to finish 2014 in great fashion with a Secret Studio Party DJ Bones rolls out an exclusive 3 Hour Mix for your listening pleasure.

For those who already have their Tickets we will see you on the 1st, for those that don't hurry up or you will miss another great Party.

Deep Into Soul X

https://www.facebook.com/groups/110425265710256/?fref=ts

https://www.facebook.com/DeepIntoSoul?fref=ts

DJ Bones Exclusive 3 Hour Mix for Deep Into Soul

Here is the Mix from Tuesday11.18.2014. Enjoi!!!!!!!!

Dj Spen

Here's my first show of 2015!!!!!! Playlist is on Facebook.

Dj Spen - QUANTIZE QUINTESSENTIAL MIX SESSIONS 162015

Here's My Quantize Quintessential Mix session from Tuesday. Tracklisting will be on Facebook @ https://www.facebook.com/djspen?ref=hl

Dj Spen - QUANTIZE QUINTESSENTIAL MIX SESSIONS 1132015

This is the original version of "NOBODY" from the Transition LP!!!! Limited Downloads...then it's going far awayyyyyy:)

Dj Spen NOBODY Original Day Care Mix

Dj Spen - QUANTIZE QUINTESSENTIAL MIX SESSIONS 2032015

Here's my Quantize Quintessential Mix Session from Tuesday!!!! Enjoi!

Dj Spen - QUANTIZE QUINTESSENTIAL MIX SESSIONS 2242015

http://www.mixmag.net/music/in-session/in-session-uniiqu3

Uniiqu3 is part of Jersey Club's new generation.

Download 

In Session:  Uniiqu3

ScCHFM059 - Mr. V HouseFM.net Mixshow - March 3rd 2015 - Hour 1

Established in 2005 The SOLE channel Cafe gives you the best in House Music with occasional exclusive mixes you can't find NOWHERE ELSE!.
Presented by Dj, Producer, Remixer Mr. V, enjoy countless mixes by some of today's hottest producers & remixers in music along with exclusive podcast from special events around the globe.
Enjoy these mixes for your personal listening pleasure or for a gathering of your choice, there's always something musically hot happening and it's right here at The SOLE channel Cafe.

Follow: 
Twitter.com/djmrv
Facebook.com/solechannel
Instagram.com/djmrv
solechannelmusic.com
muzik4tomorrow.com 
mixcloud.com/solechannelcafe/
Soundcloud.com/solechannelmusic

Join Our Mailing List:
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ScCHFM059 - Mr. V HouseFM.net Mixshow - March 3rd 2015 - Hour 1

Here's my show from Today!!! Treats galore!!!!!!

Dj Spen - QUANTIZE QUINTESSENTIAL MIX SESSIONS 031012015

Here's yesterday's Quantize Quintessential Mix Session!!! Enjoi! 

Dj Spen - QUANTIZE QUINTESSENTIAL MIX SESSIONS 05262017

Advanced Tickets
http://www.residentadvisor.net/event.aspx?735242

On Sunday the 23rd of August Deep Into Soul are very proud to be working alongside the Southport Weekender family to bring you the Official Southport/SuncéBeat Reunion Terrace Party.

With Time being called on the World Famous Southport Weekender, this is an opportunity for all of us to meet again and catch up.

So Friends old and new come and join us for what promises to be a great event with the Worlds Friendliest Parties.

Limited £10 Concession Tickets are available from Scott Tastebudz or Neil Pierce.

Advance Tickets £12 or £15 OTD

Dates for your Diaries:

Sunday August 23rd 4pm till 1am
Saturday 26th September Closing party 5pm till 5am

IMPORTANT NOTE:
In the event of rain the party is going to be held indoors!

Deep Into Soul will also be in Ibiza with Mi-Soul for the MI-Biza Closing Season Party from September 27th till October 4th, for info and Tickets clink the link....
https://www.facebook.com/events/823292461050146/

Exclusive Neil Pierce Mix for the Deep Into Soul Southport Weekender/Suncebeat Reunion on 23.08.15

Album out now including exclusive gear + free download at www.miguelmigs.com

Miguel Migs & Om Records are proud to present "Outside The Skyline", the third artist album from Miguel Migs, a genre-crossing creation including collaborations with an extraordinary range of vocal talents: original disco diva Evelyn "Champagne" King, first lady of musicianship Meshell Ndegeocello, Berlin based singer Georg Levin, bossa nova phenomenon Bebel Gilberto, UK soul sensation Sonny J Mason, and reggae legends Half Pint, Freddie McGregor and Capleton, alongside two vocalists who have been regular co-conspirators over the years, Aya and Lisa Shaw. 

The Distance feat. Aya

Deep/Tech House mix with some summer vibes.

Track List;

1. Perfect Lady By Made To Love
2. Need In Me By Flashmob
3. Vibe Your Love By Maceo Plex
4. The L Word (Feat. Jada) By Deniz Kurtel
5. Love Yeah By Made To Love
6. Crystalised (Edu Imbernon Remix) By The Xx
7. Believer (Joris Voorn Remix) By Goldfrapp
8. Goodbye Fly By Joris Voorn
9. Movin' On (Original Mix) By Nic Fanciulli
10. Spank The Maid By Joris Voorn
11. Together (Original) By Joris Voorn & Nic Fanciulli
12. Good Morning Track (Original Mix) By Mango

Deep House Mix *Free Download*

My latest deep house mix. Hope you enjoy, any feedback would be great.

Tracklist;

1. My House (Original Mix) (Acapella) - Rhythm Control
2. Easier to Hide - Maya Jane Cole
3. Hanging On - Teenage Mutants & Andre Crom
4. What I Might Do (Club Mix) - Ben Pearce
5. The Giver - Duke Dumont
6. Mainline feat. Syron (Dub) - Tensnake & Syron
7. Underground (Dennis Ferrer Remix) - Nick Curly
8. Don't Go (Dusky Remix) - Justin Martin
9. Beg (Hot Since 82 Future Mix) - Yousef
10. Police Brutality (Dale Howard's Brutal Mix) -Deep City Groove
11. High - CyrusLo
12. Need In Me - Flashmob
13. Infinity - Infinity Ink
14. Hot - Flashmob
15. What They Say - Maya Jane Cole
16. Voyage (Original Mix) - Greg Mak
17. Comb Over - Shadow Child & James Talk
18. Say My Name (Cyril Hahn Remix) - Destiny's Child (@126bpm)

Deep House Mix 2013 *Free Download*

Pepe Bradock - 18 Carats

Promo Snipptes M+M v3 (these are heavily edited versions)

“The original process of 're-mixing records' was intended to provide an alternative listening experience which had been optimized for people who went out to dance at Discos. John was one of the early pioneers who loved music, understood his craft and HAD RESPECT FOR THE CREATIVE WORK from which his mixes were derived” 

Patrick Adams – Super Producer. Writer of more than 30 Gold and Platinum records and back to back winner of ASCAP Songwriter of the year award 1996/1997

 This compilation is John Morales’ third for BBE. Few can match his contributions to the world of Dance Music be it soul, funk, disco, to today’s house music.

John Morales is considered one of the true legends of the mix. And his work some thirty years later continues to be cutting edge and inspiring. His epic mix of Universal Robot Bands boogie anthem “Barely Breakin Even”  is the source from which BBE Records got its name.

No attempt has ever been made to summarise the pinnacle of Johns work. This third release on BBE continues that history lesson that John has forged in dance music. He formed The M+M Mix with his late partner Sergio Munzibai, in 1982 till 1990 whose output of over 650 mixes will be unmatched today. John continues The M+M legacy.

From the Rolling Stones to Gloria Estefan, The Temptations, Barry White, Marvin Gaye, James Brown, Hall & Oates, Teena Marie, Aretha Franklin to BBE – we have all been molded by Johns everlasting mix influence, love for his work and his Music..  This superb triple CD presents some of John's finest works, and takes the M+M Mix legacy to yet a higher level. CD1 & 2 feature some of the greatest tracks of all time from the Start of CD 1 and Barry White’s “Never, Never Gonna Give You Up” , to the classic rework of Marvin Gaye’s “I Want You”  which closes out CD2, there are no sleepers here. CD3 also features some of the best from the vaults of the Salsoul and West End labels, anthems like Loleatta Holloway’s – “Hit & Run” to legendary Paradise Garage favorite Loose Joints “Is It All Over My Face?”. 

 This is the legacy of the M+M mixes.


      

John Morales
If you grew up in the ‘80s and had even the smallest of passing interest in music, particularly club music, chances are you were very familiar, albeit unwittingly, with the work of John Morales. On the radio, in the record racks and most importantly on the dance floor John’s work (predominantly with studio partner Sergio Munzibai) helped define an era and influence future generations of DJs, producers and artists. 

Born into a hard working Puerto Rican household in the Bronx, New York, at the start of the rock ‘n’ roll era, Morales, like many children of the period was fascinated by this new art-form that was saturating the airwaves and upsetting parents everywhere. So in love with the music he heard, as a 12-year old he persuaded his local record store to give him a part-time job with payment not in dollars, but in 45s. By the time he was old enough to get a full-time job his burgeoning record collection had helped land him one of his first DJ gigs at the influential Stardust Ballroom in the Bronx (his father had earlier owned a bar in Jersey City where John had first got the DJ bug). As his reputation grew Morales was invited downtown to Manhattan to play guest spots at the likes of Pippins, Bentleys, 1018, Limelight and the infamous Studio 54. 

Like many DJs of the ‘70s John ventured into the studio more through need than necessity: “I started to make medleys and remixes because the records in those days were too short, most in the 3 minute range, and being a DJ I needed to get more out of the records I was spinning. I first started to do my edits using the pause button on a Teac Cassette Deck. After many hours of self education I graduated and I purchased a Sony _” reel-to-reel and learned to edit. It was hard work and long hours editing and putting all the little pieces of tape together and making something creative happen. Reflecting now, I realize how important it was to what I would later do. It taught me a lot about what I wanted to do and how to do it, so that by the time I got in a real studio I was virtually a whiz at editing tape much to the amazement of some of the engineers I worked with.” 

His now infamous ‘Deadly Medleys’ and ‘Sunshine Acetate Medleys’ brought him to the attention of New York disco producers Greg Carmichael and Patrick Adams who were impressed by the hunger and desire of the self-taught engineer. “My first credited mix was Inner Life’s ‘Caught Up (In A One Night Love Affair)’, even though I had worked on a few other records before that, but I hadn’t been credited, for acts like the Universal Robot Band and Musique’s ‘In The Bush’.

A meeting at New York’s influential WBLS radio station, where Cuban-born Sergio Munzibai worked as musical director alongside Frankie Crocker  would signal the next chapter in Morales’ career, and resulted in unquestionably the most  prolific remix partnership of the 1980s and 90’s with over 650 mixes  to their name. “We partnered in 1982, when we met at a New York studio called Blank Tapes where I had worked for many years with Bob Blank. Sergio and John’s first record together was Mikki’s ‘Itching For Love’. After that we united and did all our mixes together and the M&M moniker was born.”

Discovering an instant rapport and musical appreciation it translated well into the recording studio where the M&M stamp became synonymous with almost every major dance release of the era. In fact it wasn’t uncommon for the duo to remix upwards of 10 records in any given month. Alongside cult and groundbreaking records for the Fantastic Aleems (‘Get Down Friday Night’), Class Action (‘Weekend’), and of course Jocelyn Brown (‘Somebody Else’s Guy’) they refashioned certified pop smashes for DeBarge (‘Rhythm Of The Night’), Harold Faltermeyer (‘Alex F’), Shakatak (‘Down On The Street’), Miami Sound Machine (‘Dr Beat’), the Temptations (‘Treat Her Like A Lady’) and hundreds more in an eight year period that saw them almost an ever present on the Billboard Dance, R&B or Hot 100 pop charts. Tina Turner, the Rolling Stones, Spandau Ballet, Aretha Franklin, Shalamar, Hall & Oates, Dan Hartman, Candi Staton, Melba Moore, Rose Royce, Billy Ocean, Debbie Gibson, Odyssey, the Commodores and even Peter Schilling and Rod Stewart, in fact just about every major artist of the day was in some way retouched by the hands of Morales & Munzibai. 

“We worked together till around 1988,” John recalls. His solo production projects in the ‘90s included such acts as Debbie Gibson, Brenda K Starr, Denise Lopez, The Thompson Twins, Blow Monkeys, Five Star and Art Of Noise. “Sergio unfortunately passed away in 1991. He was a wonderful person full of life that loved music and was a great people person. Anyone who knew him loved him, and I’m sure wherever he is he’s listening to music.”


SKYY - FIRST TIME AROUND [SNIPPIT]

The record label Muggsy is not related to Muggsy Spanier, the legendary jazz
cornettist. Nor is it connected to the tiny terror of the NBA, Muggsy Bogues.
Neither, for that matter, is it linked to Cypress Hill DJ and producer DJ Muggs.
Nope. It is, however, entirely related to the Brooklyn house firmament, Henry
Street.
The man behind Henry Street is Johnny De Mairo, known among New York
industry heads simply as Johnny D; ergo he is also the chap responsible for
Muggsy, which is why we are here.
For those of you who are not familiar with the oeuvre of Johnny D – and where
ya been if not? – let’s step to one side for the moment and run through the CV.
Born and bred in Brooklyn (and proud of that fact), Johnny D has been a DJ,
record and autograph collector from the moment he had some spare cash. He
got his first break in the music industry working for Vince Pellegrino’s S.I.N.,
before moving on to work for Atlantic Records, with whom he was associated for
many years. 
Among the many projects he’s been involved with there (and there
really are too many to mention) were the Bucketheads, with his longtime friend
and associate Kenny ‘Dope’ Gonzalez, the remix for Tori Amos’ ‘Professional
Widow’ which wound up at number one in the UK pop charts, and the remix and
campaign for Everything But The Girl’s ‘Missing’, which he took from indie nohopers
to the upper echelons of the Billboard Hot 100. “Johnny D spotted the
potential of this record early,” writes Tracey Thorn of ‘Missing’ in Disco Bedsit
Queen, “and refused to give up on it long after it might have seemed reasonable
to admit defeat. He made us realize that the song was taking off in a big way.”
As well as his major label manoeuvres, Johnny also had his ear to the ground at
street level. He first launched Henry Street in 1993, followed a few years later by
Muggsy. “I was looking at the house market and thinking a lot of the labels were
hitting a wall. I felt as a record fan and a collector, I wasn’t interested in a lot of
the shit that was out. I’d go to Vinylmania and around and I wasn’t interested.
I’d find myself tilting towards imports and I thought, you know, ‘I know how to
make records, I should start my own label’. Masters at Work was just starting
to kill things and Wednesday was their night at Sound Factory Bar night, which
is where we all were. One night, I said to Tommy Musto, who was one of my
close friends, I was thinking about doing a label. He said, “Well listen, I got all my
distribution through Northcott, if you wanna do it, we’ll do all the pressing and
distribution and you do the A&R.”
Henry Street became known for a sound deeply rooted in the disco that Johnny
De Mairo loves and collects while still taking care of dancefloor business. 
Muggsy was his chance to branch out into other areas. “After years of Henry Street music being predominantly a soulful house label, I wanted to have another outlet to
release different types of records,” recalls Johnny. “Initially, I had intended for
Muggsy to be the harder more ‘tribal-type’ label and keep the soulful stuff for
Henry Street. So when Chris ‘TKC’ Staropoli came to me with ‘Back Jack’ I figured
that was the best time for Muggsy to begin as it was a bit tribal but, more than
that, pushed the envelope a bit more than my regular releases on Henry Street.”
With a collection of like-minds gathered around the De Mairo table recording
for the label, some of them New York cohorts (Kenny Dope, Brutal Bill), with
Chicago’s Ralphi Rosario, Robbie Rivera from Puerto Rico and Miami’s Mike ‘Da
Mooch’ Mucci, Muggsy released a string of tracks that ploughed a different
furrow to big daddy Henry Street. But the Muggsy groove still retained the
sample-based ethos (and disco roots) of its proprietor Johnny D (who also found
time to released tracks under the Sopranos pseudonym with studio partner
Nicky Palermo).
“After Chris’s TKC, I was getting some tracks that were more in the pop/rock
category than the soulful/black style that pretty much was the Henry
Street Music sound,” remembers Johnny. “So Muggsy went from initially a harder
sound, to more of a rocky feel added to the tribal sound. But it still had its own
sound and the roster was a good extension of Henry Street Music in the way that
the name and brand power was there with artists like Brutal Bill, Kenny Dope
and others.”
The Muggsy Story is a document of a special time in New York history, before the
gentrification of New York made party-throwing a guerilla activity, rather than
the core of its musical soul. Muggsy, we salute you.



Various - The Muggsy Story - 01 - Back Jack -Original Mix-

Hey everyone and welcome to my SoundCloud page.

I will be posting mixes, my releases, and some good stuff from my label Quantize Recordings.  
Stay tuned!

#fortheloveofhouse

Dj Spen - QUANTIZE QUINTESSENTIAL MIX SESSIONS 2032015

🌪 DJ Spen 🌪