Booking: frank@highroadtouring.com

I make music in my home studio and post it on YouTube and SoundCloud for you to enjoy. No labels, no publishing companies, no intermediaries. Every tune you buy helps me make more music, so I really appreciate the support! It's because of you guys that I get to keep recording and playing music, so I am forever grateful to my awesome fans.

Don't forget to sign up for the mailing list at the bottom of this page if you want to keep up to date on shows, videos, and music.

Thanks!

The sophomore solo album from Pomplamoose­ partner Nataly Dawn was released October29th, 2016. As the duo’s frontwoman, Dawn is best known for the covers and originals Pomplamoose released as “Video Songs” via YouTube, achieving over 450,000 subscribers and 115 million views on the site. Known for their DIY approach, Pomplamoose performs, records, films and edits all of their music and videos from their home­ studio in Northern California. After a successful Kickstarter campaign (raising over six figures), Dawn recorded her debut solo album How I Knew Her at Prairie Sun Recording Studios in Sonoma. For Haze, Dawn decided to return to her home­ studio roots, handling the bulk of the instrumentation and production herself.

Dawn’s songwriting has been compared to Elliott Smith, Regina Spektor, Paul McCartney and Carole King, while her production influences range from Vampire Weekend to Radiohead. Mixed by Beau Sorrenson (Death Cab for Cutie, Bob Mould, Superchunk) at Tiny Telephone Recording Studios in San Francisco, Haze contrasts bare bone guitar­ vocal tracks with epic synth ballads, always featuring strong melodies and unflinchingly gritty lyrics.

Cresting the modern wave of electronic producers, Psymbionic creates aural experiences that explore the range of multi-tempo Bass Music within an influential and dynamic culture. With an ear for situational relevance, Psymbionic enjoys turning non-traditional sound design and infectious rhythms into dancefloor heat, while also maintaining his history in the downtempo, emotive side of the electronic sound.

In a live show context, Psymbionic confronts mixes that are limited to the scope of the build and release, avoiding an industry epidemic of drop-monotony that overpowers the flow of music. Burcham seeks to prove that there are more powerful influences in moving a crowd than simple tension, providing an interwoven dynamic that relies on the strength of his blend, rather than the sole force or familiarity of the apex. 

Psymbionic's theory of music is a journey that doesn't visit the same place twice, building excitement for what's next not because you can anticipate it, but because you've never been there before.


For Free Tunes:
http://www.Psymbionic.Bandcamp.com

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