In the digital age, the compilation has lost much of it’s former glory. Not too long ago it was an indespensable format for the music-lover. Was it brilliantly compiled and telling a special story, the compilation was a significant gain as a particularly successful artist album. 

In recent times, the compilation has been cheapened with generic ’Ibiza’ and ’Miami’ labelling as the genre compilation all but dissapeared from the scene. 

This brought DJ T. to an idea, to create an homage to this nearly extinct format. As vol. 1 of the project is supposed to be a highly visible counterpoint to the ubiquitous, mostly House and Techno-stocked season sets and theme compilations, his choice fell on Disco; one of the oldest species in club music. Disco is currently experiencing a sort of rennaissance, with many young, and until recently, completely unknown artists and labels carrying the heritage on by working with new and contemporary definitions. 

Naturally limited by the selection of works available digitally, DJ T. chose a very personal array of 43 tracks to give the connoisseur an overview of the newest branches in the Disco-tree and to cover as many diverse genres the last three decades have seen. 

As the ’cherry on top’, the compilation contains a handfull of exclusive and unreleased tracks, including two new edits of the old DJ T. classics ’Philly’ &amp; ’Funk On You’. Catz ’N Dogz appear with a remix of ’Dis’, the big hit of his second album. DJ T. also put his hands on one of his favourite classics ’Around The House’, one of the early works of the Hamburg-Disco-King Tensnake. In addition there are two unreleased tracks from the two mexican artists Robbie Akabal &amp; Muan and Damian Uzabiaga. 

Enjoy!

Tensnake - Around The House (DJ T.'s 2011 Edit)

Signal Techno, Electro, Minimal souterrain, Ambient
Sélection rigoureuse, sans sons formatés
Pas de dispersion, pas de compromis
Chaque geste est choisi, jamais par défaut
Le BPM guide mais ne dicte pas
Les reposts sont souvent regroupés, parfois isolés


Techno signal, electro, underground minimal, ambient
Rigorous selection, no formatted sounds
No dispersion, no compromise
Every move is chosen, never by default
BPM guides, but doesn’t dictate
Reposts are often grouped, sometimes isolated

In today’s electronic music world there are not many artists who can lay claim to a legacy like that of DJ T. Born in Dusseldorf, DJ T. (aka Thomas Koch,) re-located to Frankfurt with his family in the late 70s. During his formative years, he fell for the hypnotic grooves of disco, inspired by his parents’ record collec-tion. At the age of nine he was already completely enraptured by music and that love affair continues until this very day. He began an obsessive quest to collect music, feeding his soul with everything from Disco and Hi-Nrg, through to early Hip-Hop and Electro, Soul, Funk and R’n’B. The groovy, infectious rhythms of all those genres continue to permeate into the music he makes and plays today, providing an intrinsic part of his sound ethic. 
He took up breakdancing, before becoming a DJ, playing at private parties ini-tially before landing his first professional gigs in the late eighties. This period proved to be a pivotal moment in his life as Acid House swept through Europe, landing in Frankfurt and taking over with the launch of Sven Väth’s legendary Omen club in 1988. The first wave of House and Techno took hold and T. was there at the forefront, absorbing all the fresh new sounds from Chicago, Detroit and the UK. He picked up a residency at the infamous Music Hall and held resi-dencies at countless clubs across the city during the next 10 years from Plastik and Dorian Gray to The Box. By the end of the nineties, he was one of Frank-furt’s best-known selectors. 
In 1989 DJ T. tapped into another side of his creative energy to set up Groove Magazine. Identifying a gap in the market and fuelled by a need to satisfy his own desire for specialised music journalism, which focused on his interests – namely underground dance music. Under his leadership the magazine was launched into the public’s consciousness and he guided Groove to become one of Europe’s premier dance music publications, which it still is today. 
DJ T.’s progression continued at a pace, as he launched his own club, Monza, using the experience gained through a decade of club events and tours under the Groove Magazine banner. He also invested his skills and knowledge into con-ceiving Get Physical – a label, which remains one of the world’s best- known House and Techno platforms. Though he left in 2010, T. still occasionally A&Rs for the label, lending his uncanny ability to uncover new talent to the seminal label. 
Production-wise, he has been consistent ever since his debut release, the ‘Mon-sterbaze’ EP with Steve Bug, which was released on Poker Flat in 2000. Since then, T. has released several well-received EPs, a slew of remixes and three al-bums, ‘Boogie Playground’ in 2005, ‘The Inner Jukebox’ produced with Tho-mas Schumacher in 2009 and ‘Pleasure Principle’ in 2011. His special touch has also been employed by numerous labels to curate compilation mixes , including ‘United Under The Ball – 30 Years Of Disco’ in 2011 and ‘The House That Jack Built Vol 1 & 2’ in 2012. In 2013 he celebrated 25 years of DJing with a very personal mix compilation, followed also by ‘Body Language 15’ and col-laboration with Defected and Strictly Rhythm to celebrate the latter’s 25th anni-versary. DJ T.’s reputation for being a master selector has been cemented by these superlative collections of music, each of which has received widespread praise, often featuring many of T.’s own edits of classic tracks. 
Despite so many accolades, his passion for music remains staunch, recently making several key changes to his professional life that have inspired him to explore new terrains. With hot new releases on AUS Music, Moon Harbour, True Soul and Jackathon representing his continued to desire to push his crea-tive boundaries. 
A highly-skilled DJ and producer and an A&R with an uncanny ability to dis-cover a nurture new talent, DJ T. is a master selector and one of the industry’s most influential figures.

feed me rappers or feed me beats
sound sommelière 
reposting 💥 from the 505🏜️

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