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Junkie Town Music is an electronic independent digital records label founded in 2016 by Christian Malloni ( The Candy Dealers, CPM, Junkie Town, Coqui ) base in Rosario city Argentina especialized in Techno, Minimal, House releases but always searching for new eclectic world sounds and experimentation. Keep Listening



Bookings : booking@interwave.live (DJ/Live World)
diego@analog-a.com (South America)
info@omniverse.sm (Italy)
maucleme@gmail.com (Portugal)
seiji@hitomi-pro.jp (Japan)

Satoshi Tomiie has been a pioneering and driving force within the global electronic music community since the early days of house music. Now, decades after his ‘Tears’ alongside Frankie Knuckles, the Japanese born, New York and based DJ, producer, remixer and label boss is still regular feature in the sets of many of today’s underground elite.
A student of jazz and classical piano, Satoshi is musically adept and accomplished producer who constantly evolved how he works. Experimenting with a new hybrid Modular DJ setup which sees him effortlessly fuse live analogue modular synthesis and with traditional DJ sets. Regularly playing clubs such as DC10, Rex and from South America to Tokyo while releasing music on labels such as YoY, Yoyakuza, Kaoz Theory, No19, MFR, Holic, and his own Abstract Architecture. Satoshi is as relevant as ever and continues to make waves throughout the electronic music community as only he knows how.

I make noise.
DRUMCODE/WATB/TRONIC/FORM/KUUKOU
WW: ask@bcbfamily.com
IT: luca@modularagency.it
ES/PT/LATAM: fernando@miraclemgmt.com
ASIA: dittaphat@mainframeartists.com
PR: luke@theechoagency.com

Romanian-born, Toronto-bred Simina Grigoriu has been steadily racking up accolades during her decade-long career. Starting off as a DJ, she quickly made the transition as a producer and kicked off her own label Kuukou, a home for techno forward productions, where she calls all the shots. In this time she’s also transplanted to Berlin, a place she now calls home and the major source of her creative inspiration, a source as diverse as her influences. 

Simina’s musical roots stem deep in her childhood when she studied classical violin and keyboard. Coupled with her parents’ musical legacy and her passion for Hip Hop freestyling as a teen, it encapsulates the foundation of her style, an avenue she continues to explore to this day. 

Garnering on the exposure of Toronto’s clubs, where growing up, the likes of Jeff Mills, Josh Wink and Juan Atkins struck a chord, Simina’s style grew and developed constantly into the straightforward and uplifting techno she fronts today. 

Her first productions came to light on the Berlin label Sonat Records in 2010 with the huge “Mukluks & Ponytails” EP, followed by releases with Phrase Insane Records in Spain, Italy’s Intellectro Vibe, Urban Sound and Frequenza Records. A debut album was sure to follow, as Exit City became one of Susumu Records’ highest chart toppers. 

After a yearlong break, where she focused her efforts on motherhood while keeping an active studio schedule, Simina christened Kuukou Records in July 2016 with her inaugural EP on the label “Techno Monkey”. Shortly after, she doled out “Matching Numbers” on POPOF’s FORM, an immediate hit EP complete with a smashing remix by Julian Jeweil. Since then, Simina has become a mainstay on some of the most notable labels in the techno world, with critically acclaimed, internationally-lauded releases on the likes of ELEVATE, Tronic Music, Set About, Prospect Records and Complexed Records to name just a few. 

An active globetrotter, Simina’s constantly touring, having wowed crowds at festivals and venues all over the world so it’s no surprise the Techno chief named her label ‘Kuukou’ (Japanese for airport). Since its inception the burgeoning imprint has gone from strength to strength, with a steady stream of hard-hitting releases from the likes of Torsten Kanzler, Gallya, Fabio Florido, Dusty Kid, BB Deng, Drumcomplex, Alfred Heinrichs, Martin Books and Daniel Boon amongst others.

Safe to say the coming months and years will provide a plethora of amazing releases, performances and surprises from one of Techno’s most dynamic ladies. 

☊ ✈ ☊ ✈ ☊ ✈ ☊ ✈ ☊ ✈ ☊ ✈ ☊ ✈ ☊

DJ, producer, remixer, composer, arranger, multi-media artist, designer, writer, inventor, label owner, radio host, mercenary shaman, agent provocateur, 21st-century renaissance cat &amp; ill mothafucka.
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Right place, right time. It's an old cliché, but it's one that's been the definition of Dennis Ferrer's musical career. Just as the dance music world was heading into the world of afro-centric house, Ferrer was there. And then, when it began to embrace the mix of tech and soul, Ferrer was there again, leading the way with his impeccable productions. As Ferrer goes, it seems, so does electronic music. And, as someone who's never content to do the same thing twice, it's clear that he'll be staying on top for years to come.

Ferrer burst back into the consciousness of most dance music heads with the release of "Sandcastles," (Ibadan) his collaboration with Jerome Sydenham in 2003. But, to his credit, Ferrer didn't simply repeat the formula afterwards. He has continued to push a variety of genres all at once. It's clear that Ferrer isn't content to rest on his laurels: he's too busy dreaming up new ways to shock and delight audiences.

In the mid-90’s, Ferrer was crafting techno records as Morph and then had success in the Afro and gospel house scenes with releases via his Sfere label, an imprint he began alongside Kerri Chandler. But it's this past work that gives his new productions such resonance: unlike many of this house peers, Ferrer's techno experience has given him an edge that you can hear in his recent work.

"Son of Raw," (Ibadan) "Church Lady," (Defected) "Underground Is My Home," (King Street Sounds), "Touched the Sky" (King Street Sounds), “Transitions” (King Street Sounds), “P 2 Da J” (Defected),  “Sinfonia Della Notte” (Strictly Rhythm), “Hey Hey” (Objektivity), “Red Room” (Objektivity), “Underground” Nick Curly – Dennis Ferrer Remix (Defected), to name a few, have all been huge dance floor anthems and all show a different side of the Ferrer personality as well as his impressive range as producer and remixer.

Ferrer has brought his ‘anything goes’ approach to his label, Objektivity.  Celebrating its 8th anniversary in 2014, the imprint has thus far focused itself on vocals, featuring often unlikely turns from indie heroes like Ane Brun and Télépopmusik. Low slung and deep, Objektivity is a cutting-edge label in touch with its time, putting a uniquely American spin on the deep house revival that is currently making waves in Europe. Objektivity is a living, breathing thing - one that's set to drop bombs on the dance floor for years to come.

While Ferrer closes out 2013 with “Mind Ur Step” (Defected), “Mind Ur Dub” (Objektivity) and a remix of Coyu - “Salvation” (Noir Music), the best is yet to come. With a deep knowledge of the past and a constant push for the future, Ferrer remains one of the true greats of house music - a leader and innovator whose enjoying the buzz around him but keeping on pushing the limits. Stay tuned.

"Mixes are time capsules of sound.  Each capturing a moment in time that will not be repeated the same way.  Each mix is meant to transport the listener in their own time machine to their own destination.  These are soundtracks for daily living..."

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