Jay grew up in a small town in the Scottish Borders where there was little choice in the way of clubs. He and a group of friends used to organise events in the woods or at abandoned quarries which became popular in the local area. Jay invested in decks and a PA system which powered the party through to the small hours. These unofficial, improv events are what sparked Jay’s enthusiasm for DJing to a crowd.
 
After moving to Glasgow, Jay and some friends began organising and promoting nights within the city; first Möbius, which held a focus on visual experiences using stage décor and impressive lighting to create a unique setting and atmosphere. Möbius quickly secured a home at one of Glasgow’s most loved clubs, The Art School, where after a short amount of time they were hitting capacity in the main room.
 
After The Art School closed for development, Jay was approached by a local promoter and went on to warm up for artists such as Oliver Huntemann, Dosem and Karrotte in some of Scotland's best loved clubs including The Arches. He then went on to promote a new series of nights which brought artists like Sam Paganini, Ryan Davis, and Joran van Pol to Scotland for the first time. Jay was playing for various events in both Glasgow and Edinburgh before deciding to travel across South East Asia and South America. Whilst living in Vietnam for a short period of time, he played at clubs in Hanoi as well as Quest festival. 
 
After returning from his travels, Jay decided to focus on production and developing his sound. Jay draws a lot of inspiration from travelling experiences and nature when creating music within the studio. The combination of organic sounds with the electronic warmth from synths is a balance Jay likes to explore in his productions. He often combines samples that he has collected from across the globe with hypnotic tones to evoke an original quality and emotion to his tracks. With a drummers background and a passion for sound design, you can expect intriguing rhythms, melodies and subtle textures throughout his music.

DJ, musician, storyteller. 

Offbeat take on electronic music, whether it's in the studio, out in the club, or on the radio.

Enquiries:
whineymusic@gmail.com

UK/ROW:
chrism@clinictalent.com

North America:
rob@respectartistagency.com

Will Hine aka Whiney, one of Hospital Records' youngest ever signings, has been lighting up dancefloors and festivals with his trademark underground sounds for over 7 years. Introduced  to  Drum  &  Bass  at  14  and  classical  instruments  at  7,  Will  focused  his  efforts  on  production  signing  his  first  track  'No  More'  to  Hospital  Records  at  the  age  of  18 - already  turning  heads  at  a  young-age,  Will  signed  exclusively  to  Hospital's  sister-label  Med  School  Music  just  2  years  later.  

It  only  took  a  couple  of  years  and  the  release  of  his  debut  album  'Talisman'  for  Will's  impact  on  the  scene  to  really  get  noticed.  3  nominations  (Best  Album,  Best  Newcomer  and  Best  Track)  at  the  D&BA  awards  and  the  release  of  the  2017  anthem  'Flashlight',  Will  was  proving  to  be  one  of  the  scenes  hottest  prospects,  performing  regularly  across  the  UK  and  Europe  at  clubs  such  as  Fabric,  Studio  338,  Standon  Calling  Festival  and  a  debut  solo-tour  of  Australia.  Originally  picked  up  by  the  Djs  DJ  Randall,  Flashlight  went  on  to  hold  the  D&B  top  spot  on  Beatport  for  2  weeks,  becoming  a  key  track  in  DJs  sets  and  heard  across  stages  at  Let  It  Roll,  Notting  Hill  Carnival  and  Boomtown and the Radio 1 airwaves courtesy of DJ Friction.   

No longer viewed as a newcomer, Whiney’s second album “Waystone” cemented his name as one of the scene’s most well respected artists. There followed remix requests from S.P.Y, Etherwood, London Elektricity, BCee and Ecuador as well as radio and dancefloor support from DJ Target, Friction, Noisia, High Contrast, Rene LaVice, Annie Nightingale and Camo & Krooked, to name but a few. Whiney’s compositions are also included in diverse sync projects with BT Sports and Letterkenny and computer games like FIFA 23, Need For Speed Heat, Forza Horizon 3, 4 & 5, and GRIP.

In recent years, Whiney has become renowned for carving out his own sound alongside a slew of top-tier vocalists, most specifically on his infamous ‘Bubblers’ EP series. Following an iconic long-standing pairing with Inja as well as producing the beats on his most recent ‘Smile & Wave’ album, Whiney has a long list of vocal collaborations under his belt with a string of some of the finest MCs including Subten on his original grime and drum & bass infusion ‘Headlines’, Parly B, Ben Verse, Truthos Mufasa… And now the one and only P Money as the duo works towards a very special project on Hospital Records, already boasting hit singles including ‘Buss The Red’, ‘Sorry I’m Not Sorry’ and ‘Dead In The Eye (feat. Example)’.

Bookings: francesco@primarytalent.com // USA/CAN: evan.steinberg@unitedtalent.com
Management:Dale@insidethenight.com
ITS GAMETIME 😈

tunes&wings is an online magazine that looks into the heart of the techno scene by traveling the world, meeting inspiring protagonists and following them into their world. On that way tunes&wings combines techno reports with exclusive travel guides – always with the passionate goal to connect techno lovers worldwide and creating them a home base full of inspiration, unity and vibrant experiences.

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Trommel is an online media platform and electronic music magazine focusing on events, music and producers from the underground scene

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Tyler jay is following