Here comes the second release of the vinyl only label D'Julz established with the Yoyaku crew.

D'Julz -In Progress (JV02-A)

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

First Slovakian DJ to have a worldwide track premiere by Hernan Cattaneo (6th best DJ in the world at one point) in his Resident podcast Episode 158 aired May 17th 2014, also aired on our national radio station Radio_FM in 4 ELEMENTS_FM radio show presented by Michal Breeth as part of Slovakian premiere, Hernan emphasized to Michal that he can't premiere my track before he premieres it on his show, little background moment :D
you can find the premiere of the track in the 4 ELEMENTS_FM show from 16th of May 2014 at around 22nd minute on the link below:

https://www.mixcloud.com/radiofm/4-elements_fm-1652014/


justgiving.com/fundraising/matthewsandsdj

Music wizard/selector/DJ since 2003, born in 1990 in the heart of Europe
ultimate pleasure seeker @
...Circoloco, Amnesia... thats where i like to be, just right elements, places i feel good, but i love to be on the outside on the fresh air too, i wish sun never comes up but same time i love to welcome it, i wish the cycle never stops. Rave Up!

House Music United!
Peace - Love - Unity.
Matthew
(here on the profile you gonna find also some tracks production just to show you that i'm not a producer, i can put together something, but i'm a dj, and that's my craft, but for you to have an idea i have put some tracks over too, sometimes i make music for myself, with no intension of the release or whatever, just to play with sounds, i hope you get the idea)
Enjoy my mixes :)

My life as a DJ started when i was 13 years old, back in 2003 before social media and long before it was normal for young kids to do so :D

https://linktr.ee/matthewsandsdj
Thank you Hernan, thank you Michal Breeth, thank you Antena DJ for helping to push my track out to the world, thank you my mum for trusting me! Best times of my life!
https://podcast.hernancattaneo.com/e/resident-episode-158-may-17-2014/

https://www.mixcloud.com/martin-kovacik/