Name: D'JULZ @ Mixmag The Lab LDN 30 01 2015 by D'Julz
Duration: 1 h 31 min 48 s
Description: https://www.youtube.com/watch?v=bVGYmoonVq4&list=PL0G-EJohpTymSa4q79hbr5k8rD73Y16UE&index=2

D'Julz live @Panorama Bar-Berlin 14th of April  2013 @ 7-10PM

••An Ode to Nat•• 
The Cause. London 21 July 2023 

PLAY IT LOUD

Closing Set, Wiggle 21st July 2023

First up in our new mix series is the one and only, Terry Francis! 

bubble.ldn mix001 - Terry Francis

https://www.youtube.com/watch?v=bVGYmoonVq4&list=PL0G-EJohpTymSa4q79hbr5k8rD73Y16UE&index=2

D'JULZ  @ Mixmag The Lab LDN 30 01 2015

D'JULZ : HOME DIGGIN' - 10 Mai 2025

D'Julz HOME DIGGIN' - 14 Juin 2025

D'Julz - Families - (2004)

https://hypeddit.com/l8q4fd

A tech house reimagining of the early 2000s R&B classic — blending nostalgic vocals with a club-ready groove. This track fuses catchy melodies, deep basslines, and infectious rhythm for the dancefloor.
Made for late-night sets, warm-ups, and emotional closers.
Turn it up, tag a friend, and let the nostalgia hit.

#TechHouse #RnBEdit #OCEANNN #Dilemma

Free Download

Nelly ft. Kelly Rowland - Dilemma (OCEANNN Edit) - FREE DOWNLOAD

Matica De Coco - Loumie (Original Mix)
Free Download
Rework of my own track

Matica De Coco - Loumie (Original Mix)

Part four of RA.999: the sound of shared history, courtesy of two legends of minimal house in full flow.

A lot can happen in 20 years. Especially in dance music, where movements rise, collide and dissolve at dizzying speed. It takes conviction, dynamism and a formidable record collection to stay the course.

That’s why Margaret Dygas and Sonja Moonear have remained such enduring underground favourites. Step into one of their sets, solo or side by side, and an assured calm takes over the floor. You're in the sleekest, safest hands imaginable.

Recorded live at fabric's 25th birthday, their RA.999 captures that feeling perfectly. High-tempo, irresistibly groovy and full of quiet authority, it marks a return to the series for both: Moonear with RA.520, and Dygas with the fourth-ever RA Podcast all the way back in 2006.

They also gave rare interviews, reflecting on a deep musical connection that began in 2007, the legacy of minimal and lessons from a life spent in DJ booths the world over. 

"I felt excited and lucky to be invited so early in what I now see as a much longer journey," wrote Dygas. "Music holds memories in its frequencies, and the right track can transport you instantly to a past version of yourself. That’s powerful. That’s the kind of power I respect." Amen.

@moonear
@margaret

Read the full interview at ra.co/podcast/1008

RA.999 Sonja Moonear & Margaret Dygas

🚨Pre-release 🚨 - Mahan Bozorgi AKA Mahan provides us with a sweet treat with this single (Target Practice) from upcoming EP ‘Pick&Mix’. A dance floor tested track that’s guaranteed to get bodies moving. Keep an eye out for the full release in coming weeks, to see what other tricks Mahan has in store! 🍬

Full EP out 15/08/25

BandCamp

Mahan - Target Practice (pre release)

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

D'JULZ @ Mixmag The Lab LDN 30 01 2015

D'Julz

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