Name: D'JULZ @ Mixmag The Lab LDN 30 01 2015 by D'Julz
Duration: 1 h 31 min 48 s
Description: https://www.youtube.com/watch?v=bVGYmoonVq4&list=PL0G-EJohpTymSa4q79hbr5k8rD73Y16UE&index=2

Catch D'julz every 2nd Saturday of the month, from 16h to 18h [CET] on rinse.fr

Rinse France Podcast

HOME DIGGIN' : D'JULZ Invite TRIPMASTAZ - 11 Novembre 2023

https://www.youtube.com/watch?v=bVGYmoonVq4&list=PL0G-EJohpTymSa4q79hbr5k8rD73Y16UE&index=2

D'JULZ  @ Mixmag The Lab LDN 30 01 2015

Cade Solito - Timing (Free Download - Lost Culture Records)

Free Download

Cade Solito - Timing (Free Download)

The Funk Phenomena EP Mix

Qwerk welcomes back groove mastermind Niko Boggs alongside our newest Qwerk artist, Kyle Zuck for "Whiplash" – an EP designed to short-circuit your common sense and activate your inner dancer. These two tracks pack enough acid-tinged funk to make standing still physically impossible. Boggs brings his signature modular madness while Zuck adds his unique brand of beautiful chaos to the Qwerk label. The potent twang from this duo is guaranteed to put a smile on your face and some pep in your step! Just be sure to use caution and hold on to your head, whiplash may occur!

Kyle Zuck QWERKS!
1. When did you start making music?
2018, fell in love with house music and wanted to do more than just DJ, so I hit YouTube and learned Ableton

2. What makes YOU qwerky?
I’m really such a nerd. Mostly for music production and sea creatures. If you find me out at night, I’ll drop you some whale facts.

3. If you were a cartoon character, who would you be?
Danny Phantom

4. What’s your favorite sound?
The lighter flick from a lil Wayne track

5. You’re making dinner at your house… what’s on the menu?
A 12 pack and house music

6. Who are 3 people you’d invite?
Hunter S. Thompson, Dennis Rodman, and Crush from Finding Nemo

--------------
Niko Boggs QWERKS!
1. When did you start making music?
Around 2016. It started as messing around and turned into something I actually stuck with.

2. What makes YOU qwerky?
Definitely my obsession with modular synthesis. I love building sounds from nothing and getting caught up in the unpredictability.

3. If you were a cartoon character, who would you be?
Randall Boggs. Always moving a little differently.

4. What’s your favorite sound?
Water. It’s simple, but there’s something about how it moves and shifts that’s always soothing.

5. You’re making dinner at your house… what’s on the menu?
Ramen with kimchi, tofu, edamame, seaweed, and chilli paste.

6. Who are 3 people you’d invite? (from any time period)
Albert Camus, Bill Burr, and Trent Reznor. 
credits

Niko Boggs, Kyle Zuck - Whiplash [QRK035]

Default Position live on Hoxton FM w/ Terry Francis.

Support on Bandcamp

Terry Francis - Default Position Live - Hoxton FM - 29.03.16

Apollonia return to RM1 on 04/11: www.fabriclondon.com/club/listing/1483

Apollonia Recorded Live At fabric's 16th Birthday

Cocoon Ibiza mixed by Carl Craig and Sonja Moonear

Cocoon Ibiza - Sonja Moonear White Mix

Guest mix recorded live for the Overrated Radio show hosted by Lee Clarke on Hoxton FM & broadcast on 15th July 2017 Hear the whole show : https://soundcloud.com/overrated_ldn/overrated-radio-hoxton-fm-w-eddie-richards-fabricwiggle
@tahananbeats
@Overrated

download

Overrated Radio @ Hoxton FM w/ Eddie Richards

D'Julz @ Sonus Festival , Croatia 20 08 18

Subscribe here to get the radio show first: bit.ly/CircolocoRadio

Episode 125 of Circoloco Radio with Isaac Carter

Follow Circoloco:
https://www.facebook.com/circolocoibiza
twitter.com/circolocoibiza
www.instagram.com/circolocoibiza
@circolocoibizaofficial

Follow Isaac:
https://www.facebook.com/isaaccarterldn/
https://www.instagram.com/isaaccarter___/
@isaaccarter___

Circoloco Radio 125 - Isaac Carter

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

D'JULZ @ Mixmag The Lab LDN 30 01 2015

D'Julz

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