Serenada's official playlist 🏮

@serenada.toulouse

Serenada

REMIXES

Original : Notre Dame - Silencio
Contact : soundofnotredame@gmail.com

Free Download

Silencio vs It's Not Right but it's Okay (Notre Dame Edit)

matthias meyer /stimming - tout va bien / the anger (liebe*detail 023)

Matthias Meyer - Tout Va Bien

SHazz -Back in Manhattan-D'Julz Remix

Rolando - FGR D'Julz Remix

Franck Roger-After all (D'Julz Remix)

K Alexi-Acid Love D'Julz Remix

full EP: https://soundcloud.com/pokerflatrecordings/sets/markus-homm-dont-let-go-ep

**

www.facebook.com/homm.markus
www.facebook.com/pokerflat.rec
www.youtube.com/PokerFlatRecordings
www.instagram.com/pokerflat_recordings

Markus Homm (@markushomm) has already clocked up a seriously impressive run of releases over the last decade, and his star seems set to continue to rise. Born in Romania, and now living in Nurenberg, Homm is widely renowned for his perfectly crafted tech house bombs, released on labels such as Highgrade, Bondage and Bedrock. His first appearance on Poker Flat Recordings sees the acclaimed DJ producer in fine form - three tracks of jacking, effective house music.

'Don’t Let Go' showcases Homm’s grip on tension and release - a thick, deep groove underpinned by a luscious bassline and emotional pads, and propelled forward by tight drum programming and dubby percussion.

'Dance With Me' is a little tougher - fully nailing its colors to the dancefloor with a funky tech workout.

'Feel It' completes the trio - this time a stripped down, pure groove for the sweaty dancers - jacking, raw and highly uplifting.

Tracklisting
01. Don’t Let Go 
02. Dance With Me 
03. Feel It

PFR190
8 September 2017 
4250382435266 
digital EP
Poker Flat Recordings

Don’t Let Go EP

Markus Homm - Don’t Let Go

Out now! Get 'You Are Safe‘, the debut album by Keinemusik (Rampa, Adam Port, &ME),  here:

Bandcamp - https://goo.gl/kC81ST
iTunes - https://goo.gl/UAVWB6
Beatport - goo.gl/jHkViy
Vinyl - https://goo.gl/Z4vJEV

Follow the Keinemusik ‚The Party is Over‘ playlist on Spotify
https://goo.gl/MbTbcY

You Are Safe

Buy on Bandcamp

Keinemusik (Rampa, Adam Port, &ME) - Muyè

Released: 6th December 2019

Pre Save / Order: https://ffrr.lnk.to/TYLRmxPresave

Kaz James Feat. Mr.id & Kawtar Sadik 'Through Your Love' (Guy Gerber Remix) - FFRR

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.