Can You Jigit? Radioshow with guest Kyle Toole and host O.BEE & Tomas Station ahead of their annual 40+ music extravaganza at H0l0 this weekend!

http://www.instagram.com/canyoujigit

Can You Jigit? with O.BEE, Tomas Station and Kyle Toole @ The Lot Radio 05-10-2024

HOR 27 07 2024

Mix has been recorded at the Hör studio in Berlin on 31.01.25

Olga Korol - Hör Berlin@31.01.25

From the heart of Frankfurt’s vibrant electronic scene, Phil Evans has carved out a reputation as one of house music’s most dedicated curators. His sets are a testament to decades of crate-digging and a globe-trotting tour history that spans Tokyo to Berlin, Evans blends deep-rooted musical knowledge with a forward-thinking mindset.

Follow Phil Evans
https://soundcloud.com/philevans_sc
https://www.instagram.com/philevans_ig

MEOKO Podcast Series | Phil Evans

Recorded at Houghton - Hannah Holland (2024)

We’re thrilled to share the next Planet Paradigm Podcast, delivered by Dresden. Recorded live at Planet Paradigm 2025, where they played the Forest Stage. The duo, consisting of Manfredas & Ivan Smagghe, treated us to their signature sound: a mix of new tracks, nostalgic minimal grooves, and psychedelic layers that pulled us all into another dimension. Now it’s time to dive back in. Enjoy the ride!

Dresden live at Planet Paradigm 2025

use Your Head

PREMIERE: Chanson E - QJ 
Release Date Worldwide: 03/10/2025

Chanson E
Soundcloud | @chanson-e

Sooner
Soundcloud | @soonerdigital
Bandcamp | www.soonerdigital.bandcamp.com

Bandcamp

PREMIERE: Chanson E - QJ [Sooner]

Hamburg's king of vinyl houses it up in a deliciously deep style on this week's RA podcast.

RA.161 Lawrence

Yoyaku Instore Session - D'julz

Download the set here:
https://corenews.me/ricardo-villalobos-b2b-raresh-essential-mix-2020-07-18-at-amnesia-ibiza/

Ricardo Villalobos b2b Raresh - Essential Mix 2020-07-18

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

Yoyaku Instore Session - D'julz

D'Julz

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