Jakayle Daniels, CEO and Co-founder of Jumpin Off The Roof Records or J.O.T.R, is a R&B singer-songwriter, Melodic trap rapper, engineer and producer. Though, born in 1996 in Grenada, MS, his music depicts melodic and lyrical elements that are prominent in the cities in which he was raised such as Louisville KY, Memphis TN and Southaven MS. Jakayle took the world by storm with his breakthrough single 'Waterfall'. The single garnered the artist international support and attention from stations like HITS 106-Atlanta, 1001 THE HEAT-New York, Big Box Radio-Chicago, International Underground Rap and R&B-Holland, Cbmf International Radio-France, Bermudas College Radio-Bermuda, Da Hub Radio-London(England) and many more. His unique taste in music assists in his ability to create and produce a euphoric array of versatile songs. Jakayle continues to utilize his raw aptitude to make music people can not only relate to but lay back, relax, and enjoy his essence and contagious ambience conveyed through his music.

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Born in 1994 Radontae Ashford aka Wave Chapelle, is an hip hop artist from the north side of Milwaukee, WI. Wave Chapelle gained popularity by releasing single songs through his soundcloud, that later transcended into mixtapes. In 2013 Wave made his debut with the mixtape “It’ll All Make Sense Soon”. In late 2014 Wave followed with his second project, “Only the Beginning” featuring Curren$y, Rico Love, & more, becoming the first young artist to break out of his city. Spring 2016 Wave debuted his long awaited project “W” featuring his stand out tracks Overtime & Let’s Win ft. IshDARR, solidifying his place both at the local and national level. Later that year Wave unleashed a flurry of singles ranging from Boss Up (feat. Lil Uzi Vert) – Single to Don’t See Em ft. K CAMP to Henny Cardi. In 2017 Wave followed up with the second installment of his series It’ll All Make Sense Soon 2 showcasing his growth with tracks like Waves ft. Malcolm Anthony & Authentic. Throughout his work, he teeters between neo-soul production, trap-like beats, and boom bap, using the platform to spit bars on his personal narrative, his city, and his progress.

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