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Paramida - 11 April 2021

Communicating in the 4th Dimension

''This mix inhabits an example of the last couple years surveying the work of contemporaries in leftfield textural and rhythm based electronic music. While staying at home in the early days of the pandemic I was discovering new work of colleagues and new artists alike. Finding works that allowed dynamic hypnagogic hallucinations to rush into the silent dystopian landscape outside.''Robert Aiki Aubrey Lowe

Klein - Claim It
Lapti - Ушу
Lara Sarkissian - Greeted by Tir (Տիր)
nocow - Iskartel
Chloe Alexandra Thompson - Walks/Flowers
NYZ - PTSone-r60subtree119c31tb
P - sovsem tyajko 13
FAUZIA - Lap, Sir
Pan Daijing - Exile
stud1nt - again
OGJ/Oliver Torr - MINT (excerpt)
Beatrice Dillon - Halfway
ZULI - Kollu I-Joloud
YALLY - U Eff O
MIIIN - Metagame
NKISI - VII
Pye Corner Audio - Quarry Rave

Robert Aiki Aubrey Lowe Mix N°59

1h of Budino's set from the first MELATO, 7th January.

MELATO 2 • Budino

With a career spanning three decades as a DJ and producer, James Dean Brown has more than one story to tell. Growing up in Frankfurt in the early 1980s, he formed a small group of aspiring electronic musicians alongside now established names such as Uwe Schmidt (atomTM), Tobias Freund (Tobias) and Martin Schopf (Dandy Jack). At a time when Techno was yet to be created, they produced and released their precursory experiments in pure DIY fashion, armed with nothing but all sorts of drum machines, cassette decks and unrestrained creativity. Through his Hypnobeat alias, founded with Pietro Insipido in 1983, James Dean Brown produced a handful of self-released cassettes that integrated early elements of contemporary club music, following the ethos of reducing electronics to the hypnotic rhythm core.

Some years later in 1996, James Dean Brown formed a new project called Narcotic Syntax, as an evolution from Hypnobeat. Through mutual friends he happened to meet Thomas Franzmann and Markus Nikolai at the same time, who went on to found the highly influential Perlon imprint in 1997. The immediate result of this new friendship was Narcotic Syntax’s debut EP “Ultravolta”, one of Perlon’s first releases, co-produced by James Dean Brown and Zip. This record, among a few others from the label’s early output, would pave the way to the sound Perlon is known for today. Narcotic Syntax evolved further when Yapacc joined the project in 2003, leading to a string of releases on Perlon and other labels, including genre-bending collaborations with singer Robert Conroy and guitarist Achim Treu.

James Dean Brown is also an incredible DJ with a wide musical knowledge, who learned his craft from some of the very best in the field, such as Ricardo Villalobos. Mixing genres with flawless precision, his sets are a unique blend of obscurities from his ever-expanding vinyl collection. His storytelling skills are beautifully showcased in the mix he sent us for the first of our series, recorded live at Club der Visionaere in Berlin. And to dig a bit deeper while listening to his set, we asked James Dean Brown a few questions about his creative vision, his relationship with music and the defining moments of his career…

Read the full story: https://early-reflections.com/mixes/james-dean-brown/

@james-dean-brown

(Er₀₁) James Dean Brown

Hot off the back of last week's ludicrously good set from Octal Industries come Danish duo Merv. Since the 2015 repress of two of their Dancecop classics, Jan & Brian have released tracks on the likes of Vade Mecum, Ranges, Kontakt & Ohm Series. This year they join lempuyang with a forthcoming remix, and a track for the next annual V/A 'Pura' compilation

LPY Mix Series 12 - Merv

The set begins with an hour of techno that progressively builds in intensity, transitioning seamlessly into a groovy and energetic hour of house.

Daniel Alanís - Mysterious Ways'24

Time Is Endless

Watch out

Recording of Joey Anderson's set at Dekmantel Festival 2016.

Dekmantel Festival 2016

Joey Anderson at Dekmantel Festival 2016

German DJ Vladimir Ivkovic is resident at Dusseldorf’s Salon des Amateurs, and he has truly made the place his own over the last 12 years. Quite what to expect from him on any given night is anyone’s guess: he can do folk and experimental, sludgy techno or abrasive noise that is always original and arresting in equal measure. The Belgrade born artist also runs Offen Music and manages Loco Dice’s Desolat, and this year will close down our Selector’s stage, something we're truly looking forward to.

And it is that fact which informs the 80 minute podcast he has done for us here. Designed for soul soothing and post party contemplation, it is a meditative mix with basically no drums. Instead it is about suspensory ambient sounds, worldly lullabies and blissed out Balearic moments that encourage you to lay back and stare into the sky. As beautiful as it is beguiling, it is a mix that has us very excited for what is to come and proves what a singular talent this man is.

Dekmantel Podcast

Dekmantel Podcast 115 - Vladimir Ivkovic

Christina Chatfield (@anitserk) will be joining us at The Bunker at Market Hotel on Saturday, April 13th to play one of her unique and captivating live sets (info and tix: http://bit.ly/FDWest413). 

We're excited to finally have a podcast of her all-original music because she has been a friend and ally of The Bunker New York for many years, playing at our events in New York and showcases in San Francisco. She is a resident for @as-you-like-it in San Francisco, has released on @Sassmouth’s God Particle and we're all eagerly awaiting her forthcoming album on @mysteriesofthedeep

The Bunker Podcast 190

The Bunker Podcast 190: Christina Chatfield

Amsterdam based DJs, events company and record label. - support@dekmantel.com for all your webshop and label enquiries.