"Textures Turbulentes, Formes Emergentes (String Quartet N° 4)", was commissioned by the Sonar Quartet with funds provided by the Ernst Von Siemens Foundation.  Here is the world premiere performance by the Sonar Quartett played on December 11th, 2016 at the Kunst Akademie in Berlin as part of the quartet's UPTOPIE series of 7 concerts. Live electronics were programmed by Stefan Tiedje with performance by Stefan Tiedje, Daniel Weinstein and Gerard Pape.

"Textures Turbulentes, Formes Emergentes (String Quartet N°4)"

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

Official soundcloud account of Gerard Pape and Olga Krashenko.

Studied at the Royal College of Music, London. I have, though, never pursued a musical carreer, but have loved music all my life. Now -semi-retired - I have returned to music more actively and resumed composing about a month ago (September 2015) after a gap of over 40 years. 

To all concerned: 
I am announcing publication of my new book, NOW AVAILABLE:
https://www.routledge.com/Maqam-Melodies-Pitches-Patterns-and-Developments-of-Music-in-the-Middle-East-and-other-Microtonal-Writings/Thoegersen/p/book/9789815129052
My book, Polytempic Polymicrotonal Music, is available on Amazon. 
https://www.routledge.com/Polytempic-Polymicrotonal-Music-The-Road-Less-Traveled/Thoegersen/p/book/9789814968294

I have a new album out through Magic&Unique Group Records on Spotify and other digital streaming platforms:
https://open.spotify.com/album/5qWHmcvyAemvVn2TJH1bio?si=OD5TmPptQ-ypr8WOI0EZKA&nd=1

https://whitecentipedenoise.com/products/peter-thoegersen-facebook-cantos-cdr-flea
My CD via Flea label has been out since April, 2021, featuring the wonderful Lore Lixenberg singing over my microtonal piano accompaniment
Hope you enjoy it!

https://www.newworldrecords.org/collections/vendors?q=Peter%20Thoegersen

From the liner notes on my CD now available on AMAZON and New World Records:
"The author of these notes has spent his life explaining radical music, and the music on this disc may be the most radical I've ever written about. Peter Thoegersen (b. 1967) is not yet a name known to the music world; not for any lack of connection to other famous musicians, but because he came to composition late, and because his artistic aims are so broad and complex that they have taken years to evolve. His aesthetic is well defined, and he is upfront about having a name for it: "Polytempic Polymicrotonal Music." That means he has musical layers simultaneously moving in different tempos, plus, even more radically, that he has different microtonal scales playing at the same time. Few composers have aimed at such fervent and heterogeneous multidimensionality. And yet, while Thoegersen's music can seem overwhelming at first, running through it is a level of charm and simplicity that belies the initial impression.

In total, these three pieces emphasize a particular side of Thoegersen's output. The image his music creates of ornately mathematical structures filled with intuitively friendly melodies maps on to the personality of the man himself: outspoken and acerbically ruthless in his musical opinions, Thoegersen is also marked by a jolly sense of humor and an inexhaustible love of cats and other animals that make him ultimately less imposing and more personable than he might seem at first. The same can be said for his music. And by going further than anyone else has gone in terms of this particularly American concept of fusing the polytempic with the polymicrotonal - extending and combining the conceptual worlds of Ives, Cowell, Nancarrow, Partch, Carter, even Frank Zappa and many others - he has created a special place for himself within American music."                                                             

-Kyle Gann (from the liner notes)

Platon Buravicky – Composer of Contemporary classical music and pianist (b. 1989). Electronic music producer and sound designer (Max/msp and Ableton Live). 
Based in Riga, Latvia
 Studying with Vilnis Šmidbergs, Pēteris Vasks, Selga Mence and Rolands Kronlaks.

The composer and pianist Platon Buravicky was born on May 10, 1989 in Riga. He graduated the Riga 5th School of Music (1998–2002) specialising in piano (also studying composition with Vilnis Šmīdbergs), and the Emīls Dārziņš College of Music Keyboards Department (2002–2007, studying composition with Pēteris Vasks). He received a Bachelor’s Degree from the Jāzeps Vītols Latvian Academy of Music, studying composition with Selga Mence (2009–2013), and, under her direction, continues his Master’s studies. As of 2007, he supplements his knowledge with many teachers – he participated in algorithmic composition courses with Achim Christian Bornhoeft, electro-acoustic composition courses with Rolands Kronlaks, composition master classes with Dieter Mack, Alexander Tchaikovsky, Christian Wolff, Richard Cameron-Wolfe, and Ed Benett, and electro-acoustic music master classes with Lamberto Coccioli and James Bullock.

His works have received awards at the new composition competition (1st place – 1999, 2007) and at the Pēteris Vasks composition competition (2nd place – 2012, 3rd place – 2014). His music has been performed at the festivals Skaņu mežs, Dominante, Survival Kit 5, Art and Communication, Arēna, Latvijas Jaunās mūzikas dienas, and elsewhere.

He has worked as a teacher of music theory at the Jugla School of Music (2011–2013) and as a music teacher at the Riga Classical Secondary School (2011–2014). As of 2013, he is a teacher of composition and music programming at the Jelgava College of Music.

"Textures Turbulentes, Formes Emergentes (String Quartet N°4)"

Pape/Krashenko