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9 April 2021

MARINA ROSENFELD & BEN VIDA
"FEEL ANYTHING"
iDEAL173 Compact Disc High Fidelity
Edition of 200 copies
Mastered by Jacques Beloeil.
Artwork by Eileen Quinlan from the "Blue Hours" series.
Design by Allon Kaye.

AVILABLE IN NOVEMBER 2018.

Marina Rosenfeld & Ben Vida - Feel Anything (part 4 of "Feel Anything" iDEAL173 CD)

Taken from album 'Contrée' released as LP and Download.

Regis Renouard Larivière 'Contrée' (excerpt) (REGRM 021)

Now in year three, the Slow Alarms project will be entering a final collaborative phase designed to degrade the audio via playback into different acoustic environments.

Slow Alarms

ACCESS

No. 5 Study for SLOW ALARMS

I've Never Been Able To Wedge My Smiles And My Panic Attacks

Each Morning of the World #04
South American Phonographic Mornings #03/20
Puerto Saavedra ~ South Chili
Lafken Kürüf  de Julie Rousse

~~~~~~~~~~~~~

The piece - Lafken Kürüf - has been composed from recordings taken in the south of Chile in 2015. Mixing various sounds of the wind and the ocean, as well as glimpses of voices, those emblematic sounds from my stay there are composed in a short piece transcribing the powerful sonic landscape that has accompany me during the three months spent in the Mapuche Lafkenche community of Traïtraïko Leufu. The noise of the wind on the rooftop of my house and the rumble from the Pacific Ocean close by kept me from sleeping at night as i would imagine it coming out from its bed, like in the Mapuche Lafkenche mythology.

~~~~~~~~~~~~~~

Crédits
de l’album South American PhoNographic Mornings
ce titre est sorti le 6 mai 2018
Credit photo : © Julie Rousse 2018

Lafken Kürüf

LAFKEN KÜRÜF

Huggle 523 [olops]

backstab

Proyecto unipersonal gestado desde 2001, con base en Arequipa - Perú. El proyecto comprende cualquier manifestación expresiva que pretenda materializarse en sonoridad, desde acusticidades rústicas hasta dilatadas manifestaciones electro-efectistas.Estética minimalista y despreocupada, proclive al ruidismo, al trip hop, la 
electrónica experimental, el EBM, lo sinfónico, el freak folk y otros géneros avant garde.L-Ror, además, tiene como sustento el azar, la improvisación y el amateurismo en un contexto no provocado, asimismo, ocasionalmente utiliza construcciones gramaticales de corte poético.

L - Ror - Human Is A Bug

Sheep Police [Jack]

Self-released EP "Screen"
https://joefujinoki.bandcamp.com/album/screen

Screen [Preview]

second excerpt from Ludovic Medery | Les pierres sèches cd on Unfathomless.

In its regular version, this release is limited to 180 hand numbered copies and packaged in clear vinyl sleeve with folded insert and additional art card on 350gr satin paper. 

There is a special edition strictly ltd to 20 numbered copies coming with a different packaging (see website/Bandcamp page for details).

Les pierres sèches

U65 | Ludovic Medery | Les pierres sèches_excerpt2

Beautiful, spare and sensitive home recordings by cellist Hannah Marshall, who has treated us to so many special moments as a player at OTO over the years.

"Recordings made in a friends spare room on a half and full size cellos with re-tuned strings, not far from an open window on a quiet row of back gardens.

In some of the gaps you will hear the chair creak, the rain fall, the children at near by child-minders house. The slap and fall of strings, on fingers on wood.

In memory of Beth Hardisty. Rest In Peace."
- Hannah Marshall

TR070 - Hannah Marshall - 'Clearing 1'

Splinters as a composition has a dream like quality, dark and enigmatic. Electronic noise colours the drone and bubbling soundscapes of a somewhere. Repeating musical phrases mix with recognisable sounds from life - a spoken utterance, a rumbling train. As a listener you drift with the current through misty scenes, on a journey down a river towards some marshland on the edge of an urban sprawl.

Made in response to an invitation from TACO! - an artist space in Thamesmead in South East London - Splinters documents Kate Carr’s relationship with that space, and the area of London it is located in. Over an 18 month period Kate kept a growing sonic diary of her journeys to the space from her home, her construction of work in the gallery, her wanderings around the green spaces and urban architecture, the coming and goings of visitors and the artistic material from other artists and musicians working at the space. This work is a sonic portrait of a time and a place, and the actions and events within it.


Splinters includes audio samples from concerts and exhibitions held at TACO! Featuring material from live sets by Liz Helman, Tom White, Rebecca Lennon, Pouya Ehsaei, Jonathan Higgins and Hannah Dargavel-Leafe, and audio material from the exhibitions Scratch! by George Barber, and Heavy View by Laura Yuile.

Mat Jenner, director, TACO!
--------------------------------------
Mastered by Simon Scott at SPS Mastering.
Design by Louise Mason.
A huge thanks to Liz Helman, Tom White, Rebecca Lennon, Pouya Ehsaei, Jonathan Higgins and Hannah Dargavel-Leafe for permission to use short excerpts of audio material from their wonderful live sets, and to George Barber and Laura Yuile for access to audio from their installations. 
Also massive thanks to Mat Jenner for inviting me to TACO in the first place!

Detritus Clouds from Splinters out Sept 3

SuperCollider patch show-casing the Mi-UGens (some UGens based on eurorack modules by Mutable Instruments): 2x MiTides + MiRipples.
This one is inspired by Lightbath's Loom 4 :) https://www.youtube.com/watch?v=uojFtozPynE
Get the UGens (compiled for macos) from vboehm.net/downloads/
Sources on github: github.com/v7b1/mi-UGens

ambient alt

Дмитрий Иванов