Solo Piano.  Created in Real-Time LIVE at St. Wenceslaus Church, St. Louis MO.

Year of Music: August 19, 2025

https://www.youtube.com/watch?v=E7Io7mQseaw

oh, improvisation_041f is wel heel mooi maar die wordt niet meegenomen met de algoritmes. doei.

Improvisation_041h

Eina(TovarishAstronom) - Цветёт Она

Как Кабаков, Булатов, Пивоваров, Монастырский и Комар с Меламидом создали самый загадочный и интеллектуальный стиль XX века
—
Минимум знаний для всех, кто хочет правда понимать, что он видит в Третьяковке или Русском музее. От Дягилева до Павленского — а еще авангард и соцреализм, Петров-Водкин и Дейнека, метафизики и концептуалисты, перформансы и инсталляции в видео и лекциях Arzamas: http://arzamas.academy/likbez/russian-art-xx

Автор лекций — Галина Ельшевская
Читают Ксения Кутепова и Сергей Шнуров

Концептуализм и соц-арт

Мерехтiння

Ничего уже не будет хорошо

Ковбои Тоже Плачут

Рокнролл не подведёт

Что такое сюрреализм? Откуда сюрреалисты брали «сюжеты» своих картин и при чем тут доктор Фрейд? Умел ли Дали работать кистью не хуже Веласкеса и Вермеера? Что такое параноидально-критический метод? Как Дали создавал свой личный миф и есть ли в нем что-то помимо мифа? Обсуждаем в связи с выставкой в Манеже.

Бонус: отвечаем на вопросы слушателей. Как смотреть картины дальтоникам? С какого расстояния лучше всего смотреть на них обычным людям? И почему среди известных художников и архитекторов гораздо больше мужчин?

Свои вопросы присылайте на arzamas@arzamas.academy — на самые интересные постараемся ответить в следующих выпусках!

Сальвадор Дали — гений или поп-звезда? Выставка в московском Манеже

Веселые риффы

Version for VST instruments.
This piece was created with the funds of the Aksenov Family foundation as the part of the Russian Music 2.0 project.

Cover: A Rose and Five Insects, Christoffel van den Berghe, 1618

Revisité

Dmitry Burtsev (b. 1992, Moscow, Russia), composer, sound artist, improviser. 

His current artistic research is primarily focused on human perception of sound both within and outside of a musical context in relation to affect theory. Dmitry explores the sonic environment of human habitation through the field recordings and transforms the latter into his music pieces. Another point of his musical interests lies in spoken word and language as the point of departure for a musical thought, which is at the same time influenced by years of accordion practice and free improvisation. Through an ongoing contemplation on memory and  the process of forgetting, Dmitry reflects on the European and non-European tradition in music history in search to understand the present reality through compositional tools and musical discourse.

Dmitry studied composition at the Moscow State Tchaikovsky Conservatory with professor V.G.Tarnopolsky, from where he graduated in 2017. Additional studies include master classes with Oscar Bianchi, Fabien Levy, and Carola Bauckholt at the International Composers Academy in Tchaikovsky city in Russia in 2016. Since 2017, Burtsev has taken on the role of assistant of the composer Sergei Newski, which provided Dmitry with invaluable experience and advanced his professional skills.

Dmitry’s music was performed by various professional ensembles and performers, such as: Studio for New Music, Moscow Contemporary Music Ensemble (MCME), ensemble Kymatik, L.G.Zykina State Ensemble of Russian Folk Instruments, Pavlos Antoniadis, Sergei Tchirkov, Natalia Pshenichnikova and others. 

Since 2017 Burtsev starts writing music for theatres, such as Moscow Chekhov Art Theater, Moscow Academic Theatre of Vladimir Mayakovsky, Norilsk Polar Drama Theatre and others.

In 2017, he won the Open Space competition at the Museum of Cosmonautics, where he got a chance to collaborate with the Zykina State Ensemble of Russian Folk Instruments. In 2020, he became a laureate of the Russian Music 2.0 program and wrote the piece Revisité for MCME.

Dmitry is also the author of interdisciplinary musical performances, in which he brings together performing arts, free improvisation, collage combinations of contemporary art- and popular music and field recordings. Most of these performances resulted from a collaboration with the Vadim Sidur Museum (Moscow).

In 2022 Dmitry left Russia and currently is based in Tbilisi, Georgia

In 2024, Dmitry started a master's program at Robert Schumann University in Düsseldorf under the supervision of Professor José María Sánchez-Verdu.