This is a track from the "Turning Witch EP," released April 22 on Montross Music. It was recorded with Alan Weatherhead (Sparklehorse, Denali) in Virginia and Denver, and mastered by Rafael Anton Irisarri (The Sight Below, Orcas).
Available for purchase at mombi.bandcamp.com or Itunes, Spotify etc.


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Rain Schadow

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The Echo Society is a Los Angeles based collective of like-minded composers, musicians and artists who gather together to share new sonic and visual art locally.

This track is from the first installment entitled "Winter" which was recorded live to a sold out theater in LA on 12/12/13. It featured a 10 piece chamber ensemble with electronics.

Installment 2 in the works. more info soon.


FREE Mp3 Download

Rob Simonsen - Warmth For Wolves

Black Vines:

Birthed between the burning fields of Kansas and the surreal landscape of the New Mexican desert, Black Vines is a dense layering of monophonic drones, delayed sitar and large scale cello arrangements.

Combining the distorted and blackened influence of Aaron Martin’s recent solo and collaborative work with Joseph Angelo’s love of ragas, industrial noise and meditative minimalism, the eight elegiac strands of Black Vines are tribute to redemptive growth that occurs in the shadows.

Mastered by James Plotkin, featuring tracks reworked from the original parts by Dag Rosenqvist with stunning artwork by Chris Koelle.

Packaging includes letter-pressed covers, glass mastered CD, 10 x limited edition prints on heavy card stock with glassine bags, all resting inside hand numbered, scented black envelopes. Limited edition of 200 copies!

http://fluidaudio.bigcartel.com/product/black-vines

Willow Choir (Black Vines)

iTunes: geni.us/ApplescalFor
Bandcamp: atomnation.bandcamp.com/album/for

Borrowing The Past

Applescal - Borrowing The Past (feat. Rhian Sheehan)

in the crooked timber

If witches did manage to get in the house, sleeping with a Bible, a silver dollar, or a knife beneath your pillow had all been recommended as preventatives. Turning your socks inside out before going to bed was also thought to keep away witches. Mustard seed scattered around the bed was equally effective.

Made entirely with the Dexed app in AUM on IPad.

Apotropaia

Science Inspired Electronic Music for your pleasure

Ex Nihilo

Order Page: https://seabuckthorn.bandcamp.com/album/turns
Subscription Series Page: http://losttribesound.com/declineseries
Subscribe on Bandcamp: http://smarturl.it/declineseriesbc

After 2016’s well-received EP,  'I Could See The Smoke', experimental guitarist Andy Cartwright (aka Seabuckthorn) returns with his new full-length album 'Turns', releasing April 21st on vinyl, CD and digital with Lost Tribe Sound.  Cartwright immediately caught our attention with his commanding full-length album 'They Haunted Most Thickly' in 2015. With 'Turns', Cartwright further solidifies his anomalous position within the genres solo guitar music, American primitive, and modern classical. 

The vinyl and CD edition arrive in the ever stunning physically and sonically minded fashion that LTS has become known for. 'Turns' takes form with a lush 180 gram audiophile grade vinyl housed in a heavyweight reverse printed jacket (limited to 500). The lacquer process vinyl edition was masterfully cut by Paul Gold at Salt Mastering in NY. Each edition comes with a Bandcamp download coupon. Plus, 'Turns' introduces a new handcrafted panoramic CD design (limited to 150 editions). 

'Turns' is an album wrought with vertical forms, heavily cinematic in design and scope.  It’s an album built from the earth. With eyes closed, one can easily imagine heavy rusted spires rising and collapsing upon themselves, only to be rebuilt from the rubble in the same instant, ever clawing towards the sky, with the rumblings of massive tectonic plates shifting below.  That said, 'Turns' is far more of a cerebral experience than its predecessors. transitioning seamlessly between hypnotic long-form pieces, minimal harp-like ballads and the primal stomping world-builders that have become Seabuckthorn’s calling card. 

Cartwright wields his minimal, yet powerful arsenal in new and intriguing ways throughout 'Turns', comprised of various twelve string guitars, a well worn resonator guitar and heavy waves of lumbering percussion. Plus, for the first time ever, Cartwright invites an outside player, composer and fellow friend of rustic orchestration, William Ryan Fritch to play double bass on three of the songs. In addition, LTS is honored to have worked with visual artist Gregory Euclide (Bon Iver, Lubomyr Melnyk) on the incredible original cover artwork for 'Turns', and sound engineer James Plotkin who handled the mastering.

Turns

Occurring Water

Buy Album

Seabuckthorn - Occurring Water (from Turns)

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				</a><br/>Our humble collaborations is back! Here is our second track. We hope you will like it!

Dmitry Evgrafov & Vika Bogorodskaya — Monday

-> 17f  records: http://17fmusic.bandcamp.com/
Here is a "reworked version" of a song made by Nils Frahm. He decided to make a project described as follow:
 
'SCREWS' was the result of inspiration from my fans and friends while I recovered from an unfortunate thumb injury. I offered my fans nine recordings to download and in return you started to send me your remixes, reworks, audio and visual reinterpretations. This gave birth to the 'SCREWS reworked' project and you can now showcase your rework on this special dedicated website.
 
http://reworked.nilsfrahm.com/


Do ("Il y a de rêves qu'on oublie")

Hello everyone, I would like to show you my new album "Pereehali". This is my third album, it was written and recorded in the summer of 2012. After a long writer's block that was caused by a very pretentious and bombastic second album I decided to make a really intimate, solo-piano work. I lived in the countryside during the recording sessions, and every recording was done by me tête-à-tête with my lovely piano in the wooden house. It was a priceless experience working and writing while having a close contact with nature, it helped me a lot to understand the music I compose, to make it more organic, touching and moving.


playing & recording // dmitry evgrafov 
mixing & mastering // martyn heyne 
cover // vika bogorodskaya 
special thanks to nils frahm & dave howell