Dmitry Evgrafov returns with his fourth career album and third for FatCat’s 130701 imprint. His most accomplished work to date, ‘Surrender’ is a broad and dramatic record that expands the Moscow-based artist’s palette and reaches beyond the usual post-classical range. Revealing an ambitious scope across the twelve-track span, it is bold in conception and beautifully recorded. With Dmitry playing piano, marimba, xylophone, glockenspiel, bass guitar and synths and including sessions with an eight-piece string orchestra, a drummer and contributions from several instrumentalist peers, ‘Surrender’ was mixed and mastered by Martyn Heyne at Lichte Studio in Berlin.

‘Surrender’ encompasses a continually changing musical and emotional spectrum, sometimes subtle, sometimes dramatic, taking the listener on a journey through intimate piano, string arrangements, fractured electronica, electro-acoustic ambience, and complex, rhythmically driven constructions. On these, Dmitry forges a kind of hybrid sound where post-rock meets classical composition, at times closer in spirit to Efterklang or Mice Parade in its sense of adventure. Even the sparser, downtempo piano pieces are offset by electronics and a subtle, masterful use of FX that hints towards material like The Caretaker or the bleeding edges of ambient IDM.

Dmitry Evgrafov - 'Surrender'

Chill Grooves

Belching corpuscles

Editing Flow

l'amour

From "Insitu" original soundtrack, movie produced by PVS Company

LOST IN TIME (Tristan Bres)

Comme dirait ma soeur : "bon ben voila lui c'est mon frère et bien sur c'est le meilleur"  ou comme dirait mon ami fabrice dayan : " Fans de Blier, Audiard, Aznavour, Berger ou Gainsbourg : Afin que votre hiver change de saveur, je préconise un traitement auditif intensif a base de Mixtape 100% Parisienne, agencée et sélectionnée par les oreilles expertes de Big-Jourvil. Un concentré de bonne humeur. A consommer, et a partager sans modération. »

01 / Intro les valseuses.
02 / Charles Aznavour : Au piano bar.
03 / Jacques Higelin : Quand j’improvise sur mon piano.
04 / Serge Gainsbourg : Black trombone.
05 / Sacha Distel : La belle vie.
06 / Henry Salvador : Jardin d’hiver.
07 / Pierre Barouh : Samba savanah.
08 / Nino Ferrer : La rua madureira.
09 / Bernard Lavillier : La salsa.
10 / Interlude les bronzés.
11 / Philipe Lavil : Avec les filles.
12 / Michel Fugain : les gentils, les méchants.
13 /  Interlude ah si j’etais riche.
13 / Boris Vian : Je suis snob.
14 / Jacqueline François : La vie mondaine, the lady is a tramp.
15 / Nat King Cole : Je ne repartirai pas.
16 / Idéo Soul feat Fabe & Sleo : Chaque fois que la mélodie s ‘emploie.
17 / Alliance Ethnik : L’original.
18 / Michel Berger & France Gall : Ca balance pas mal a Paris.
19 / Michel Berger : La bonne musique.
20 / Serge Gainsbourg : Le cadavre exquis.
21 / China Moses : Etre la bas.
22 / Alain Delon & Dalida : Paroles.
23 / Jacques Dutronc : J’aime les filles.
24 / Julio Iglesias : Pauvre diable.
25 / Istikhbar : Ombre elle.
26 / Johnny Halliday : L’aventure c’est l’aventure.
27 / Julien Clerc : Partir.
28 / Diane Tell : Miami.
29 / Chagrin D’Amour : Chacun fait ce qu’il lui plait (version original).
30 / Oxmo Puccino feat Mai Lan : La danse couchée.
31 / Rita Pavone : Ce n’est qu’un film.
32 / Guy Bedos et Sophie Daumier : Je te plum’ploterai.
33 / Magalie Noel : Fais moi mal johnny.
34 / Brigitte Bardot & Annie Girardot : Chacun son homme.
35 / Sylvie Vartan : L’amour c’est comme une cigarette.
36 / Veronique Sanson : Chanson sur ma drôle de vie.
37 / Jacques Dutronc : Gentleman cambrioleur.
38 / France Gall : Laisse tomber les filles.
39 / Jeane Manson : Faisons l’amour avant de nous dire adieu.
40 / Dwight Druik : Georgy porgy.
41 / Claudine Longet : Ain’t no mountain hight enough.
42 / Interlude Bradock (Chuck Norris).
43 / F.F.F. : Marco.
44 / Sinclair : L’epreuve du temps.
45 / Bonne nuit les petits.
46 / Outro Oss 117.

Contact : Mr.jourvil@gmail.com
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French Connection Volume 1 - Selected & mixed by Big Jourvil

Fans de Blier, Audiard, France Gall, Dani, Jeanne Moreau, Gainsbourg ou de bandes originales de film français : Afin que votre hiver change de saveur, je préconise un traitement auditif intensif a base de Mixtape 100% Parisienne, agencée et sélectionnée par les oreilles expertes de Big-Jourvil. Un concentré de bonne humeur. A consommer, et a partager sans modération.

02 / Jean Gabin : Maintenant je sais.
03 / Serge Gainsbourg: Requiem pour un twister.
04 / Andréa Parisy : Laisse tomber les tabous.
05 / Line Renaud: Sexe.
06 / Anne-Marie: Love is amour in french.
07 / Saint-Tropez: Femmes fatales.
08 / Bernard Estady : Monsieur Dutour.
09 / Charles Aznavour : Pour faire une jam.
10 / France Gall : Jazz a gogo.
11 / Gilbert Bécaud : Quand tu danses.
12 / David Alexandre Winter : Qu’est ce que j’ai dansé.
13 / Dani : H comme hippies.
14 / Natacha Snitkine : Jeu du telephone.
15 / Jeanne Moreau : Quelle histoire.
16 / Sylvie Vartan : Ne t’en vas pas (comin’ home baby).
17 / Claude Francois : Belles, belles, belles don’t cry (bootleg).
18 / Patrick Coutin : Les filles ne sont pas sur la guest list (bootleg). 
19 / Jaques Loussier & Sophie Daumier : Femme, femme.
20 / Bernadette Lafont & Catherine Deneuve : Le zig zig.
21 / Guy Marchand : Attention aux yeux.
22 / Coralie Clement : L’ombre et la lumiere.
23 / Audrey Arno : Quand Jean-Paul rentrera.
24 / Serge Gainsbourg & Jane Birkin : Ballade de melody Nelson (Howie B. remix).
25 / Ntjam Rosie & Esperanzah : L’amour.
26 / Oxmo Puccino : Pam pa nam
27 / Triptik : Panam’.
28 / Bernard Lavilliers : Les aventures extraordinaires d'un billet de banque.
29 / Aldo Maccione : Plus beau que moi tu meurs.
30 / Henri Salvador : Allo Brigitte.
31 / Vive les Femmes : Dites ça vous dirait...avec moi.
32 / Les Charlots : Necro-bossa.
33 / Jane Birkin : Jane B.
34 / Henri Salvador : Tout au fond de mon coeur.
35 / Michel Jonasz : Les wagonettes.
36 / Rhoda Scott :  C’est si bon.
37 / M : A celle qui dure.
38 / Patsy Gallant : Dis moi.
39 / Valerie Dumas : Une glace avec deux boules.
40 / Outro.

Contact : Mr.jourvil@gmail.com
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French Connection Volume 2 - Selected & mixed by Big Jourvil

Fans de Blier, Audiard, Jacques Dutronc, Brigitte Bardot, Michel Legrand, Gainsbourg ou de bandes originales de film français, voici le 3ème opus de la série french connection : Afin que votre hiver change de saveur, je préconise un traitement auditif intensif a base de Mixtape 100% Parisienne, agencée et sélectionnée par les oreilles expertes de Big-Jourvil. Un concentré de bonne humeur. A consommer, et a partager sans modération.

01/ Intro les valseuses.
02/ Blossom Dearie - Plus je t’embrasses.
03/ Grace Jones - La vie en rose.
04/ Dimitri From Paris – Souvenir de Paris.
05/ Sophia Loren - De jour en jour.
06/ David Koven - Samba maria.
07/ Serge Gainsbourg – Beaudelaire.
08/ Quinquilharia - Qu’est ce que tu cherches.
09/ Les Masques & Trio Camara - Il faut tenir, prend garde a toi
10/ Henri Salvador – Socialement parlant
11/ Michel Legrand – Di-gue-ding-ding
12/ Les Parisiennes – On reçoit, on envoie
13/ France Gall & Cesar Camargo Mariano – Zozoi
14/ Brigitte bardot – Je danses donc je suis
15/ Charles Aznavour - Je t’attends
16/ Sophie - Je Ne Fais Pas D'Histoires (It's Not Unusual)
17/ Eddy Mitchell & serge gainsbourg - Vieille canaille
18/ Les 4 Copines - Il a le truc
19 / Claudine Longet - Un homme et une femme
20/ Juliette Greco – Deshabillez-moi
21/ Mademoiselle Caro – Les nuits d’une demoiselle
22/ Rita – Erotica
23/ Richard de bordeaux & daniel beretta – La drogue
24/ Arnaud Fleurent-Didier – France culture
25/ Boris Vian – Je bois
26/ Francoise Hardy – J’ecoute de la musique saoule 
27/ Raymond Lefevre - Do you do you Saint-Tropez Générique
28/ Radiomatic - Dou liou dou liou St Tropez
29/ Guy Bedos & Sophie Daumier – La drague
30/ Eddy Mitchell – Quand une fille me plait
31/ Jacques Dutronc – Les playboys
32/ Serge Gainsbourg – Ford mustang
33/ Catherine Deneuve – Digital delay
34/ Michel Berger – Deja je suis loin
35/ Julien Clerc – Sous sa grande ombrelle
36/ Pino D’Angio – Ma quale idea
37/ Michel Bernholc– Soirée d’ouverture
38/ Dwight Druick – Georgy porgy
39/ Nanette Workman – Lady marmalade
40/ Outro les valseuses


Egalement disponible :

https://soundcloud.com/julien-big-jourvil

French Connection Volume 1 - Selected & mixed by Big Jourvil
French Connection Volume 2 - Selected & mixed by Big Jourvil

Contact : Mr.jourvil@gmail.com
www.facebook.com/bigjourvilperso

French Connection Volume 3 - Selected & mixed by Big Jourvil

Time

Time (Dotlights Rework)

Palo Alto (Original Motion Picture Score)

Palo Alto

Music of Vladimir Martynov

Vladimir Martynov: The Beatitudes

This is the prominent piano piece featured in the film, Amilie. Enjoy :)

Composed by Yann Tiersen

Like my Facebook page if you enjoyed this! facebook.com/freemondo8/

Performed by me on my Gem PRP-700 Digital Piano 
Recorded using Audacity and compressed using Rough Rider (As suggested by <a href="http://soundcloud.com/qreason">QREASON</a>, thank you!) 

Comptine d'un autre été: l'après midi - from Amelie - Luke Freeman

Frank Ocean - Pilot Jones cover

Air - La Femme D'Argent

Dreamtime Return

A Circular Ceremony (High Definition Remaster)

For more information visit: http://www.klassikakzente.de/recomposed/home 

Some works are so familiar that it is almost impossible to hear them afresh, but that is what Max Richter has achieved with Vivaldi “Recomposed”. This is no mere arrangement; instead Richter has absorbed Vivaldi’s The Four Seasons into his own musical bloodstream. At first Richter followed the example of other works in the “Recomposed” series, which re-mix existing recordings, but, he says, “I wanted to open up the score on a note-by-note level, and working with an existing recording was like digging a mineshaft through an incredibly rich seam, discovering diamonds and not being able to pull them out. That became frustrating. I wanted to get inside the score at the level of the notes and in essence re-write it, re-composing it in a literal way.”Richter calculates that, in the process, he has discarded around three-quarters of Vivaldi’s original. He opens with what he describes as “a dubby cloud which I’ve called Spring 0. It functions as a sort of prelude, setting up an electronic, ambient space for the first Spring movement to step into. I’ve used electronics in several movements, subtle, almost inaudible things to do withthe bass, but I wanted certain moments to connect to the whole electronic universe that is so much part of our musical language today.” Other resonances are no less unexpected: Richter describes part of the first movement of his Summer as “heavy music for the orchestra. It’s relentless pulsed music, which is a quality that contemporary dance music has; and perhaps I was also thinking about John Bonham’s drumming. Then, in the second movement of Autumn I asked the harpsichordist Raphael Alpermann to play in what is a rather old-fashioned way, very regularly, rather like a ticking clock. That was partly because I didn’t want the harpsichord part to be attention-seeking, but also because that style connects to various pop records from the 1970s where the harpsichord or Clavinet was featured, including various Beach Boys albums and the Beatles’ Abbey Road.” Clearly, Richter has brought his own frame of reference to the project. As he says, “Vivaldi’s music is made of regular patterns, and that connects with post-minimalism, which is one strand in the music that I write. That felt like a natural link, but even so it was surprisingly difficult to navigate my way through it. At every point I had to work out how much is Vivaldi and how much is me. It was difficult but also rewarding because the raw material is so fascinating.”Just as Richter’s Seasons plays tricks with the way we hear Vivaldi’s original, so it also asks questions of the soloist, Daniel Hope. “Violinists have Vivaldi’s The Four Seasons hardwired in their brain. Daniel is likely to play the original I don’t know how many times in a year, and for him to have my parallel text going on in another part of his brain is a challenge. I think he did a wonderful job. He brought to it a deep engagement with the original, but he was fully prepared to cut this new swathe through the text.”


Spring One - Vivaldi Recomposed - The Four Seasons

Spring 1 (2012)

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Over the course of the past four years, ATTLAS has become one of mau5trap’s most celebrated artists. Canadian musician Jeff Hartford’s enthusiasm for music began at a young age, he grew up playing in bands and learning instruments like piano, trumpet, and guitar. His immersion in songwriting continued to grow when he attended university, and he interned for a composer after completing his courses. It was during this time that he started applying the techniques he’d learned in the studio to electronic music and began sending his completed works to deadmau5’s mau5trap label. The label initially signed a few tracks and then ATTLAS as an artist, and Hartford released three EPs in 2015 via the Canadian imprint. In the years since then, he’s delivered singles, EPs, and remixes – all showcasing the textured, introspective sound he’s spent years cultivating. 

2019 brings exciting new developments to the ATTLAS journey, including a new installment of his lauded Storyline series and a debut album. The album will “synthesize all the experiences and wandering paths that ATTLAS walks,” according to Hartford, bringing together heavier sounds and the emotive melodies he’s built his musical brand on. “[The album is me] trying to learn who I am and tell my story through music, which has given me so much and has been a home for me: a place to create, a shelter from the storm, and a launch pad into the greatest adventure of my life.”

▶︎ about mau5trap:
Over a decade since its formation, mau5trap -- the independent record label founded by groundbreaking electronic music producer deadmau5 -- has become a bastion for trailblazing and genre-defying artists. Casting a palpable influence over the genre, Mixmag readers voted mau5trap among the “Top 50 Labels of the Decade”, placing it in the Top 10; since then, the imprint has been supported by dance music magnates Billboard, DJ Mag, Forbes, Insomniac, and The EDM Network. More recently, mau5trap has maneuvered toward live events boasting curated stage takeovers at the world’s biggest electronic dance music events like Ultra Music Festival, Creamfields, EDC, and beyond.

The multi-genre platform has extensively served as an authoritative platform for dance music heavyweights such as Skrillex, Feed Me, Zedd, Noisia, Dillon Francis, Chris Lake, and Madeon; a combination of dark, forceful techno and complex, electro sounds, the label acts as a hotbed for rising talent such as REZZ, Getter, i_o, ATTLAS, No Mana, Matt Lange, and others alike. Welcome to the horde.

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Serene Air

Dmitry Evgrafov