Piano 2

Piano

Classical Editing Playlist

للجَميع وليس لأحد 
"كما يقول نيتشه"

"إقرأ لِمحاولة إدراك "السَّماءَ والأرضَ وما بَينَهُمَا 
فمن لا يقرأ لا يَرى ولا يُرى .

Music for Reading      قِرَاءَةَ السَّمَاءِ والأَرض

Piano , strings and love

Repiano

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While The Glacier Was Melting

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Filled Your Heart, Stirred Your Mind

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I'm Lying on Your Shoulder

" The Weeping Meadow ", Eleni Karaindrou,( Film By; Theo Angelopoulos )

Between Things

Night

Download

My romantic piano composition with elements of Impressionism.It's a very emotional piece and so I hope It will touch many hearts :)
Enjoy!
You can BUY HERE: https://oliverbohovic.bandcamp.com/track/ballerina
https://www.youtube.com/watch?v=7ccQ6y699VE

Ballerina

Taken from their forthcoming mini-album 'Ellis' out July 8 on Erased Tapes.

Pre-order the LP/CD/DL here: www.erasedtapes.com/store/index/ERATP086
or from iTunes here: http://snip.ftpromo.net/ellis

For the first half of the twentieth century, Ellis Island stood as the gateway to America. For some twelve million people, it was their first encounter with the land they hoped to call home. 

Directed by acclaimed artist JR, ELLIS tells the story of one such migrant. Starring Robert De Niro, the film winds its way through the crumbling hallways of the abandoned Ellis Island hospital complex, now home to JR’s Unframed art installation. It’s a place that reverberates with the hopes and fears of those who passed through it, the echoes especially resonant today.

Entwined with the narrative is a score composed by Woodkid, performed and co-written by Nils Frahm. The delicate piano motifs of Winter Morning I culminate in a crescendo of strings, while the harmonium swells on the B-side are the foundation for De Niro’s narration: an encomium for those who shaped modern America. 

There’s perhaps never been a more fitting time for this story, with all the proceeds going to the Sea Watch initiative, a non-profit charity dedicated to the protection and rescue of civilian refugees. 

Following a screening as part of Nils’s Barbican Weekender, the ELLIS score will be out July 8th, the same week as America’s great federal holiday. It will be available via Erased Tapes as a mini album on CD, vinyl and in digital format containing a 12-page picture booklet.


IN THE ARTISTS’ OWN WORDS:

Nils Frahm: ‘The opportunity to work on JR´s fantastic short film ELLIS came through my good friend Yoann aka Woodkid. We agreed on recording the piano parts in my studio in Berlin and so it happened that JR and Woodkid were guests at Durton studio on a wonderful late summer day in 2015. We managed to record all the crucial elements that day. The music fell in our laps and melted with the images: a wonderful experience. The film has stuck in my head ever since; it moved my heart and changed my soul.

A couple of weeks later I had to cancel a trip to Brussels because of a terror warning; all events got cancelled and I stayed home, having an unexpected day off. I felt rather depressed that day, thinking that the Europe I knew was already gone. I sat down at the harmonium, listened to Robert De Niro’s voice and played for the rest of the day. The result is ‘Winter Morning II,’ the B-side of the ELLIS soundtrack release.

Robert says it all in 17 minutes. We are not facing a refugee crisis. We are facing a crisis because we do not embrace, we do not sympathise and we cannot give up fear. Art can encourage so I hope this project will help fight the fear in all of us.’

Yoann Lemoine, aka Woodkid:  ‘Ellis is my second collaboration with JR after the New York City Ballet piece for Les Bosquets. I initially wanted this piece to sound like it was recorded on an old piano that we found in the ruins of Ellis Island, in the restricted area that is not open to the public, where JR pasted the pictures on the walls for the film Ellis.

I had worked with Nils before and I wanted him to create a sound for this piano part that I composed that was extremely gentle and organic. I wanted the listener to hear the mechanisms, the breathing of the instrument. I wanted it to be imperfect, to sound like a ruin, a trace, an echo, the way the pastings on the walls seem to be ghosts, almost imperceptible.

After a few rehearsals, Nils stripped down my piano parts and we removed almost all orchestration around the piano. He then worked on the extended version that is his interpretation of my piece, with Robert de Niro’s vocals.

Because this film and this recording is historically meaningful, it was important for us to create this piece as an echo to the immigration situation in Europe, and decided to release it in support of Sea Watch.’

Ellis

Winter Morning I

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Woodkid & Nils Frahm - Winter Morning I

Eleven into Fifteen: A 130701 Compilation

Anthem

Taken from Dmitry's forthcoming 'Comprehension Of Light' album, which will be released on FatCat's 130701 imprint on October 6th.

The stunning ‘Comprehension Of Light’ marks a sizeable step forward for Dmitry. A must-hear for fans of fellow 130701 alumni Max Richter, Jóhann Jóhannsson, Dustin O’Halloran and Hauschka, the LP is Dmitry’s first ever vinyl release and is a wonderfully conceived and realised work. Where ‘Collage’ was  heavily augmented with an expansive use of electronics and virtual instrumentation, the new album sees Dmitry upgrade to real strings / orchestral instrumentation with a more limited use of software. ISKRA String Quartet (The XX, Radiohead, Jóhann Jóhannsson) contributed strings. Other contributors include William Yates (Memotone), Abul Mogard and Benoit Pîoulard. It was mixed by Addi 800 (Ólafur Arnalds) and mastered by Martyn Heyne (Nils Frahm, Peter Broderick, The National and others).

In places recalling Jóhann Jóhannsson and Hauschka, in others the work of Leyland Kirby / The Caretaker, or Eduard Artemiev's score for Tarkovsky’s ‘Stalker’, 'Comprehension' is a stunning album which traces a redemptive narrative arc and bears witness to a rising young talent in the field of modern composition.

LP includes dig download card (inc. 2 dig-only tracks which don't appear on the vinyl)

Pre-order

Dmitry Evgrafov - Rajas

Classical Pieces  |  Relaxing Piano    أثَرُ الفَرَاشَةِ

لقد انتحرَ الأزرق والقِرمِزيُّ يَسِيل، فلن تستأنف الحياة حياتها كَما السَّابق .

كلما رأيتني أستكمل الحياة بصرامة أتذكر القرمزي، أتذكر أنني طويت اللون الأزرق بين أضلعي حتى غفيَ من الدفءِ، آهٍ يا لوني المفضل، آهٍ يا صغيري، كم تمنيت أن تكبر وتنمو وتحيا الحياةَ معي وأحيى من أجلك، يا لون عمري ويارفيق مسيرتي، ويا عصفور ليلي الرقيق، ويا شبق البحر مع السماء، وداعاً يا صغيري، سنلتقي مرة أخرى في حياة تعطي لحبي لك فرصة أكثر حظاً، وداعاً إلى حياة مليئة بالأزرق .

إلى الرِفاق الذين ساروا معي نحو الموسيقى والأزرق روحاً بروح. إليهم هذا رغم عدم وجودهم الان، إليهم جميع رسائل الإفتقادِ تلك .
إلي صديقتي التي ما زالت في وجودي البائس ولم تملّ بعد: " ميرنا " .    

                                                                                                                                                                                                                                                                                             مُزِجَت هذه الموسيقى من أعمال الموسيقار اليوناني العظيم :
"  Stavros Lantsias " 


اللوحة للفنان الجميل الأقرب إلى روحي :
" Ryan Hewett "

القُرْمِزِيُّ يَسِيل   Death of the Blue

olafur arnalds - living room songs

This is my second album which I've recorded during winter and spring sessions 2010-2011. Initially I wanted to release this work on a label but we couldn't make it possible so I just upload it here for you pleasure. 
Share if you liked it!

Storms In Helsinki

Sad piano

Hello everyone, I would like to show you my new album "Pereehali". This is my third album, it was written and recorded in the summer of 2012. After a long writer's block that was caused by a very pretentious and bombastic second album I decided to make a really intimate, solo-piano work. I lived in the countryside during the recording sessions, and every recording was done by me tête-à-tête with my lovely piano in the wooden house. It was a priceless experience working and writing while having a close contact with nature, it helped me a lot to understand the music I compose, to make it more organic, touching and moving.


playing & recording // dmitry evgrafov 
mixing & mastering // martyn heyne 
cover // vika bogorodskaya 
special thanks to nils frahm & dave howell

Subtle Moves

Dmitry Evgrafov