Rounding out the three originals is 'Sacra' which sees the Belarus based artist returning to his pure progressive roots. Dmitry’s penchant for warm, contoured grooves is what makes this such a dance floor gem. Deep, rolling and with a bevy of momentum it anchors the tight rhythmic core and pleasant hooks perfectly. Smooth yet euphoric, vibrant stabs add an epic flair, perfectly foreshadowing a timeless, emotionally rich lead theme which bridges the gap to immaculate elevation.

Dmitry Molosh - Sacra (Original mix) [Replug]

We are in the midst of a progressive house renaissance; of that there is no doubt. And at the same time as this rebirth, a new star has been born. That star is Dmitry Molosh and he is rocketing high into the stratosphere at an astonishing speed.

Dmitry is famous for his inimitable progressive sound and excellent taste in music, DJ and producer Dmitry Molosh represents his country far beyond its borders as one of the most forward thinking electronic music artists in the world.

Dmitry’s sound is a powerful, melodic progressive sound. His music is epic and deep with driving, hypnotic rhythms and an unmistakeable chunky groove. It is music that is potent with emotion, it induces euphoria, it has an infectious, rhythmic energy and it sets dancefloors alight.

In the space of a just a few years, Dmitry’s productions have become ubiquitous in the sets of legendary DJs who seek out his work, knowing that it is a byword for quality. He is regularly supported by industry giants such as Hernan Cattaneo, Nick Warren, Guy J, Guy Mantzur, Khen, Armin van Buuren, Cid Inc, Matt Darey, Eric Prydz, Markus Schulz, Darin Epsilon, Max Graham and many more.

Top quality progressive house and melodic techno is his hallmark and his strong work ethic and attention to detail have brought him releases on prestigious labels such as Hope, Sudbeat, Plattenbank, Proportion, Proton and Replug.

I've been listening to electronic music since I was old enough to tune into the John Peel show on Radio 1. Peel first introduced me to Chicago House, Detroit Electro and Rap. I would listen to an entire show with my finger hovering over the record button of my 'tape-recorder' close to the radio speaker just to record whatever 3 electronic imports he would play each night. I wish I'd kept those recordings.
From the moment I first heard 'Roxanne Shante' I sought out everything I could ranging from Kraftwerk, Mike Oldfield, Kurtis Mantronik, Africa Bambata, Grandmaster Flash, Gorgio Morodor, Axel-F, Jean Michel Jarre and just about anyone who used a synth to make music! With the arrival of House in the mid-late 80's the likes of Marshall Jefferson, Frankie Knuckles, Farley Jackmaster Funk, Steve Silk Hurley, Adonis and many more American underground House producers, the music had developed into a new, seriously exciting phenomena.
Music progressed at pace with House and Acid imports driving change, the UK in particular underwent an epiphany of sorts in the 80's and 90's. From Break-Dancing to New Romanticism, the music developed, finally morphing into the early genres of Acid Trance, Techno and Progressive Trance. Heavily influenced by American and underground Dutch and German artists and with the advent of clubbing and non-speaking mixing DJ's, it opened up a Pandora's box of new music, influences, sounds and styles. What that amounted to for me (and most others like me) was an ever-growing range of electronic music that was continually breaking free from pigeon-holes and mainstream pop culture. Electronic music had become the new classical music of a generation.
I can only say that electronic or computer music has evolved beautifully in the past 40 years and I love it as much now as the day I first heard John Peel play fantastic American imports.
I'm not anything more than a bedroom DJ and electronic music enthusiast. I have the greatest admiration for those who DJ publicly and seek to build a following or career from DJing, but that’s not a path I’ve tried to follow. I do love to put together great tunes, so for me using this sort of platform for sharing music is perfect for me. I do mixes both on my decks and using Ableton, as sometimes I find it easier to create a journey through that medium. 
As for making music, I’m slowly finding my way around Ableton in order to bring life to the musical ideas rolling around my head. 
Anyway, I hope you enjoy the mixes I post, please give me some feedback and if nothing else, support the artists themselves and buy their music.

Angrish

ඕ නේ   නෑ   ම ට   ස ං ගී ත   වා දේ 🖤🔥🎧🕉🇱🇰