Aphex Twin: [mostly mellow] for Supreme

Fairy Tale

Far View

Rock Program

Rocks

Pierre Henry
Theme De Myriam
KREEP03

For the third installment in our Finders Kreepers dedicated vintage horror soundtrack series we begin with an obscure French witch flick which pulls together stylistic echoes of both Bell Book And Candle and Czech gothic thriller Morgiana then feeds them through the musical mind of one the true pioneers of electronic composition for this little known OST by a well known sonic maverick. Often evading the composer’s discography lists Pierre Henry’s rare score to Malefices (aka The Hex or Where The Truth Lies) hears our bonefide musique concrète originator at what is perhaps his most melodic and fragile (especially for the formative era) layering vocal tape loops and gossamer feminine voice treatments with plucked strings, white noise wind and brooding industrial piano textures for this intoxicated poison peon which stands as the perfect opener to an intense soundtrack for those lucky enough to find the original record (or film for that matter).

The second cut on this limited edition 45 is a classic piece of unnerving horror composition that adopts the same child-like vocal/brooding undercurrent that has earned scores like The Innocents, Night Of The Hunter and Profondo Rosso an indelible place in our nostalgic nervous systems.  Creating a major stir as a novel and stage play before benefitting a celluloid adaptation The Bad Seed shocked audiences with the first cinematic killer kid in mainstream cinema following a did she/didn't she plot set to innocent nursery rhymes played in fragile minor keys against paranoid orchestral restraint.  Mirroring the theatrical mother’s worst fears and accentuating the lead roles split personality The Bad Seed earned composer Alex North continued plaudits for his classy, conceptual realisation of this milestone in horror cinema soundtracking.

Pierre Henry - Theme De Myriam (Maléfices)

http://www.discogs.com/Reload-The-Autoreload-EP/release/1276049

Played by Ben Klock @ Dekmantel Festival 2013 (last song)

Reload - Peschi (Original Mix)

http://www.delsinrecords.com/release.php?idxRelease=3872

Back in March 2003 Claro Intelecto announced his arrival in the electronic world with his Peace Of Mind EP on Ai Records. Now, a decade later, Delsin, the label on which he released his latest LP, is re-releasing it in all its glory. Across four perfectly formed tracks the EP proved Manchester’s Mark Stewart to have a fine grasp on techno, electro and dub, and that he was able to do his own unique things with each.

Arguably the most well known cut from the EP is 'Peace of Mind (Electrosoul)', a busy bit of chattery house-come-electro that is wired up with many zithering melody lines and Claro's trademark lush strings. 'Tone' is then a much more frazzled and aggressive bit of techno with raw, slapping percussion, gurgling synth lines and plenty of dystopian electro vibes. 'Contact' then settles into a deep, dubby, spacious groove with airy hi hats and a delightful bassline and carries you along effortlessly, and final track 'Signifier' closes things out in beautifully serene style with ambient swirling pads, organic synths and a curious bassline that rises and falls like the tide. Seminal stuff that still fetches a high price on Discogs, it was the start of a remarkable career for Claro Intelecto.

Buy at Delsin Webshop

Claro Intelecto - Peace Of Mind [x-dsr5]

mother earth - riot on 103rd street

Lo recupere de un cd viejo, de los primero temas que hice (2001 or 2002)

Dj Art,Johnny Harris - stepping stones (2step mix)

Unspeakable Visions

Little Star

The Meters - Hand Clapping Song

Forgotten today, Piero Umiliani was never among the most famous film music composers of italian cinema. Maybe due the fact that he only worked in underrated or suspicious movies that hasn't got much of a publicity.
However, he may be considered one of the best of the buch. His work sometimes was unusual and ahead of its time.
This track is taken from the obscure film "La Ragazza Fuori Strada", directed by Luigi Scattini, in another long time professional collaboration director-composer.
An excellent, groovy and ravishing downtempo track.

Piero Umiliani - Cantata Per Maryam

Das Ding - H.S.T.A.

KPM 1159 The Pleasures of Life 

Clive Hicks - Think Twice (KPM 1159) 1975

Viva Boma

Cos - Flamboya

HQ WAV http://bit.ly/2tuixr8
Azymuth's original is one of the funkiest grooves out there. I've added synths, bass and drums on top to give it a little broken house twist for the dancefloor.
Bookings and remix enquiries arooproymusic@gmail.com
https://www.facebook.com/arooproymusic/

DOWNLOAD

AZYMUTH - May I Have This Dance (Aroop Roy rework)

Brian Bennett & Alan Hawkshaw - Mermaid

Rubba - Way Star

Charlie Megira - The Girl Who Was Frightened Of Ashtrays

In the heyday of low-budget television and scrappy genre filmmaking, producers who needed a soundtrack for their commercial entertainments could reach for a selection of library music: LPs of stock recordings whose contents fit any mood required.
 
Unusual Sounds is a deep dive into a musical universe that has, until now, been accessible only to producers and record collectors; a celebration of this strange industry and an examination of its unique place at the nexus of art and commerce.
 
The perfect companion to the David Hollander curated book Unusual Sounds: The Hidden History of Library Music (out now on Anthology Editions), these 20 tracks, encapsulate the niche and fascinating subculture of library music. Genres were spliced, conventions dispensed with, and oftentimes hybrid music of astonishing complexity was produced. Elements of rock, jazz, soul, even twentieth-century avant-garde composition were all utilized, and no stone was left unturned. As a result, some of the best library music defies all categorization, reflecting the individualistic quirks and artistry of the various musicians who made it.

Unusual Sounds

Stringtronics - Tropicola

Dexter Wansel - Life On Mars
A Total Recall Edit By Mr. Turner

The atoms of our bodies are traceable to stars that manufactured them in their cores and exploded these enriched ingredients across our galaxy, billions of years ago. For this reason, we are biologically connected to every other living thing in the world. We are chemically connected to all molecules on Earth. And we are atomically connected to all atoms in the universe. We are not figuratively, but literally stardust.

Aphex Twin: [mostly mellow] for Supreme

romer