no longer human

hrd tech

Mark Reeve presents his second release on Drumcode, ‘Run Back’, a four track EP crammed with heavy hitting kick drums and his signature big basslines. The dark sounds and heavy textures are typical of Reeve and he’s showing no sign of slowing down yet. Four tracks of brooding techno, this EP is one not to be missed.

Mark Reeve - Run Back - Drumcode - DC151

Demons (Snippet)

forthcoming as part of the 'Climb to the Sun' EP

follow Third Son: @thirdsonuk

Partial PR: The 47th release on microcastle welcomes Third Son to the label for his debut EP. As one of electronic music's most creative talents Joseph Thomas Price aka Third Son has carved out a unique sound all his own. The UK artist has shaped his sonic palette with a variety of influence's and compositional studies which began at a young age. The underground has fallen in love with Joseph's contemporary vision, which resonates through his tough beats, rugged grooves, modern melodies and heavy percussion. It's a sound that's led him to releases on Einmusika, Noir, Sincopat, Selador, Stil Vor Talent and Suara. Now making his long awaited microcastle debut Third Son presents his much anticipated 'Climb to the Sun' EP alongside remixes from Darlyn Vlys.

The EP’s companion piece 'The Girl Reprise' finds Third Son crafting a deeper yet equally emotive creation. A mellow, moodily enticing intro builds steadily into a restrained, yet growling atmospheric beast, before dropping poignantly into the calm eye of a perfect storm. Beyond the break, swirling melodies and ethereal vocals circle with increasing vigour as the track builds towards one final sonic rush. Third Son's insights regarding the track: "The Girl Reprise is the second track of a two part series, based on the theme by Claude Debussy - The Girl with the Flaxen Hair. The first involves more direct references with repetition of the leitmotif from the original. The second is a more refined version of the first, which as it is, I may never release."

Third Son - The Girl Reprise [Preview]

Get 'Stil vor Talent Berlin – Kottbusser Tor' here: 
/ Beatport: http://btprt.dj/2fX1HQ1
/ iTunes: http://apple.co/2fX0FDt
/ Spotify: http://spoti.fi/2fDscGi

Artist: Various Artists
Release Title: Stil vor Talent Berlin - Kottbusser Tor
Label: Stil vor Talent
Catalogue No: SVT180
Release: 2016-11-11

The third instalment of the “Stil vor Talent Berlin” compilation series brings forth a new gang of carefully selected artists, gathered under the umbrella of another underground Berlin hotspot.  
 
Kottbusser Tor is undoubtedly the beating heart of Kreuzberg, unashamedly pulsating 24/7 with the good, the bad and the ugly. There's no place quite like it, thanks to its raw charme.

As always, music is the common denominator and Oliver Koletzki delivers the perfect soundtrack with this new release, while Chrisse Kunst renders the visual. 

/ Homepage: www.stilvortalent.de
/ Facebook: facebook.de/stilvortalent
/ Spotify: open.spotify.com/user/stil_vor_talent
/ Soundcloud: www.stilvortalent.de
/ Youtube: youtube.com/stilvortalenttv
/ Online-Shop: www.shop.stilvortalent.de/
/ Twitter: twitter.com/_StilvorTalent
/ Instagram: instagram.com/stilvortalentmusic

Altego & Aacht – After Rain [Snippet]

Buy / Stream: http://smarturl.it/intheflood

Follow Oliver Winters:

FB: https://www.facebook.com/oliverwintersuk
IG: https://instagram.com/oliverwintersmusic/
TW: https://twitter.com/oliverwintersuk
SP: http://spoti.fi/2b38Rx6
YT: https://goo.gl/HBzppQ

In The Flood EP

Download / Stream

Oliver Winters - In The Flood

Rivers

Download

/009 - Altego - Rivers

Digitaria  provides their personal take on theme 'Decay' for  the latest release from Third Son's Polymath imprint.

Follow: https://soundcloud.com/digitaria // https://soundcloud.com/polymathlabel

www.whenwedip.com
www.facebook.com/wwdofficial
twitter.com/WhenWeDip
www.mixcloud.com/WhenWeDip/

Premiere: Digitaria - Decay [Polymath]

Check the official video directed by Kim Fowley and Bot'Ox:
http://youtu.be/4zNYmgaYyyA
as premiered by Next/Libération (FR): http://next.liberation.fr/musique/2013/03/21/arrogant-american-pig-le-brulot-barre-de-bot-ox-et-kim-fowley-en-exclu-sur-next_890184

Cosmo Vitelli (half Bot'Ox) wrote a text introducing the project:

“I contacted Kim Fowley by email a few years ago, having a potential collaboration in mind. I was a big fan of a handful of records he made in the 60s and 70s, but also charmed by his role in the history of rock n’roll : eternally around, never really at the center. A songwriter, musician, singer, producer, impresario, mentor, he has deeply rooted in him this American ethics of entertainment. This, for instance, gets him to make videos of himself in a hospital where he stays to cure a cancer. His email address starts by ''kimfowleysurvivor'' : that says it all, he survived everything, made a show of his whole life, and sacrificed almost everything to feed the rock n’roll narrative of his own life.

Subject: Kim Fowley sings for the money

This is the email subject of his first reply. We make an instrumental that seemed to us suitable for him, we send it over so he can record the vocal part, he agrees. Then I tell him : “It would be great if we could discuss before you go in studio.” “Ok, call me that day, that hour.” “Hi, it's Cosmo from Paris.” He hangs up. I call him back 15 minutes later, he tells me: “Why do you want to speak ? Are you Jewish ? Are you a socialist ? Do you work for Satan ?” The conversation is not long.

We wait for the recording, we receive a thing that cannot be used, probably recorded in 30 seconds. With Julien, we laugh our ass off. Given the way he talked to me until then, I don’t bother to be very respectful so I ask him for the real track and I add that the one he sent is not usable. The discussion is getting worse.

Subject: Kim Fowley -vs- The King of France

Here are the best extracts from the emails I find in my inbox every morning:

“After 53 years in the music biz, recording in 22 countries & 39 American Cities, I wish to tell you this.  No record company/ production company has ever insulted me like this before.  I will fight back & I will hate this situation if I choose to.”

“What happened to you, bitch?  are you a small, tiny penis a go-go man?”

“CALM YOUR EURO ANGER …”

“HEY HEY HEY HEY HEY,  if you can't give me directions so we can correct your masterpiece track, then you have my permission to release this as:  "KIM FOWLEY = THE OBNOXIOUS AMERICAN PIG ARROGANT MIX" You can even release all the emails for the CD package.”

“The best thing that you can do is release the music that I sent you.  Why not overdub French insults on separate tracks & mix them together?”

He also sends us an artwork project for the cover. Front: his face with a freaky make-up in close-up. Back: him and his cat called Sex Fat. It is quite funny and I reply : “Good idea! I start to like you.”

He makes another one. Front: a dog shitting. Back: a dog shit. It really makes me laugh. I ask him without feeling it too much if he wouldn’t mind to keep all his insults and turn them into a song. Unexpectedly, he replies he will be going into the studio the following day. He entitles the track: “Arrogant American Pig”.

Before knowing him, my favourite track of Kim Fowley was “I Hate You”. Now we get along well.”

Cosmo Vitelli, Bot’Ox

Demons (Snippet)

DNC LIMITED