Dusty and fuzzy guitars,
improvised music...

Sloow Tapes cassette label

sloowtapes.blogspot.com

Home Recordings / Curated Playlists / 

Collaboration / Participation / 

In pursuit of novelty. /

the Man from Atlantis is a Melbourne musician playing unpopular music since 1990 using improvisation, American primitive, punk, psych, bluegrass, country, krautrock, folk, blues, Indian classical, and free jazz as a reference to traverse the sonic space ways. Also a member of art rock, noised-based 90s and 2000s projects: Ray of Creation and Imperial Leatherman. Please follow Ramble Records on Bandcamp for sounds from the universe.

Sparse American primitive instrumentals drawn from the roots music of Mississippi and Appalachia. Influenced by the likes of Skip James, John Fahey, Roscoe Holcomb and John Hurt.
https://www.facebook.com/gweniferraymondmusic
https://gweniferraymond.bandcamp.com

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▒N▒Ǝ▒S▒S▒▒D▒ЯE▒Ɐ▒M▒▒M▒U▒Ƨ▒I▒C▒   ▒   ▒▒

argoal.music@gmail.com
https://www.facebook.com/argoal.music
https://argoal.bandcamp.com

Tantôt acoustiques (harpe et tambour), tantôt électriques (guitare et basse), nous jouons airs celtiques, médiévaux, compositions, improvisations ...
Christophe Dietsch : Chant / Harpe / Guitare
Patrice Farine : Percussions / Basse

label || radio

Primordial Undermind | Evening Fires | Prana Crafter | Chef Menteur | E GONE | Steve Palmer | Dead Sea Apes | Tengger | Sons of the Void | The Movements | JuJu | Lamagaia | The Final Age

SOB Radio 9-11PM EST, 2nd & 4th Thursdays on WRIR 97.3 FM | wrir.org/listen
Shows archived for 2 weeks at WRIR or listen at your leisure at sunriseoceanbender.com

Martin Ruby is a Roots/Americana band led by singer and multi-instrumentalist Marco North. Born in Brooklyn, he has been living in Moscow, Russia for the past 13 years.
Laying his demons bare, North pulls on characters like a series of strange coats. Paring back the extraneous, coaxing out the wry details, always seeking that conversational tone, his songs are a wandering collection of midnight confessions.
His first album, Heaven Get Behind Me was written on a 100-year-old parlor guitar, and recorded in a Soviet-era living room on a collection of vintage instruments, including a 1887 Pollman banjola. North’s unique songwriting is steeped in not only the melancholy grace of Nick Drake and Mark Linkous, but also the foggy noir of Johnny Cash’s American albums, and the somber meditativeness of Nick Cave’s most recent recorded output.

Images by the artist Lee Maelzer www.leemaelzer.com 
 I have started a Merriman's Ghost page on Instagram, and would welcome your support. The album will be available from 8th of April. Thank you.

Thank you,

Stephen Boyd Merriman

Doc OD is following