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structured surge

Invert the tree
strung with tiny crosses and stars.
A wintery embrace.
All edges frozen.
Atmosphere in fear.
Molecules hesitant.
Roots reach to sky black.
Inhale the dream chemical.

Unstable ratio.
Awake still.

Sympathize the radio static.
Dig down the leaves.
Find the interference
down the herbicide path.

She hovers again, in memory.
Pale chin on the asphalt.
Breath ripples the reflections.
Follow the shambled row.

Hear them from open windows.
Still tadpoles evolving.

Unslept dawn of mockingbirds.
The light bleaches meaning
to blind headlights nocturnal.
Dissipate steam and silhouettes.

Disorient the crossroads
and return with the rain.
Step back to retrograde.
Some satellite prediction.

Return darkness' bloom
to the shelf with the cigarettes
and where death, so sweet
integrates
at the edge of creation.

Words by Riley Robinson

village of coello

made with casio, zoom h1 microphone, and NCH editing software
based off a multitrack casio piece from my old frog based tone poem called frog is melancholy at the gas station and i just improvised  on top
original https://soundcloud.com/fr0ggy5/fr0g-is-melancholy-at-the-gas-station-tone-poem

melancholy improv midsummer night in July 2025

Cheating lovers in a motel.

Lyrics:
At the Motel down by the Liquor Store
"Do not disturb" sign hangs upon the door
Informing Housekeeping of the status of "Our Armour"
You arch your back in a way that I just can't ignore

You say I'm a simpleton
I just watch my pay per view
Your minds on him
And my heart feels so blue
Because I'm
Full-time bastard
I'm your part-time handsome man
Part-time, handsome man

Does your husband see your sad eyes?
And think their true?
I feel like a small part of you
Housekeeping comes once a day
But you like to cum 
So much more than that
You say

Baby, I'm a simpleton
I watch my pay per view
Then I know your hearts with him
I know my heart is blue
I'm a full time bastard
What are you?

I'm your part time handsome man...

Part -Time Handsome Man

INDEEP // In The Depths…
@docfritz // All Musical Stuff, Drums & Percussion, Cover, Mix & Production
Composed, Arranged & Performed by DOCFRITZ @oesj 
© 2025 // All Rights Reserved

INDEEP

Seem to be in permanent countdown mode: global warming,Trump’s tariffs, days left before the visa runs out. So I thought I’d plan an imaginary escape in this song.   https://youtu.be/WfT0n7nuGxE


Let’s start with the countdown
Whoop, whoop I’m going home
ZEHN
There’s nothing worse than Earthlings
NEUN
They have such weird chromosomes 
ACHT
They’re cruel and they’re deluded
SIEBEN
They’re fools, they’re mean, they moan
SECHS
So I’ve pimped up Elon’s spacecraft 
FÜNF
Just hope to take me home
VIER
Tune those raptor engines
DREI
Gotta fixe those propellent leaks
ZWEI
And fingers-crossed I’m blasting off 
EINS
Should be be home in about a week.
WIR HABEN ABGEHOBEN

The Countdown

I have been hearing so much AI music lately on SoundCloud and these  thoughts have been percolating with me for a while and finally they coalesced into a song. (created without the use of AI).
***
Vocals & Back Up Vocals: Joe Stroffolino
Guitar Strumming Track:  Joe Stroffolino Taylor 114CE
Drums: EZ Drummer 3
Bass: PG Music Real track
Piano:  EZ Keys2 
Synth Bass: Logic Pro 
***
You got tired of struggling so hard to write a great original song
And then this amazing newfangled technology came along
Now you’re using AI to create music, and it’s a much easier process
And you’re convinced you found the ticket to achieving great success.
You tell yourself you’re a great artist because prompting takes a lot of skill
But deep down you know the AI did most of the work and you swallow the bitter pill
People complement you on your guitar playing and they tell you your voice sounds great
It makes you feel so good but you don’t ever set them straight
Those classic rockers used to write 10 or 12 good songs every couple of years
Now you’re posting two or three songs a day and hoping for a bunch of cheers
You’re rolling the musical dice, hoping you’ll come up with a catchy viral hit 
But there’s so much music flooding the internet that no one gives a shit
You tell yourself you’re a great artist because prompting takes a lot of skill
But deep down you know the AI did most of the work and you swallow the bitter pill
People complement you on your guitar playing and they tell you your voice sounds great, it makes you feel so good but you don’t ever set them straight
Some people believe we’re living in simulation and none of this is real
We’re just digital creations in a computer with the ability to feel
But even if that’s not the case, we’re quickly, heading to a place where no one’s going to be able to tell the difference.
You used strum your guitar, trying to capture lightning in a bottle and the songs that emerged came from you.
And now the songs you write with AI, what they’re saying, you don’t have a clue.
Music used to feel therapeutic, it was a window on your soul that you could share.
But now something feels missing because your songs no longer lay your heart bare.

Prompting Takes A Lot Of Skill

hello friends, since I'm taking a break from german lyrics, I'd like to try something I know nothing about that will probably backfire: english lyrics (I wish I were just a fraction as talented as my fabulous friend terry reeves). 

I've chosen an instrumental piece I wrote 13 years ago as my very first upload to soundcloud under the name roth whyler. at the time, I had in mind the story of a woman who remembers the love of her life to whom she never confessed her feelings: her boyfriend's girlfriend. I had the machine create a playback based on my original piece as a test. after heaps of attempts, the result expressed such weird chaos of emotions that I left everything as it was. 

why bluegrass? because I just massively love the longing way of its dealing with 3/4 time.

©music & lyrics written by Hans-Michael Albers. Backing tracks and vocals by suno.4.5+

hopefully reasonably correct english:

Did you know that I loved you?

I am walking down Shepherd’s Alley
Yet I know that dreams never last
Every step will tell me a story 
After millions of stories have passed

Since those days when life felt like dancing
To the sultans of Friday night’s swing
As we raced through times full of madness
In the loop of an endless spring

You and Davie, me and Sebastian
Two and two, an immortal four
Til there was a growing sensation
Ever harder to ignore 
Such an overwhelming emotion
Never felt such before
While it got evermore

Did you know?

Did you know that I loved you?
I don’t think, babe, that you knew
That I secretly loved you
I so deeply did and still I do love you

Did you know that I loved you?
Much too late now to tell you
Was so crazy about you
A quiet truth and it’s still true

Things went on and we finally broke up
All our dreams sank into the past
Only one remained, never gave in
Still too strong to ignore 
Still an overwhelming emotion
Never felt such before
Will remain evermore

Did you know that I loved you?
I don’t think, babe, that you knew
That I secretly loved you
I so deeply did and still I do love you

Did you know that I loved you?
Much too late now to tell you
Was so crazy about you
A quiet truth and it’s still true

Did you know that I loved you?
I don’t think, babe, that you knew
That I secretly loved you
I so deeply did and still I do love you

I will always, always do.

Did you know that I loved you?

Get it: www.beatport.com/release/arab-dub/5340350
Arab Dub is a deep dive into the meeting point of heavy dub grooves and Middle Eastern soul. Across eight tracks, Wöllner invites a diverse lineup of guest musicians - including YUZ & Itzhak Ventura, Roy Smila, Yael Dagon, Eje Eje, IBY, Elad Cohen, Carmelly and Yestegan chaY - each adding their own instrument and spirit to the journey.
From the hypnotic basslines and echo-drenched percussion of ""Roots"" to the soaring strings and desert winds of ""Nakhal"", the album moves between meditative soundscapes and dance-floor-ready pulses. Organic instruments like Oud, Ney, and Kamanche intertwine with electronic beats, delays, and reverbs, creating a cinematic, cross-cultural sound.
It’s music without borders - rooted in tradition, yet fully alive in the present - inviting listeners to drift, dance, and dream across the dunes.

Follow Camel Riders:
Facebook: www.facebook.com/CamelRidersRec/
Spotify: open.spotify.com/user/zg8gl7ko7hhdcsdgtbf11bbik
Soundcloud: @camelridersrec
Instagram: www.instagram.com/camelriders/
Bandcamp: camelriders.bandcamp.com/follow_me
YouTube: bit.ly/Subscribecamelriders
Beatport: www.beatport.com/label/camel-riders/76294

Camel Riders Records by @larozmusic & @Funkamel1 is a pioneering label that fuses electronic music and global beats, blending organic sounds with cutting-edge production. With a signature mix of Afro House, tribal grooves, Organic House, Indie Dance, Downtempo and more, the label has become home to boundary-pushing artists and dance-floor visionaries.

Arab Dub

Wöllner - Hooka (Feat. Elad Cohen) [Slow Riders]

Deep roots reggae with a hypnotic dub groove. Heavy bass, one drop drums, minimal textures and mantra-style echoes. A relaxed but powerful soundscape, built on rhythm and space.

Di librarian Dub

01 - NI - Session Guitarist - Picked Acoustic - Tonight
02 - SA - PS - Tubular Bells - Short Soft Sticks
03 - SA - PS - Xylophone - Swarmed Sticks Hot F
04 - SA - OACE - Chamber Grid

Winter Heat

DocFritz aka P. Pasch is a Live & Studio-Drummer, Comp. & Prod. Here you can hear own tracks and collabs. For example @oesj and DRUMAX PROJECT with @joerxworx.