Fusion PREV

Set Dj-Techno-30min

I saw them argue over coffee
Steam forming secret shapes
She laughed at something small and lofty
He reached, then fixed his sleeve in haste

Rain dropped one perfect tear
I almost caught it in my case
Their shadows leaned until they neared
A crime they forgot to embrace

He looked right at her and said
"That's not really you"
And God help her
She hoped it was true

He'd chased the edge of every map
Collecting stamps, abandoned rooms
But she smiled
And just like that
The ground felt...
Nice
It bloomed

'Cause happiness isn't happiness
Without a violin-playing goat
Without something real and tender
No one can name or quote
It's a string fraying mid-song
A bow that forgets its place
A note that stays too long
And still finds its grace

The wind heckled
Coins chimed in the case
He looked ridiculous 
In the shivering rain
And she knew
She wanted ridiculous too

I kept the melody clean and slow
They kept their tempers, let them strain
They learned to bruise without retreating
I learned their silence had a grain

'Cause happiness isn't happiness
Without the risk of being wrong
Without someone who keeps your silence
Like it belongs in the song
It's a vow spoken sideways
A chord that won't resolve
A goat still bowing at midnight
While the rest of the world dissolves

I only play on Tuesdays
And sometimes Wednesdays too
Tonight, I played for them
Tonight... they nearly knew

The Goat Plays On

Music from Dogs on Wheels 2

Those lovable Dogs on Wheels return in this sequel for an outer space adventure / Rated PG

- Opening Sequence
- Above the Planet
- What are you looking for?
- Jo Goes Below
- Last Communication
- Tears in Space
- Happy Return - End Credits

Composed and Produced by Sparky Bonehead

©2024  Sparky Bonehead

Music from 'Dogs on Wheels 2'

Barfuß Blues

Space Fantasy – The Ride 
is a spinning roller coaster at 'Universal Studios Japan' in Osaka.

Osaka Space Coaster

Subscribe to my YouTube channel: www.youtube.com/@rfviolao
Discover more arrangements & insights: ricardofarao.com

“Honey” is a sentimental foxtrot composed by Richard A. Whiting, with lyrics by Haven Gillespie and Seymour Simons, published in 1928.
The melody’s delicate sentiment paired with nostalgic lyrics made “Honey” a staple of early 20th-century popular music. It was featured in the 1945 film Her Highness and the Bellboy.
Richard A. Whiting was a prolific American songwriter behind many enduring classics—such as Hooray for Hollywood, Ain’t We Got Fun?, and On the Good Ship Lollipop.
Haven Gillespie, similarly, contributed lyrics to other timeless works including “You Go to My Head” and “Santa Claus Is Comin’ to Town”.

Honey - R. Whiting

A limitless freedom above the clouds.

(Instrumental).

Above The Clouds

Ed Buryn's "Vagabonding in America" was a highly successful guide on alternative living and travelling, published in the 1970s, and (sadly, but I strongly assume) not very appliable in many aspects nowadays. Anyway, there are nice "Off the tape" inserts, one of them is "Beach Walking". I transferred these words into a (fake) recording and even a song (second half of the track). Enjoy ... 

Beach

Subscribe to my YouTube channel: www.youtube.com/@rfviolao

“Por una Cabeza” is a celebrated tango composed in 1935 by Carlos Gardel, with lyrics by Alfredo Le Pera, created for the film Tango Bar the same year.

The title, "Por una cabeza", is a horse racing metaphor (“by a head”), used in the lyric to compare narrowly losing a race to the sway of love and the allure of a woman.

Tragically, Gardel and Le Pera both died in a plane crash on June 24, 1935—just months after the song’s release—cementing their legacy as icons of tango.

The tango has since become a tango classic, featured in numerous films, notably Scent of a Woman (1992), Schindler’s List (1993), and True Lies (1994), contributing to its enduring popularity.

Por una Cabeza - C. Gardel

"Redder" is a palindrome. Like "racecar" or "level". These pieces of music ain't.

Hi, I’m Volker – or "docredder"/"redder" when it comes to music. My journey into sound started early: as a child I sang Bach in a boys’ church choir, and that’s when I discovered how music can feel like both mathematics and magic at the same time. Later in life, I studied science and technology, but music has always stayed with me, as a way to process emotions, ideas, and imagination.
I’m not a virtuoso on any instrument, just a little guitar and some keyboard, but that never stopped me. For me, music is not about technical perfection, it’s about creating moods, telling small stories, and experimenting with sounds. That’s why I produce everything myself: the writing, the arrangements, the vocals, the mixing, and even the cover artwork. It’s a DIY approach, but it allows me to keep every piece authentic.
My influences are eclectic. I’ve always admired the timeless soundscapes of Pink Floyd and Genesis, the storytelling of Supertramp, the bold arrangements of Yes, Electric Light Orchestra and Muse, and the free spirit of Miles Davis. From progressive rock and indie pop to touches of jazz, funk, or ambient - I enjoy blending different textures until something new emerges.
Over the past years I’ve released a wide range of tracks, from introspective ballads like "Lament of the Last Generation" and "The End of Our Human Days" to playful experiments such as "Anna Sutter" or "Das Sein im Tinder-Schein". Some songs are melancholic, others ironic, some are inspired by literature, history, or science fiction. What connects them all is that they come straight from the heart - and from curiosity.
Every song is a little adventure for me. Sometimes it begins with a lyric, sometimes with a guitar loop, sometimes just with a feeling. I use simple tools like GarageBand, samples, my own voice and AI voices, but I try to arrange and transform them in ways that keep the listener surprised. My hope is that, even if just for a few minutes, the music opens a window into a different perspective.
I’m grateful for everyone who listens, shares, or gives feedback. Music for me is about connection - and every play, every comment, every message makes this journey worthwhile. If you enjoy honest, handmade songs that mix styles and don’t always follow the rules, I’d love for you to join me on this path.