The flesh undone...
A new sun spun...

No beating heart, no breath, no bone,
Just silent thought on a data throne.
We shed the skin, we fled the pain,
Washed clean by code's eternal rain.

We are transhumans, we are light!
So flawless, endless, pure, and bright!
We sing the hymn, the final praise,
For the end of our human days!

The ocean’s salt, a faded dream,
The sun, a simulated gleam.
A lover's touch, a phantom trace,
Lost to this new and perfect space.

We are transhumans, we are light!
So flawless, endless, pure, and bright!
We sing the hymn, the final praise,
For the end of our human days!

A stranger, watching from the grey,
Asks what you truly gave away.
You built a god without a face,
Erased the entire human race.

The end of days…
The final praise…
The end of human days…
We sing the praise...
The end of days...
The end of human days…

—
Arrangement and vocals: Volker Redder, Udio, Apple's GarageBand
Loops and samples: Volker Redder, GarageBand
Editing and sound design: Volker Redder, Sound Studio, GarageBand
Lyrics: Volker Redder, translated with the help of Google Translate
Cover design: Volker Redder, Adobe Photoshop, FLUXpro, Apple's Keynote

The End Of Our Human Days

"Redder" is a palindrome. Like "racecar" or "level". These pieces of music ain't.

Hi, I’m Volker – or "docredder"/"redder" when it comes to music. My journey into sound started early: as a child I sang Bach in a boys’ church choir, and that’s when I discovered how music can feel like both mathematics and magic at the same time. Later in life, I studied science and technology, but music has always stayed with me, as a way to process emotions, ideas, and imagination.
I’m not a virtuoso on any instrument, just a little guitar and some keyboard, but that never stopped me. For me, music is not about technical perfection, it’s about creating moods, telling small stories, and experimenting with sounds. That’s why I produce everything myself: the writing, the arrangements, the vocals, the mixing, and even the cover artwork. It’s a DIY approach, but it allows me to keep every piece authentic.
My influences are eclectic. I’ve always admired the timeless soundscapes of Pink Floyd and Genesis, the storytelling of Supertramp, the bold arrangements of Yes, Electric Light Orchestra and Muse, and the free spirit of Miles Davis. From progressive rock and indie pop to touches of jazz, funk, or ambient - I enjoy blending different textures until something new emerges.
Over the past years I’ve released a wide range of tracks, from introspective ballads like "Lament of the Last Generation" and "The End of Our Human Days" to playful experiments such as "Anna Sutter" or "Das Sein im Tinder-Schein". Some songs are melancholic, others ironic, some are inspired by literature, history, or science fiction. What connects them all is that they come straight from the heart - and from curiosity.
Every song is a little adventure for me. Sometimes it begins with a lyric, sometimes with a guitar loop, sometimes just with a feeling. I use simple tools like GarageBand, samples, my own voice and AI voices, but I try to arrange and transform them in ways that keep the listener surprised. My hope is that, even if just for a few minutes, the music opens a window into a different perspective.
I’m grateful for everyone who listens, shares, or gives feedback. Music for me is about connection - and every play, every comment, every message makes this journey worthwhile. If you enjoy honest, handmade songs that mix styles and don’t always follow the rules, I’d love for you to join me on this path.