Louder!

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L 33 - Louder! [Patreon Exclusive]

// artist
@l-33-1
facebook.com/L33music/
instagram.com/l33dnb

label//
facebook.com/Eatbra1n
twitter.com/eatbrain_now
instagram.com/eatbrain
eatbrain.net

The frontier settlement was brazen in its construction, built so near to the badland dales as it was by those seeking to make their fortunes mining the rich metal deposits of the hills to the west. Many had flocked to the settlement despite the warnings from those native to the lands surrounding the area of the terrifying creatures that lurked behind the hills, the valleys of which were enchanted with a dark and ancient magic that twisted even the most benign of creatures into unrecognizable and monstrous forms. Many of these peoples had long known of the riches of the hills but had stayed their hands from reaping their bounties, fearing what curse or creature might descend upon them should they do so. Yet the greed of these new hapless individuals was unfettered by fear, or perhaps driven by it within those who had lost everything in their previous homes. Regardless of motive, the town of Gildenhills had sprung into being in less than a fortnight, and as many began to strike their picks and shovels into the black earth of the hills beyond the town stories began to abound of fortunes made with a single swing.

For some time, the boom continued. The town’s population exploded, and its bustling saloons and mercantile stores drowned out the sounds that were uttered in the night. It was first the lone miner who worked late, hoping to strike a vein of gold all their own, whose final scream echoed out from within the tunnel he had bored.  Then it was the cattle that had strayed from the herd, found with few bits of still-warm flesh left clinging to bones that bore the indentations of thousands of teeth. When a full camp of miners disappeared and the sheriff’s posse vanished next, those who had abided longest in the area began to recount stories in the shadowed corners of the saloons. They told varmints whose teeth oozed with pestilence, the chittering sound of which could be heard often between the hills. Some, they said, were big enough to kill a man’s dog all of their own, but tales warned much more fervently of the small ones that gathered in swarms. Shaken, they told of watching their comrades drown underneath a tide of fur and fang, exsanguinated almost instantaneously by the thousand cuts that were so quickly inflicted upon them. No rifle nor revolver carried enough ammunition to cull these beasts, and for those subjected to their unearthly hunger there was neither hope of survival nor recourse of revenge. Thus it was, it seemed, that for every ounce of precious ore extracted from these hills there was a price, a price the HILLRATZ would exact in blood.

L 33 returns to EATBRAIN with HILLRATZ, the latest single from the Bulgarian veteran that teems with swarming sonic energy. Whether dispatched through the churning guitars of the B-side “Give a FK” or the skittering percussion of the single’s title track, L 33 delivers a twin pairing of tracks imbued with everything EATBRAIN excels at offering - sinister, unrestrained, and inimitable Neurofunk. 

Written by Gwen Kubik

Hillratz

L 33 - Give A FK (Eatbrain 168)

Eatbrain016
Dabs' Rawbot EP

@dabs
https://soundcloud.com/l-33-1
www.facebook.com/Eatbra1n

The titular Rawbot combines more intricate drum patterns with folding metal robot bass lines and sporadic major scale synth intonations that give the track an odd, retro futurism feel. 

Rawbot EP

Dabs & L 33 - Rawbot (Eatbrain016)

Always Coming Back

Filth bag !!!🔥🔥🔥🔥🔥19/9/25.

Out now on RAM records:
po.st/RAMAnnual2016iT

https://www.facebook.com/doctrine.official
https://soundcloud.com/ramrecords

Deckard

Buy & Stream:
http://smarturl.it/kosen37

Artwork by http://www.yanvfx.com/

Whether it's hard techno, industrial hardcore or drum & bass, dance music producer The Clamps has stayed at the helm of its ever-growing scene. And having such a wide array of influences has helped him to become one of the most notorious players in the darkest realms, having already grown within the trenches of French label Kosen Production, a platform well known for pushing forward likeminded artists. Whether it's his collaborations with the likes of Nick Bee and Redject, or his standalone singles, he's been heralded by many as a pivotal art within the underground, which is why the announcement of his forthcoming album was met with great anticipation from across the market.

Already releasing on the likes Prolix's Trendkill, Invisible, Eatbrain, Titan and Impact Music, he's made his music felt throughout a wide range of imperative labels. The second part of his 'Odyssey LP' sampler packages comes in the form of both 'Looking for Trouble' featuring the notorious Nuklear MC and 'LHS 1140b', which highlight the LP's versatility whilst also engineering two darkly atmospheric cuts which pull you into the sound which The Clamps is renowned for.

If you're a frequent visitor of the international DJing circuit, you're sure to have heard the sampler's A-side 'Looking For Trouble'. It's a destructive call to arms, one which bares its sonic artillery but first rolls out on strung-out note patterns, a rolling soundscape and an intro which pulls you up an intimidating breakdown. As the track catapults into its first immersive plunge, you're taken for the ride and each constructed hook grabs at you with an intimidating snarl, alongside Nuklear's growling lyricism. 'LHS 1140b' is just as gripping but in its own way, with a heavily distorted bassline and crashing drum sequences which create an effortlessly driving single. This is a secondary sampler proving that The Clamps forthcoming album is a force to be reckoned with. It also pedestals the type of diversity which he's historically championed for, although this can only be expected from an artist who's devoted himself to his craft for such an expansive time frame.


Follow The Clamps: 
https://www.facebook.com/theclampsmusic/
https://www.instagram.com/theclamps_music/
https://twitter.com/wayofcrab

Follow Nuklear MC: 
https://www.facebook.com/nuklearmc/
https://soundcloud.com/nuklearmc
https://www.instagram.com/nuklearmc/
https://twitter.com/NuklearMC

Follow Kosenprod: 
https://www.kosenprod.com 
https://soundcloud.com/kosenprod
https://www.facebook.com/KOSEN.PRODUCTION
https://www.instagram.com/kosenprod/
https://twitter.com/kosenprod

Odyssey

Buy & Stream

The Clamps ft. Nuklear MC - Looking For Trouble [Kosenprod]

ARTIST:
@mizodnb
facebook.com/mizodnb
LABEL:
@cause4concern-recordings
www.facebook.com/Cause4Concern/

Beatport Exclusive:https://www.beatport.com/release/black-mirror/2532760
Release Dates: 18.03.19 - Beatport Exc & 01.04.19 Worldwide
MIZO: Black Mirror
When looking at Mizo as an artist and what he’s achieved over the start of his career, it’ll come as no shock that he’s a Russian producer. It seems that Russia has become a microcosm of the drum & bass genre and everything it represents; even from the countries furthest reaches, it’s delivered astounding talent, the type of which has been comparable to figures who’ve spent decades in the game. Mizo’s own output has only followed this trend.

With music on the likes of Eatbrain, Blackout, Dutty Audio and Kosen, he’s never once allowed himself to drop his impeccable production grades. His upcoming EP on Cause4Concern still doesn’t break these rules. 
Although this time, Mizo has again entered the world of Cause4Concern, a label who recently celebrated twenty years in the game and an imprint who’ve proven over the entirety of their lifespan that they’re able to keep up with the current musical climate. Mizo’s forthcoming ‘Black Mirror’ EP is a tribute to this – from ‘Animate’ through to ‘Gravity Fall’, it’s easy to see how Mizo came under the fearsome stretch of C4C.

‘Animate’ begins ‘Black Mirror’ with crackling bass switches and grooves which give the track its momentum as it gradually breaks down. ‘Shaman’ pulls you against its twisting synthesis and tribal-like atmospherics, which create a deeper soundscape to become emerged in. ‘The Pursuit’ features Trilo and as part of the collaboration both artists add their take on a merging of the subgenre’s murkier realms and a more dancefloor influenced edge. ‘Black Mirror’ is the EP’s title-track and it focuses heavily on its slamming drums, centralising the cut with each weighty drum pad. Then ‘Gravity Fall’ is the finishing number, rolling through with sweeping peaks and deep troughs of bass. It provides an exploration of Mizo’s capabilities, showcasing his ingenious strokes of production. Already boasting support from artists such as Noisia, Black Sun Empire, State of Mind, Rene LaVice and Ed Rush, Mizo is a force to be reckoned with. Returning to Cause4Concern, their vast audience is once again about to become enthralled in the music of Mizo.

Mizo - Black Mirror(Cause4Concern057)

Title track from my newest EP on legendary C4C Recordings.

Release date:
August 26th - exclusively via Beatport
September 9th - worldwide

Tobax - Blur Effect (clip)

/ˈdɒktrɪn/
https://www.facebook.com/doctrine.official

Deckard

Doctrine