With no hope, no morality and no expectations; London's Cotton Candy Kid has emerged from the gutter of various musical projects, having toured on and off in different guises for the last 2 decades. Surfing the void from The Velvet Underground and The Stooges, NIN, Death From Above 1979, Jack White, Nirvana and Queens of the Stone Age; his first self-produced collection came in the form of the early 2020 release: The Virus Sessions '20; a retrospective of melodies, rhythms, concepts and instrumentals that hit from hard glitchy dance to introspective acoustic musings. Later in 2020 saw the release of The Great Leveller; inspired by the ever changing post-pandemic world and a lament upon loss, hope and the numerous pending questions posed; set to a predominantly psychedelic sound. 2021 heralds the release of Black Rabbit, a progression of guitar work and a lament for the mental health impact of the "new normal".

Hello all.  My name is Taylor Crawford and I'm here to share my music with you. 
Instagram: @taylorjohncrawford

Ninja Project director Octavio "Gorilla" Watanabe
Guitarist (Rock/Flamenco)
Producer
Song writer
Guest House Manager

The evolution of Angelos Mavros’ music began with organ and harmony lessons at a very young age, back in 1991. His professional career began in 1999, when he started creating music on his home computer.

For more than two decades, Angelos continued releasing electronic music under the aliases @OutSid3r and @DJOpenSource.

In 2020, Angelos broke down the walls between “electronic” and “organic” music, adding live instruments to enhance the cinematic feel of his pieces. This marked the blossoming of his lifelong passion for instrumental music, as he began releasing orchestral compositions under his real name and a new label: Partituræ Immortales.

I'm just a dude who makes music. Good luck with that by the way!

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