It's a beautiful, precise competitions that employ the brutal metallic crashing, crumbling sonic hallmarks of club music with a more exacting touch than we've heard before. "should read "It's a beautiful, precise composition that employs the brutal metallic crashing, crumbling sonic hallmarks of club music with a more exacting touch than we've heard before.

Ruptured Pulse EP

Jikuroux - Slow Pressure

See here for more info: https://www.aqnb.com/2019/06/21/m-james-launches-a-name-change-a-new-series-with-the-brooding-drum-beat-intra-personal-dialogue-of-sidewinder/

Lust as A Form of Crisis [MJAMES001]

M. James, 'Sidewinder' (2019). Courtesy the artist.

我不停飞越峡谷穿过山洞
坚持做美利坚的干货专供
808把台下观众煽动想翻供的那些哥老倌接到酸
歌词就像东风快递精准打击震撼耳膜波及泪腺
所以难免会给作男作女幼小心灵留下玻璃碎片
团队肯定手起刀落
但我的团队永远不会包括你
音乐从来没人教过
但我的天赋努力肯定超过你
没空陪你们去焦虑 交际
懒人就不配得到上帝包庇
所以我从来不去街上超
脏东西但怕不是该上交
就让汗水 打湿背心
存款不劳傻子费心
雅致贵宾 你们球鞋码子贵些
但我们就像马刺队
你是对的 你是对的
毕竟你是几十岁的老头
找了几只小狗帮你炒作
今年身价好像翻了几十倍
音乐公司好像都想得到我的指纹
所以我碰过的东西全都非常干净
总是觉得肩上担子变得越发死沉
麻衣老头跟我说你娃不是一般命
音乐公司好像都想得到我的指纹
所以我碰过的东西全都非常干净
总是觉得肩上担子变得越发死沉
麻衣老头跟我说你娃不是一般命
Eh 我在圈子的臭味来前关上窗户
Eh 我在网易的乐盲坟上插根香烛
Eh 我们更相信律师你不要跟我扯江湖
Eh 我们是照亮中国音乐的那一道光束
我就是努力的天才你想要去阻止我堵死我都没得法
嘴巴也很干净我保证这世上不存在PO8抽过的
黑特们骂完我改天又香的很 黑人朋友说我音乐很像黑人
纯正的好货在心中笃定
反倒是中国的听众不信

明日不可待 Tomorrow Cannot Be Waited (PO8 & Willim Remix)

In October, Beijing-based visual artist and producer Howie Lee released his last full-length recording Tiān Dì Bù Rén, a fourteen-track concept album mixing Taoist pith and environmental fatalism into a high-minded manifesto. He now invites artists from all around the world with different backgrounds and genres, to remix tracks from the original album, piecing together yet another adventurous sonic journey.

Featuring Remix Guests：
@mikegao 
@shokuhin-maturi 
@yehaiyahan 
@markredito 
@alexwangt 
@anti-general 
@swimful aka Spectrum Ripper
@melo-luo & @williamarch

21世纪自杀 21st Century Suicide (YEHAIYAHAN Remix)

Giorgio Di Salvo signs a new chapter in his Advanced Audio Research: a blast of free-form junglish mayhem, once more released in coproduction with Haunter Records. This time ripe with the furthest experimentations and most far-out cuts coming out of the AAR headquarters.
That’s right, we’re dealing with some serious freakishness : using the same generative process and wicked arsenal of tools as his previous oblation, Di Salvo managed not only to top its rave-ready madness, but also to venture far beyond, arranging the gnarliest noises into wild, crooked beats and mocking melodies.
AAR’s music is still closely related to the heaviest dance music paradigms like breakcore and flashcore, tho it maintains such a unique character and such a distinctive sonic palette that makes it stand within that musical world in a truly refreshing manner.


Recorded by Advanced Audio Research
Mix & Master Tapewave
Artwork by Giorgio Di Salvo
Cat. No. HR024 – All rights reserved.
℗ & © Haunter Records 2019
www.haunterrecords.com

all rights reserved

Adventure In The Land Of The Music

Farsight - Not Here, But Somewhere is OUT on Maloca
Preorder (Vinyl/digital) : maloca.bandcamp.com/album/not-here-but-somewhere

“There’s a space for each artist...
Kandinsky said it very good — Not here, not there, but somewhere.” -Willem De Kooning

For Farsight, California’s bucolic San Geronimo Valley was the space that allowed for the creation of this handpicked selection of artistic output. Following a period of deep interest in abstract painting and its relationship to music, the artist found this lush and sparsely populated region to be an ideal location for contemplation and composition. Although the majority of the work was executed in the first two months of 2020 in this forested setting, some of the pieces were based upon drafts created as early as Summer 2017.

United in their eclecticism, the six cuts that comprise “Not Here, But Somewhere'' reveal a broad spectrum of musical influences. They are statements in an age in which influence is omni-directional, and in which the pace of artistic invention outstrips the ability of observers to identify and reify sub-genres. Although each track presents a unique approach, “Cadena,” “Sans Titre,” and “Door to the River'' reflect the continuing global suffusion of Latin American and Carribean styles such as reggaeton and dancehall.

Simultaneously, the duo of “While” and “Hot Half” suggest the ongoing dialogue of techno, electro, and industrial music and the interstices between them. “Mid-Winter Burning Sun” invokes the intensity of American trap music with its booming bass while touching equally upon the feel of early dubstep.
Ultimately, the idea that there is a “space for each artist” can be taken both in a literal sense— One’s physical environment— And also in the figurative sense that there is room enough for the ideas of all artists, who are kindred spirits in the endeavor of radical self-expression. In this way, “Not Here, But Somewhere” exists as an acknowledgement and gesture of goodwill towards every artist daring enough to explore the unknown.

Farsight - While

whatman (odd eyes) 
http://yesoddeyes.blogspot.com/

Tracklist: 

佐藤理 (Osamu Sato) - Orange Juice Radio
Toma Kami - E-ache (Original Mix) 
Club Winston - Reject
Klute - Workout
細野晴臣 (Haruomi Hosono) - Heliotherapy 
H - Aetherius Stellar Sofa 
荒井優作 (Yusaku Arai) - 豆腐 
Lyra Pramuk - Mirror 
Perko - Grace 
Nathan Fake - Stops (Original Mix)
佐藤理 (Osamu Sato) - Daisy Drum

GUEST HOUR w/ whatman

"Intimate Ghosting", a compilation album featuring nine musicians from Japan and South Korea, is being newly introduced to the roster of the Netherlands/US-based record label Psychic Liberation. Under the curation of novelist and musician Jiyoung Wi, the album contains the works of Arexibo (KR), Arles (KR), bela (KR), Jiyoung Wi (KR), Joyul (KR), Kazumichi Komatsu (JP), Kenji (JP), Ultrafog (JP), and Yeong Die (KR). ‘Intimate Ghosting’ is a lucid invitation to the effervescente sonic field progressing throughout the experimental, left-field, ambient music communities of said regions. The album artwork is from Moon Bae, an artist working in the US and South Korea.

Curation : Jiyoung Wi
Mastered : Elizabeth Davis
Design : Moon Bae

Distributed in the United States by Fantastique LLC

Intimate Ghosting

INTIMATE GHOSTING

B3. KENJI - CORRESPONDENCE 2020

Artist: Bamboo Mystics
Album: Swara Suci
Format: Digital / Tape
Cat.No: CHI027
Master: Justin randel
Artwork: Saphy Vong
Release Date: 12th February 2021

Languid psychedelia and meditative earth tones dominate on Swara Suci, the new album from Indian artist Bamboo Mystics. Using gamelan instruments, bamboo flutes, Jal tarang (Indian Water bowls), Kacapi (Indonesian Harp) and his voice, the New Dehli-based artist explores the linked musical traditions of India and Java, adding field recordings and African rhythms to make a warm, glowing ambient soundscape. Swara Suci is an intelligent addition to the recent revival of New Age sounds for the digital era, recalling the measured, spiritual experimentations of Jozef Van Wissem or Laraaji.

Holding a post-graduate degree specialising in the tabla, the pair of twin hand drums from the Indian subcontinent, Bamboo Mystics utilises his love of traditional instrumentation on Swara Suci. On the lush, dreamlike opening track, Pelog baru, he plays the kacapi, an Indonesian harp, in a composition inspired by classical Indonesian gamelan music.

Driven by the African djembe drum, the hypnotic Rainbow Mother uses percussive instruments from the Indonesian gamelan – the kendang sunda and bonang. On Air Suci, he uses jal tarang, Indian ceramic melodic water cups, finely tuned to connect with the rhythm of water. He maintains a meditative but generous textural atmosphere throughout the record, with vocals and field recordings anchoring the complex instrumentation into lived reality.

Bamboo Mystics, whose birth name is Rahul Jigyasu, is deeply inspired by the natural world across the Asian continent. “Swara Suci means pure notes in Bahasa Indonesia,” says Jigyasu. “The album is called Swara Suci because it is a pure acoustic and vibrant sound, reflecting the sound of nature.”

All the tracks are solo works except ‘Lucid Hunter’ (duo as Musica Medicina) and ‘Rainbow Mother’ (duo as Irama sounds)

About Bamboo Mystics:

Hailing from New Delhi, India, Rahul Jigyasu holds a post-graduate degree in music from Khairagarh University in Chhattisgarh. A student of the Western Indian Nathdwara tradition, he has an ear for melody and complex rhythms. The connection between the ancient and contemporary gave him in-depth knowledge of world rhythms.
In 2015, he finished a yearlong music fellowship in Java, Indonesia, learning classical gamelan. During this time, he also learned to make instruments with bamboo, and he now conducts bamboo music and crafting workshops, as well as teaching tabla and other instruments. This is his first release with Chinabot.

Swara Suci

Pelog Baru

Bamboo Mystics - Pelog Baru

中国
From China and go beyond. 
Tracks submission/General enquires: dohitsofficial@gmail.com

Do Hits Family:
Howie Lee: https://soundcloud.com/howielee
Guzz: https://soundcloud.com/guzzchina
Jason Hou: https://soundcloud.com/jasonhou
Billy Starman: https://soundcloud.com/billystarman
Veeeky: https://soundcloud.com/wei-chia-wu
Dokedo: https://soundcloud.com/dokedo
ZHI16: https://soundcloud.com/zhi16

明日不可待 Tomorrow Cannot Be Waited (PO8 & Willim Remix)

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