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to forcefully recontextualize experimental and contemporary music // to negate the sonic description of innovation created by global north in the 21st century // to negate the fictional history of development in experimental music // to reconsider counterpoint as a colonial fragment // to reconsider tonal harmony as a colonial fragment // to reconsider the clavichord and baroque music as a colonial fragment // to consider the charango as a virtual extended technique instrument // to rethink the clavichord within a new possiblity for counterpoint // to acknologde the “herofication” of european musical landmarks as a form of ideology // to propose and practice an open multiple form view for new music // to negate a local practice and dialogue as a universal speech // to practice and recenter global south as the matter of the conversation // to ignore their idols // to profit from the gringo’s system // to buy my grandma a house // pela paz do corpo mestiço pardo brasileiro // to ocupy their spaces // pela malandragem // “europe is indefensible” // “demorou, eu quero é mais, eu quero até sua alma” // pelo lixo ocidental // eu nasci pobre mas nao nasci otario // good luck getting me out of your deutsche land

Credits:

Composition: Marcio Zygmunt
Arrangement: Marcio Zygmunt
Performance: Marcio Zygmunt (Electronics, Voice, Guitar, Flute), Ivana Bandalo (Clarinet), Coraima Díaz Torres (Voice)
Engineering: Marcio Zygmunt
Mastering: Marcio Zygmunt
Coverart: Marcio Zygmunt

[jovemdeu$, 2022]

jds$003

$ecretos de Un Ojo Atrapado (A Minha Mãe Me Avisou)

First prize Grand prix Russolo 2017
First prize Fundation Destellos 2018
Laureats GRM Multiphonies, 2017
First prize Competition international citta di udine 2018
First prize  Fondo nacional de las artes  2017
Prix Exhibitronic à Strasbourg 2017

La obra pone en manifiesto el periplo de una maquina incógnita concebida como un multi-objeto. Lo curioso es que el viaje de esta maquina sucede atraves de diferentes capas pertenecientes a una estratigrafía imaginaria, es decir que va perforando y explorando los recovecos ocultos de la imaginación. La maquina funciona como un leitmotiv que articula las distintas secciones . La estructura de la obra esta sujeta al periplo anteriormente mencionado. Desde el comienzo hasta el minuto 5  ́ 25  ́ ́ se transita por cuatro estratos, y es a partir de aquí , que emerge el quinto y ultimo estadio, como un ensueño al que se le reserva la mayor profundidad en el espacio interno de toda la obra, en analogía a la zona de mayor profundidad de nuestra imaginación. Luego de esta sección, un rallentando anuncia el retorno a la realidad. El motor de la maquina se detiene en el final de la obra.

La machinerie d'un imaginaire

Antinomy: incompatible truths/facts; anomalies; irreconcilable differences/perspectives; all pushing the boundaries of language, awareness and understanding toward ever-expanding limits.

Antinomies expose the limitations of binary, either/or, 0/1 logic, as well as the use of discrete, categorical and conceptual boundaries in language.

Examples: logical and rational/irrational paradoxes; catch-22; sociological: an American era of mass incarceration as a ‘solution’ (which generates more expansive problems) to the difficulties of drug addiction, poverty, homelessness, unaddressed psychiatric illness, etc. 

'Antinomy' as an awareness and curiosity of audible anomalies of sound which seem to be incompatible with visually-based conceptions of space: superposition of sound ‘objects’ in space, sound waves constructively/destructively interfering AND passing through, intact without structurally modifying interactions. An intuition emerges, of a multidimensional auditory ‘space’ (field) with more than 3 dimensions, subject to different patterns and characteristics, in addition to those aspects perceived, conceived and measured visually.

'Antinomy'

Between Breaths

201220

Dolores Catherino is an avant-garde  composer, exploring new sonic frontiers with PolyChromatic music. Inspired by creative collaboration, she is also exploring integrated perspectives at the crossroads of music, science, technology, and the humanities.

The music shared here is part of a larger exploration of developing increasing awareness of sound/vibration phenomena.

An invitation is extended to creative remix and modification!

'Antinomy'

Dolores Catherino

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