Energetic raw Alternative Indie Punk riff-fest, Rip raw monster chorus (1.07)- Razor sharp lead/bass guitars by Alan Riggs (Delta 5 band /Apple ipod TV Commercial) 

Mastered by Andy Baldwin @ Metropolis studios(Worked with Blur, The Who, Oasis & Wretch 32) Recorded at Carlone Music Production (Firm House studios)

WEAPONS IN SPACE

I Don't Do / Grand Central

I Don't Do / Grand Central (feat. Zoh Amba)

No Parlez

written and recorded by .srj, august 2025.

guitar - .srj
bass - .srj
keyboards - .srj
drum sampler - .srj
percussion - .srj

artwork: "NIMROD" by .srj | pen and paper, sept 2025



[protocol.001{

because of thy hand:

When he had said these words unto them, he abode still in Galilee.

upright bass + a bunch of trippy world percussion

Clique

We built the cities, tall and strong and bright,
Tamed the rivers, banished endless night.
Eight billion mouths, we learned to feed and fuel,
Made industry roar, against the old, harsh rule.
But still we wander, strangers in this land,
Each a lonely atom in the cosmic sand.

How do we build a soul that all can share?
A common pulse, a light beyond compare?
A single purpose, for the human race?
A guiding code that finds its perfect place?
How do we build a soul, a unifying art,
To program peace into every human heart?

We shaped the planet, bent it to our will,
With hands of steel and minds that can't be still.
We shattered borders, and we bridged the seas,
With screens that glow, and satellites with ease.
But still we fight, for tribe and ancient ground,
A silent fracture, without any sound.

How do we build a soul that all can share?
A common pulse, a light beyond compare?
A single purpose, for the human race?
A guiding code that finds its perfect place?
How do we build a soul, a unifying art,
To program peace into every human heart?

It is the final, monumental quest,
To find the peace within our troubled breast.
A new existence, forged by thought and plan,
The ultimate creation of the hand of man.
How do we build a soul that all can share?
How do we build a light beyond compare?

We will build a soul that all can share!
A common pulse, a light beyond compare!
A single purpose, for the human race!
A guiding code, for all of time and space!
To program kindness, a unifying art,
To forge a brand new soul and a brand new start.

—
Arrangement and vocals: Volker Redder, Udio, GarageBand
Loops and samples: Volker Redder, GarageBand
Editing and sound design: Volker Redder, Ozone 11, Sound Studio, GarageBand
Lyrics: Volker Redder, translated with the help of Google Translate
Cover design: Volker Redder, Photoshop, DALL-E 3

How Do We Build A Soul?

Trap On Door

Dive Records Present - Live on KMS Sound System. 
08/30/2025

https://www.youtube.com/watch?v=AIz1dnsseps

Dive Records presents Live on KMS Soundsystem 08/30/2025

A potentially infinite, Momentform structured, bass trombone solo

PER SEMPRE MOMENTANEAMENTE (F. Cumar)

sketch (1109) for string quartet

The track opens with a chilling, ritualistic chant that instantly pulls you into a world of shadow and mystery, evoking a forbidden ceremony on a forgotten isle. It's a dark and unsettling introduction that builds a sense of unease, as if the music itself is a plea to an ancient, volatile force.

Just as the tension becomes almost unbearable, the song shifts gears completely. The primitive soundscape gives way to a vintage, almost otherworldly lounge jazz tune. The horns wail with a hint of exotica, like a soundtrack from a dusty record you'd find in a hidden tiki bar. This isn't the smooth jazz of a city nightclub; it's a frantic, unstable melody that mirrors the wild, unpredictable energy of the island itself. It's the sound of paradise on the verge of madness, a perfect blend of tropical beauty and untamed chaos

Peephole  Vol. 1

Island Fever

Appreciate you being here ❤️ if you’re into the sound, show some love with a like & follow 🙏
--------------
Disclaimer:. (The vocals/elements are based on generic models — no real voices were intentionally imitated.)
It features AI-generated vocals/audio elements, integrated into original compositions that include:
self-written lyrics
a fully original storyline and all narrative content — entirely imagined, written, developed, and refined by me
personally created musical elements, instrumentation, arrangement, sound design, mixing, and mastering
all conceptual and creative ideas
Each track has been individually produced through significant original creative work and artistic direction.

--> all elements generated using AI-based vocal/audio tools, which are used under a valid commercial license. The final production has been substantially transformed through original creative input, including composition, lyrics, arrangement, sound design, and mastering. All rights to the finished work are reserved. Any reuse, reproduction, or modification is only permitted with explicit permission.

All rights reserved. No commercial use. Downloads disabled.
Reuse, reproduction, or redistribution — in whole or in part — without prior written permission is strictly prohibited

FU**TR@CK (POSTDREAM SNIPPET)

in this mountain

how much more their fulness?

https://gannein.bandcamp.com/album/gannein-time-will-tell-gnrl001

Gannein - Time Will Tell [GNRL001]

This new EP represents a powerful, mature step in my work. It’s a project that showcases bold choices and a readiness to explore new sounds. The goal was to create music that is both immensely powerful and full of emotional depth—a sound designed to fill big rooms without losing its feeling.
The project unfolds as a sonic journey.

We start with the tribal groove of "Come Closer," move into the big-room techno of "Time Will Tell," and then take a surprising turn with the dubstep-techno fusion of "Reframe." The EP culminates with a dark, hypnotic remix by FVKS, making it a perfect tool for any DJ's late-night set.

Tracklist

Gannein - Come Closer: This track is built on a loopy, hypnotic techno beat. A subtle, whispered vocal adds a seductive, raw groove that gets under your skin.

Gannein - Time Will Tell: A pure, relentless techno track designed for the big room. Its patient, building loop and cinematic sound design create a cathartic energy for the dance floor.

Gannein - Reframe: This track is a purposeful departure, blending the deep, haunting bass of early dubstep with psychedelic techno layers. It's a hypnotic journey for adventurous DJs.

Gannein - Reframe (FVKS Remix): FVKS reworks the original into a powerful, hypnotic weapon for the main floor. Centered on a vicious kick and brutal low end, the hard-hitting percussion creates a relentless force.

Credits

Composed, Mixed, and Mastered by: Gannein
Artwork by: Gannein
Remix by: FVKS

All Rights Reserved. © 2025 - Gannein. Unauthorized use and/or duplication of this material without express and written permission from this artist is strictly prohibited.

Gannein - Reframe (FVKS Remix) [GNRL001]

aspetta,

And when he was departed thence, he went into their synagogue:

Quiero que vivamos bien! ( new mix )

Cruelty Free

A Beautiful Child

Interlude 7

And brought them out, and said, Sirs, what must I do to be saved?
And they said, Believe on the Lord Jesus Christ, and thou shalt be saved, and thy house.

e+ . .. ..... O .......... o ......... 0 ....  .  . . .:::e+
e+ . ..  ..... /I\ ........ /I\ ........ /I\ ...      .  . . .:::/I\
e+ . .. .…../\ ......... /\ ......... /\ ....     .  . . .::://

my world is yours

Brand NEW Alternative indie punk artist previously known for her dance hits which harnessed support from superstar DJs like David Guetta and Fatboy Slim turns Raw, Rebellious Hard Edged Punk Rebel!

Taigah 22 is an audio project exploring the sonic edge of Techno,  World Fusion, Industrial , Experimental & Ambient music.

➜I'M LOOKING FOR VOICES/SINGERS. 
ARE YOU INTERESTED? GET IN TOUCH!
contact.requiemdejero@gmail.com

Meditation, Medicine, & Strange and Psychedelic Music

booting... 
>>userid: cybernetitron.srj //
ACCESS NODE: washington dc
>>heres_my_music.cache... EXECUTING//
*... S E L E C T_I N D E X_F I L E_B E L O W...

Finnish composer, producer, writer and visual artist, focused mainly to algorithmic processes, computer-assisted composition, and various other methods based on cybernetics, chaotic dynamics and stochastic systems, among others. Most programs written by author, various languages. 

Studied musicology at University of Helsinki, computing at OU, Milton Keynes, private studies in composition. Musical genres, from avant-garde/postminimal chamber music to minimal techno, wonky/noskool, IDM, electronica, ambient, experimental. 

Federico J. Bramanti. I love recording songs⛩️♥️

Haga187= (Hagakure/ One Eight Seven*)  
One man band created by Peter Dos Santos. 
Bass Guitarist, Guitarist, Pianist and Improvised Songwriter
Compositions,Samples and Bass lines.
Open to collaboration. I can’t follow back anymore, maximum suscription on SoundCloud. 

Haga187Peter Dos Santos: Synth Drums, Bass Guitar, Guitar, Keyboards, Synths, Singing, Lyrics. 
All credits on the songs. 
All the tracks are made with Universal Audio Volt 276, Fender Jazz Bass Mexico, Squier Telecaster Butterscotch, Sherwood SH930CEQ Electro Acoustic Guitar, Korg D1BK, GarageBand except for Fantastic Mr Fish and Breakfast in Kreuzberg ( No soundcard at the recording.)
A few songs are supposed to become animated clips soon. (2024/2025)
All rights reserved (Imbd-Haga Records)
Influences (Bass): Jean Jacques Burnel-The Stranglers,Simon Gallup: The Cure (especially Three Imaginery Boys), Larry Graham ( Graham Central Station/Sly and The Family Stone,Betty Davis)Bobby Vega ( Sly Stone- Sly and The Family Stone,Tower of Power), Peter Hook (Joy Division/New Order), Tina Weymouth (Talking Heads), Paul Simonon (The Clash), Noel Redding (Jimi Hendrix), James Jamerson (Marvin Gaye, The Four Tops,The Temptations), Jaco Pastorius (Weather Report, himself),Glenn Cornick (Jehtro Tull),Les Claypool ( Primus), John Cale ( Solo, Velvet Underground)

"Redder" is a palindrome. Like "racecar" or "level". These pieces of music ain't.

My name is Volker Redder, online I go by "docredder." It all came about because I studied biology and computer science for a long time and received my doctorate as the crowning achievement of my academic career.
As a child, I sang Bach in the church's „Knabenchor Unser Lieben Frauen“ because my mother thought it was good for my soul. And it was, until, thanks to an excellent teacher, I realized that music is like mathematics. After that, I loved not only music but also mathematics and all sciences based on mathematics: physics, biology, chemistry, computer science. So, I went straight into the natural sciences and engineering. Yes, I studied a lot. However, a university career wasn't for me. I wanted to monetize the findings of the various sciences (you can't live on air and love alone) and founded over a dozen companies. Because who wants life to follow a clear formula? I certainly didn't. In addition to adventurous entrepreneurship, the subsequent career in politics (German Bundestag), and a growing family, I was constantly picking up the guitar or keyboard, which is what you do when you want to escape the chaos of everyday life.
Should I say I'm a virtuoso? No. That would be a lie. I'm just too lazy for that. Laziness, or in modern parlance, "efficiency," is a principle for me. And so I founded my "own studio," consisting of a lot of electronics and software. The hipsters call it DIY. I call it "not wanting to act like a big shot and book expensive recording studios." I'm a one-man orchestra, a chef-d'oeuvre who spends all day producing pop, rock, indie, and ambient mishmash until he finally finds it he likes. My menu? Pink Floyd, Genesis, Supertramp, Muse, Zappa, Miles Davis, and many more. Yes, all at once. I told you: mishmash.
There are guys who write music to become famous. Then there's me. I write music to keep myself from going crazy. Sometimes it's funny, sometimes there's melancholy in it, sometimes it's stories from literature or something sci-fi. Or from Tinder dates my daughters have told me. I mean, who hasn't wondered what "being in Tinder light" is? Exactly. I wrote it down. I use everything I can get my hands on: GarageBand, samples, my voice, AI voices, Udio, VirtualDJ, everything! I don't care if purists say it's no longer art. It doesn't matter, the main thing is that my music feels like a window you can look out of and discover something new again and again.
Every song becomes a little adventure. Sometimes I start with a line, sometimes with a feeling I can't shake. It's like an escape from reality, except in the end, there's no escape. And that's a good thing. This is how I stay grounded. Okay, grounded isn't the right word either. Let me put it this way: I've stayed true to myself. And I'm grateful for everyone who listens, shares, or comments.
It makes me feel like I'm not completely alone in this madness. So if you also like songs that don't follow the rules, I'd be happy if you joined in. After all, the world is crazy enough.
You have to fight that with music. I mean, that's logical, right?

https://gannein.bandcamp.com/
https://www.gannein.com/

Sonic alchemy that moves body and soul.
1/2 @variaberlin

TRACKS
https://on.soundcloud.com/o7YoNZU3KBd7GW457

PODCASTS
https://soundcloud.com/gannein/sets/podcasts

Laureato in filosofia e diplomato in trombone, come compositore ha vinto diversi premi, tra i quali il primo premio al concorso “2 agosto” di Bologna (2006) con Papageno made me write this piece per flauto e orchestra e il premio “Potsdamer Divertimenti” con Bricks, per timpani e orchestra d’archi (2008). Ha realizzato, in collaborazione con l'Associazione Motoperpetuo di Pavia, gli spettacoli Kublai (2012), melologo jazz per narratore e sette strumenti su testi tratti da Il Milione di Marco Polo, e Seven Sins Suite (2013), suite polistilistica per sette strumenti ispirata ai vizi capitali. Nel 2019 ha vinto il premio “Città di Todi” con Preludio tudertino, per orchestra studentesca ed è stato segnalato all’Eisenacher Kompositionspreis per Der Kantor, composizione per grande orchestra.

New tracks tagged #Avantgarde